Having Rob and Amelia from Heavenly drive the band around England, showing monolithic stones and yo-yo tricks to Adam, Cynthia, Madison, and I for a week straight.
My one afternoon with Mt Misery in Glasgow made my whole year worth it.
Late night hangs with Kenji and Adam at Kenjis flat will hopefully replay on my deathbed, I will never forget falling asleep on Kenjis couch to some of the best music I had never heard.
The incredible hospitality of Emanuel, Jeremie, and Hadrien in Paris, and walking out to open our show to a completely packed and sold out Supersonic.
Rachel Love giving me a Dolly Mixture cd in Brighton made me cry almost immediately upon delivery lol
Releases
Aside from all the excellent slumberland releases, like the ones from our tourmates Jeanines and Tony Molina, I listened to the new records by these bands a lot (in alphabetical order!)
Gail O – chickfactor editor in chief Nina Nastasia at Show Bar
Stuart Murdoch book event and solo set at Polaris Hall Michael Hurley Memorial at Cherry Sprout
Gina Birch at Mississippi Studios
Saint Etienne – International Sharp Pins – Balloon Balloon Balloon
Brian Bilston and the Catenary Wires – Sounds Made by Humans
Jeanines – How Long Can It Last
Edith Frost – In Space
Destroyer – Dan’s Boogie
Mei Semones – Animaru
Horsegirl – Phonetics On and On Edwyn Collins – Nation Shall Speak Unto Nation
Marissa Nadler – New Radiations
Robert Forster – Strawberries
Telephone Numbers – Scarecrow II
Dean Wareham – That’s the Price of Loving Me
William Tyler – Time Indefinite
The Real Tuesday Weld – Crow at Christmas
Flinch. – Misery Olympian
The Clientele – Violet Hour on vinyl
Salem 66 – Salt
glo-worm – glimmer on vinyl
The Motorcycle Boy Peel Session
Railcard – Railcard EP John Roseboro
Shouting Out Loud: Lives of the Raincoats (Audrey Golden)
Teenage Daydream: We Are the Girls Who Play in a Band (Debsey Wykes)
Futsal
Soccer City USA
USWNT
The American people saying HELL NO to this shit
Portland, Oregon – deserves the Nobel Peace Prize
A tough year even beyond the kakistocracy shitshow. I hated missing Sarah Cronin’s wake, YLT Hanukkah, Dromfest/Salem 66 songs, and a few other things, but it is what it is. RIP, Sarah and Shay
Franklin Bruno
It’s been decades since I listed, much less ranked, my top records of the year; I discover or rediscover so much older music through reissues or just crate-digging that I’ve stopped distinguishing past and present as a listener. But I can tell you about 24+ excellent shows I saw in 2025: two per month, roughly one rock/pop/“indie” and one jazz/improv/experimental, plus a few outliers. (NYC unless noted.)
Eljin Marbles, The Pick-Ups, Girls on Grass; Sanger Hall, 1/18
Susan Alcorn; Zürcher Gallery, 1/21
The Love Hangover (about 15 artists doing 2-song sets); Berlin Under A, 2/15
Lesley Mok/Lester Saint Louis/Craig Taborn: Bar Bayeux, 2/26
Angela Niescier/Tomeka Reid/Savanna Harris: Jazz Gallery, 3/12
Sloppy Heads; Main Drag Music, 3/14
Nels Cline Consentrik Quartet; Le Poisson Rouge, 4/14
Ida, private show, Laurel Canyon (CA); 4/27
Pomona College Balinese Gamelan; Bridges Hall of Music (Claremont, CA), 5/5
Robyn Hitchcock, Emma Swift, Philosophical Research Society (L.A.); 5/14
Sam Newsome/Anthony Coleman/Brandon Lopez/Nick Neuberg; Bar Bayeux, 6/18
Bug Club, Omni; Bowery Ballroom, 6/26
Mekons, Johnny Dowd; Bowery Ballroom and White Eagle Hall, 7/17-18
Matt Mitchell, trio w/ Kim Cass/Ches Smith, and solo; The Stone, 7/16 and 19
Tie: Open Hand, Landowner, Editrix; Union Pool 8/9 and Sable, Room de Dark, Sotto Voce; Bar Freda, 8/22
Gabrielle Stravelli Trio; Mezzrow, 8/12
[Wild Card: Lucinda Williams, Wilco, Bob Dylan, Willie Nelson; Jones Beach, 8/1]
Haircut 100, Chao; Sony Hall, 9/24
Cecile McLorin Salvant w/ NY Philharmonic; Lincoln Center, 9/25
Stereolab, Dorothea Paas; Brooklyn Steel 10/2
Sullivan Fornter/David Virelles/Kris Davis; Jazz Gallery, 10/4
[4-way tie]
Anthony Braxton, Composition No. 101 and Syntactical Ghost Trance Music, Roulette; 11/5
[Ahmed], Billy Steigers; Cafe OTO (London), 11/12
Ed Kuepper & Jim White, Mick Harvey; TV Eye 11/17
Tiers de Familia, The Scene Is Now, Deerfrance; Francis Kite Social Club, 11/22
Jonathan Paik/Shogo Yamagishi/Max Nguyen; Close Up, 12/14
Stephen Prina, For The People (of New York), and w/ David Grubbs; MoMa, 12/4 and 12/13
I can’t really list shows I played myself, but I have to put in a word for the absurdly talented people I made music with in 2025: my bandmates in The Human Hearts (Bob Bannister, Pete Galub, Matt Houser); Tsunami, our touring partners Ida, and onstage guests including Richard Baluyut, Clint Conley, Kate Pierson, Sally Timms, and Bob Weston; Laura Cantrell and the States of Country band (Jeremy Chatsky, Kenny Kosek, Mark Spencer); Beth Kaplan (of Salem 66) and Chris Brokaw. Career — no, lifetime — highlight: sitting in with Scrawl (Union Pool, 9/1) to play keyboards on Magazine’s “Song From Under the Floorboards” with Scrawl (Union Pool, 9/1).
Photo of LD from Gail O’Hara’s 2012 photo book which LD designed
It’s been 5 years since LD Beghtol passed away and since then his friends, former bandmates and collaborators have been wanting to pay tribute to him. Now it’s finally happening. His former bandmate in Flare, Charles Newman, will release the tribute album ALL THESE THINGS I THOUGHT I KNEW on his label Mother West. Linda Smith was also the driving force behind getting this thing to come to fruition. LD would have been 61 tomorrow, Dec. 13. Read the press release below.
cover art for All These Things I Thought I Knew – Artwork by Nick Moore / @nicholasmooreart
LD BEGHTOL COMPILATION TRIBUTE ALBUM All These Things I Thought I Knew will be released in April on Mother West
Album To Feature Renditions of Beghtol’s Songs By Linda Smith, Julia Kent, Stephin Merritt (The Magnetic Fields), Jon DeRosa (Aarktica) and Charles Newman, Kendall Jane Meade, Dudley Klute, Moth Wranglers, Stephen Coates (The Real Tuesday Weld) and Doug Hilsinger among others.
LISTEN TO JULIA KENT’S JUST-RELEASED TRACK, “EPHEMERA” HERE.
December 12, 2025; Los Angeles and Everywhere Else: Today, we announce the upcoming release of All These Things I Thought I Knew, a compilation tribute album to LD Beghtol, his life and music.
The announcement falls a day before what would have been LD’s 61st birthday and circa the 5-year anniversary of Beghtol’s passing. The album, slated for an early spring release on Mother West, will feature an enviable array of artists who knew, were inspired by, and collaborated with the artist who passed away tragically in December 2020.
Beghtol is, for many, best known for his role as one of the lead vocalists featured on The Magnetic Fields’ now classic album 69 Love Songs, having voiced heartfelt tracks like “All My Little Words” and “The Way You Say Goodnight.” But LD was a creative force and a prolific artist in his own right, leading the NYC chamber-pop outfit Flare, and all its subsequent incarnations, for over a decade, as well as releasing music under various other monikers like LD & The New Criticism. He was also a part of the experimental pop duo Moth Wranglers and TMF offshoot The Three Terrors.
In addition, LD worked as an art director for the Village Voice and wrote about pop culture for Chickfactor, as well as for Time Out New York, The Oxford American, The Advocate and the Memphis Flyer, his local paper for a time.
Beghtol’s passing inspired friend and singer-songwriter Linda Smith to connect with his former Flare bandmate and producer Charles Newman with the intention of compiling a tribute album of his songs.
Says Smith, “This album is a different kind of tribute album. It is a tribute to a musician by other musicians who knew and/or worked with him. Where other tribute albums may contain versions of well-known songs covered by artists who did not personally know the songwriter, the songs of LD Beghtol are not well known. Those of us included on this album wish not only to remember a friend and collaborator, we also hope to make these witty and memorable songs better known to a world too long unaware.”
Newman follows, “LD and I made so much music together and played some great shows. I learned a lot from him about music, art and history. My connection with LD deeply shaped the art I make and the way I approach it. His influence will forever live on in my work.”
All These Things I Thought I Knew features renditions of LD Beghtol’s songs by artists Linda Smith, Julia Kent, Stephin Merritt (The Magnetic Fields), Jon DeRosa (Aarktica) and Charles Newman, Kendall Jane Meade, Dudley Kludt, Moth Wranglers, Stephen Coates (The Real Tuesday Weld) and Doug Hilsinger among others.
“I loved him dearly: he was kind, witty, brilliant, unique soul, who felt things deeply but carried them lightly,” says the aforementioned Kent who is a revered cellist and composer. “His music was beautiful, baroque, acerbic, and heartfelt, like LD himself. It was always a joy to see him and chat about everything, from art to books to mutual friends and enemies. Being with him sometimes felt like being in another era: a more amusing and civilized one. He was an unbounded spirit and leaves an outsized hole in the world.”
Kent’s instrumental track, “Ephemera,” to be released tomorrow, December 13th (LD’s birthday) was inspired by the artist himself, and is one of the three original works featured on the tribute album along with a track composed by Stephen Coates (The Real Tuesday Weld). Coates’ song was originally written for LD to voice, and is now finally brought to life by Martyn Jacques of The Tiger Lillies. The third original track is the Stephin Merritt remix of Flare’s rendition of “Celebrate The Misery,” a song by Seattle band Kill Switch… Klik.
All These Things I Thought I Knew’s first single, “If/Then,” a Beghtol composition, was recorded for the tribute album by Jon DeRosa and Charles Newman was released on LD’s birthday in 2024 to mark the launch of this project. DeRosa, who has released music for decades as Aarktica, and like Newman, was a member of Flare, but was also a longtime roommate of Beghtol’s. It was in their Bushwick railroad apartment that Beghtol first shared a primitive version of “If/Then” with him so many years ago.
“In my mind, ‘If/Then’ is the quintessential LD song,” muses DeRosa. “Everything from its elegantly majestic arrangement to its lyrical brutality and vulnerability seems to bear his fingerprint.”
The Umbrellas: here is our end of the year list, we decided to rank gas stations!
The Umbrellas were on the road ALOT (possibly far too much) this past year. Given this, what better way to wrap up 2024 than a retrospect of where we spent a majority of our time, gas stations…?
One9 – This fueling station we believe is a newish franchise. The whole sign and exterior looks like it was designed by a silicon valley software developer. They have hot food items, a lot of car accessories you wouldn’t normally find (like hub caps), and the latest trending food items. Nick tried an Oreos Coca-cola and commented that it tasted like cleaning supplies.
Kum & Go – Ha ha ha … get your mind out of the gutter! This midwest franchise only has a few locations, but each one is more charming than the last. Generally friendly staff who don’t mind you giggling when you bring one of to their “Kum & Go” t-shirts up to the counter to purchase.
Sinclair- That dinosaur logo is cool! Maybe it has to do with the fact that these are not terribly common in the bay area, but whenever we stop into one there’s an indescribable sense of nostalgia and whimsy. It feels like an old-timey gas pump attendant dressed in all white with a newscap is going to pop out from behind the big fiberglass Dinosaur they have on display. While other chains have rebranded or updated their logo … that dino has always remained, plastered on their fueling pumps.
Buc-ees – An allegory for what America is: Large, overwhelming, and hundreds of bathroom stalls. A must-stop for anyone driving through the south or mid-west. What more is there to say that hasn’t been said by bands and short-form video influencers alike? Matt says to make sure to try the Brisket sandwich. Pro-tip: skip the prepackaged bagged jerky and go straight to the counter for the fresh stuff.
Love’s – Love’s is like a reliable old friend that will always be there for you. Love’s doesn’t judge you when you’ve had one too many hard seltzers and you stumble around looking for their mini-tacos. Maybe you’ll be lucky enough to catch the Love’s x Del Taco combo. Love’s would never dream of thinking illy of you! Hot showers, hot food, and hot deals (each location has a discount food rack of unsold seasonal items). Through and through The Umbrellas are a Love’s band. So spread the love and stop into your local Love’s the next time you need to top off your tank.
Best long poems I read or reread this year:
Liu Shang, “Eighteen Songs of a Nomad Flute”
Matthew Rohrer, “The Others”
John Ashbery, “The Wave”
Annelyse Gelman, “Vexations”
Alice Notley, “In The Pines”
Laura Henrikesen, “Laura’s Desires”
Best long songs I liked this year:
Gerard Cleaver, “The Process”
Destroyer, “Bay of Pigs”
Don Cherry and Ed Blackwell, “Mutron/Arabian Nightmare”
Nichuminu, “Aberraciones y Milagros”
Matmos, “Ultimate Care II”
Yukihiro Fukutomi, “5 Blind Boys”
Prince, “Automatic”
Daniel Handler: I am spending the last chunk of 2023 and the first of 2024 spelunking my way through some haphazard research into sculpture and other visual arts. Here are thirteen images I came across in my research.
Design for a castle, 1539:
Back view of the Great Buddha of Kamakura (built in 1252):
Brancusi, Three Penguins:
Callot’s etching of Two Pantaloons:
Claes Oldenburg’s Giant BLT:
Deakin’s portrait of Barbara Hepworth:
Designers of Lincoln Center with its scale model:
Frank Lloyd Wright’s redesign of Suite 223 at the Plaza Hotel for his own use:
Gilbert and George as the Singing Sculpture:
Illustration of Jupiter seated triumphantly on a bed of defeated giants:
Mark with Evelyn in Cotton Candy (Image via Teen-Beat)
Mark Robinson (Teen-Beat Records, Cotton Candy)
1. Rochester, New York’s abandoned subway tunnels 2. Versus / Jawbox live performance at Le Poisson Rouge, July 21 — New York, NY 3. Katherine Small Gallery book shop — Somerville, Massachusetts 4. Death Records 5. Mickie’s Dairy Bar — Madison, Wisconsin 6. Garbage Plate at Schaller’s Drive-In — Rochester, New York 7. Gerard Unger — Life in Letters (book) 8. Folke Rabe — What?? (LP) 9. Theodore Shapiro — Severance (soundtrack album) 10. Severance (television program)
Stephin Merritt
Ten Delightful Books of 2022 (or late 2021): Re-Sisters, Cosey Fanny Tutti Shy, Mary Rodgers This Time Tomorrow, Emma Straub Lookin’ for Lawrence, Lawrence The Dawn of Everything: A New History of Humanity, David Graeber and David Wengrow Instant: The Story of Polaroid, Christopher Bonanos A Swim in a Pond in the Rain, George Saunders Essays Two, Lydia Davis Henry ‘Chips’ Channon: The Diaries 1918–1938 and 1938–1943
Cate Le Bon Bowery Ballroom 2/9 Kim Gordon Webster Hall 3/18/22 L’Rain BAM 3/30/22 Waxahatchee George’s Majestic Lounge 4/19/22 Linda Lindas Mercury Lounge 5/1/22 Sharon Van Etten Union Pool 5/7/22 Circuit Des Yeux Greenwood Cemetery 6/7/22 Phoebe Bridgers Prospect Park 6/15 Bikini Kill Pier 17 7/9/22 Soul Glo Knockdown Center 7/10/22 Wild Hearts tour Berkeley GreekTheatre 7/31/22 Porridge Radio Bowery Ballroom 9/24/22 Broken Social Scene (esp w Tracey Ullman and Meryl Streep) Webster Hall 10/17/22 Girl Scout Handbook/Dump/Jim Ruiz/Aluminum Group Chickfactor 30 Frying Pan 10/6/22 Nnamdi Baby’s Alright 10/30/22 Wet Leg Music Hall Of Williamsburg 12/17/22 Horsegirl/Yo La Tengo Bowery Ballroom 12/22/22
Nancy at Suomenlinna
Nancy Novotny: Top Ten Reasons I Adored My Trip To Finland (Sept. 16-Oct. 2, 2022)
1. Seeing Richard Dawson & Circle perform (most of) their collaborative LP, Henki, live at a Psych Fest in Tampere. 2. Seeing Lau Nau perform live at an intimate venue in Helsinki. Also finally working up the courage to chat with her after the show. 3. Charity Shops & Flea Markets in Helsinki, Tampere, Rovaniemi & various small towns in Northern Finland. Holy crap, they’re great! 4. The Moomin Museum in Tampere. 5. My day trip to Tallinn, especially shopping for gorgeous/weird Soviet-era books and other treasures. And the Puppet Museum! 6. The beautiful, colorful autumn leaves. 7. Long drink! (Usually grapefruit soda & gin, sold in supermarkets & at bars. Helsinki Long Drink by the Helsinki Distilling Company was my clear favorite.) 8. Seeing reindeer along the road in Northern Finland. Also NOT seeing any reindeer roadkill. 9. Vintage shops in Helsinki. Special shouts out to Mekkomania (for vintage dresses by Marimekko, Vuokko, Pia & Paula, etc.), Lanterna Magica (for vintage photographs, ephemera & books), and Caratia (for vintage Finnish jewelry, especially mid-century silver and bronze design pieces). 10. Being able to watch Moomin cartoons on TV every night. Also seeing Moomin merch for sale literally everywhere.
Nancy is a musician, a karaoke queen, a DJ who does a show called Turtles Have Short Legs on XRAY FM, Portland, OR, and a CF contributor.
Nothing to do with 2022 I’m afraid… Top Ten Beatles Songs
1. Yes It Is 2. We Can Work It Out 3. Paperback Writer 4. Every Little Thing 5. Strawberry Fields Forever 6. Ticket To Ride 7. If I Needed Someone 8. There’s A Place 9. Fool On The Hill 10. Can’t Buy Me Love
Gail O’Hara (chickfactor / Enchanté Records)
Phone Voice, Cradle Tape Reds, Pinks & Purples, Summer at Land’s End & They Only Wanted Your Soul Horsegirl, Versions of Modern Performance Marisa Anderson, Still, Here Alvvays, Blue Rev Flinch, Enough Is Enough Aoife Nessa Frances, Protector Say Sue Me, The Last Thing Left Nina Nastasia, Riderless Horse Sinaïve, Super 45 t. Lande Hekt, House Without a View Jeanines, Don’t Wait for a Sign Artsick, Fingers Crossed Bill Callahan, YTI⅃AƎЯ Dot Dash, Madman in the Rain The Jazz Butcher (RIP), The Highest in the Land Seablite, “Breadcrumbs” The Umbrellas, “Write it in the Sky”
Old and fresh: Mimi Roman, First of the Brooklyn Cowgirls Joyce with Mauricio Maestro, Natureza Tia Blake & Her Folk Group, Folk Songs & Ballads Dotti Holmberg, Sometimes Happy Times Norma Tanega, I’m the Sky: Studio and Demo Recordings, 1964–1971
from @instagram/house_of_edgertor
Sukhdev Sandhu (writer, professor, CF contributor!)
House of Edgertor. Every week a lifetime ago, when she was writing reviews for the Other Music newsletter, Robin Edgerton introduced me to treasure after treasure (Pauline Oliveros, Pascal Comelade, Tricatel and Millle Plateaux labels). Still a brilliant researcher and writer, these days she discovers glorious, distinctive apparel, sleuths its backstories, sometimes fixes minor blemishes. Then she offers it to the world. Really she’s a philanthropist.
Monorail Music. It’s 20 years old! Starting things – a club, a shop. a magazine – is easy. Plunging in, all hands together, the thrill of the news, our gang forever. Keeping things going is a lot harder. Holding on, moving forward, unchanging and changing at the same time. Glasgow’s Monorail does it – and how. As Stephen Pastel writes in a lovely ‘2022 Staff Favourites’ Risograph booklet, “Twenty down, twenty to come.”
Norwegian Seamen’s Church. It’s been there, on East 52nd Street in Manhattan, for years. Still, it feels like a secret. Spare, light-suffused, a place that feels like a retreat from the world. It offers free waffles with lingonberry jam. Free coffee too. The basement has an art gallery. Everyone who works there has an open face, the gift of easy friendship.
Kommuna Lux. My favourite music venue – KuBa (short for Kulturbahnhof) in Donaueschingen – is a cafe/ bar located on a railway platform in Germany’s Black Forest. Performances are often punctuated by the sound of incoming trains. This July, Kommuna Lux came to town to play what they called Klezmer, Odessa and Gangsta Folk. Think The Men They Couldn’t Hang. The all-age crowd, many of whom hadn’t been to a show in the last couple of years, didn’t – couldn’t – forget the terrible news headlines in the Ukraine. But they also whooped, jigged, knocked back Fürstenberg beer. That felt like its own kind of connection.
CARA. Its full name is the Center for Art, Research and Alliances; it’s on West 13th Street in Manhattan; it opened this summer. It has ceilings high enough to let you dream, light enough to think you may be floating, and Emmy Catedral who curates its public programs and is responsible for its dizzying bookshop, is a genius.
The Economist Christmas double issue. Page for page, it’s probably the best value magazine in the world. This year’s had articles on the myth of the holy cow, cricket’s increasing ascendancy over baseball, the future for the Baduy peoples in Kanekes (they’re a bit like the Amish of Indonesia), how the nitrogen cycle has shaped the world, a brilliant article on whether Tang poetry can survive translation. All that and a beautiful obituary of Daniel Brush, the private, almost hermet-like goldsmith in New York.
Sue Nixon, Homophone Dictionary. What a delightful book. Before she died at the age of 96 about three years ago, Sue Nixon, a former schoolteacher, decided to compile a book of homophones. She’d loved them all her life and had used them in class to teach her young pupils. They read like poems, lullabies, Molly Drake songs. According to her granddaughter Sarah, “Luckily the book was printed before she died: she was lying in bed, with her eyes closed but was able to hold a physical copy and commented on how thick and heavy it was.”
Air-India’s Maharaja: Advertising Gone Rogue. Air India had a mascot called ‘The Rogue’. He had a babu belly, a twangy moustache, and was endearing on the eye. He featured on any number of posters from 1946 through to the early 1970s – swapping turban for a beret and selling ‘naughty’ pictures of himself in Paris, dressed down as a Playgirl bunny in New York, donning monks’ garb in Rome. Poster House’s show devoted to Umesh Rao’s none-more charming creation was my favourite show of the year.
Paddington Railway Club. London’s black cab drivers deny it exists. But it does – and how.
Dovas, Cafe Giffi, Ronnells Antikvariat, Folkets Kebab, Herr Judit, Runstenen Wooden Horse Museum, Teater Tribunalen, Vintage Violence, Bacchus Antik, Cafe Tranan, Kurt Svensson Konsthandel, Kvarnen, Konstnarsbaren: Stockholm is such a lovely lovely city.
As always: Constantin Veis, ‘Memory-La’; Musette, ‘Datum’; Dr. Buzzard’s Original Savannah Band, ‘Dr. Buzzard’s Original “Savannah” Band’; Swing Out Sister, ‘Breakout’. But also: Wechsel Garland & World Service, ‘The Isle’; F.S. Blumm, ‘Summer Kling’; Plantar, ‘Forest, Sea, Harmony’; Penguins & Martingales, ‘What Might Have Been’.
Photo: Gail O’Hara
Thomas Andrew – a certain smile/My Vinyl Underground
Top 10 things I wish were (still) in Philly now that I’m back:
1. the Snow Fairies (Neal come home)
2. Lil baby’s ice cream (vegan strawberry pink peppercorn was my whole damn heart, they are very sorely missed)
3. Red Square Records (i mean they left pretty much months after I first arrived in 2001, but still)
4. Spaceboy records (I owe John and Chris from that shop so much for the person I am today)
5. All my new friends from Portland! (This is why visits exist)
6. Brian from Pizza Brain, the shop still exists but Brian was the heart. (He does make Washington state that much cooler now though.)
7. A Popfest (who knows what may come though)
8. The Hollywood Theater/Movie Madness (one of the hardest things to leave behind in Portland, I’m hopeful to find something similar out here)
9. More damn pinball (I was spoiled for Pinball in Portland. Nowhere can compare)
10. Lilys (I mean there are enough former members in town to fill a small neighborhood, but to have Kurt here playing music on the reg would make my damn heart/brain explode with joy)
Cotton Candy
Evelyn Hurley (Cotton Candy) This past year, I watched and rewatched some movies from the ’80s, here are my highlights!
Room With a View This movie came out when I was a freshman in high school, but I don’t think I actually saw it until it came out on video a few years later. I have to say, I really loved it then, and I really loved it again on this revisit! As a 14 year old, I think I imagined myself in the Helena Bonham Carter character role, but on this recent viewing I found myself absolutely smitten with the Judi Dench and Maggie Smith characters, who are absolute delights to watch! The movie is romance in action, and the scenery, plot, costumes, and acting are pure magic. Grade: A+++
Witness Another blockbuster from 1985, Witness was a movie I might have actually seen in the theater, and since Harrison Ford was such a huge movie star, I’m sure the theater must have been absolutely packed. On my rewatch, I was amazed at how really good the film is; the plot is thrilling, and the acting is top notch, especially the beautiful Kelly McGillis. The city elements of the story are scary, dark, and thrilling, which is in stark contrast with the Amish elements in this film, which are bright and clean. The noir twist in the film is riveting, but my favorite surprise are the quick scenes with Patti LuPone who plays Harrison Ford’s sister, she’s so great. Grade: A+
Broadcast News I never saw this movie when it came out in 1987, but I remember everyone loving it. The tv commercials for it were constantly showing, and I liked the scene where Joan Cusack nearly runs into the pulled out file drawer but ducks under just in time. Unfortunately, the movie is nothing like this clip, and in my opinion and in the opinion everyone who was watching it with me, it’s a terrible, terrible, movie. Holly Hunter and Albert Brooks epitomize the annoying characteristics of yuppies from the ’80s; self indulgent, self absorbed, and conceited. William Hurt is supposed to be a dummy who gets ahead in the broadcast world solely based on his looks, but in all honestly, he’s the only likable person in the movie, and seems pretty good at his job. I can’t tell you how it ended because we turned it off and absolutely wished we had never seen any of it. Grade: F-
Body Heat This 1981 film also stars William Hurt, but I actually finished this movie. It’s also another neo-noir film, staring Hurt and the amazing Kathleen Turner, and while it was very good it wasn’t as good as Witness. Grade: B
Here’s to 2023, and all the movies that we watch!
Photo courtesy of Rachel
Rachel Blumberg (Arch Cape)
Top Ten Favorite Shows I Played in 2022 in no particular order:
1. Agnes Varda Forever live film score collaboration with Kathy Foster – Holocene, PDX 2. Field Drums with Lunchbox – The Golden Bull, Oakland, CA 3. Arch Cape at the Arts Week Residency, Sou’Wester, Seaview, WA 4. Califone with BCMC, Judson and Moore Distillery, Chicago, IL 5. Encouragement Friendship Band w/Anis Mogiani & Laura Gibson – Mississippi Studios, PDX 6. Tara Jane O’Neil at Family Reunion Summer Fest – Kelley Point Park, PDX 6. Califone with Little Mazarn – Mississippi Studios 7. Old Unconscious with Fronjentress – The Fixin’ To, PDX 8. Linsday Clark with Michael Hurley and Luke Wyland – The Old Church, PDX 9. Field Drums with Party Witch and Desir – Mississippi Studio, PDX 10. Califone – Vickers Theater, Three Oaks, Michigan
Top Ten Favorite Native Plants in 2022
1. Thimbleberry 2. Douglas Spirea 3. Douglas Aster 4.Huckleberry 5. Sword Fern 6. Piggyback Plant 7. Wild Ginger 8. Osoberry 9. Vine Maple 10. Snowberry
The late great Stella Bean (photo: Gail O)
Top Ten Dogs I Petted in 2022
1. Stella Bean, my sweetest heart, rest in peace. 2. Bella, my sister’s dog 3. Sal, Sam Farrel’s dog 4. Caramel and Ace, Rob and Melissa Jones’s dogs 5. Rankin, Vanessa Renwick’s dog 6. Dylan, Sheri Hood’s dog 7. Gladys, Scotty McCaughey and Mary Winzig’s dog 8. Sparky and Zoey, my dad and Phillipa’s (his lady friend) dog 9. Dizzy, Janet Weiss’s dog, and Rooster, the dog she is fostering 10. Sugar, our neighbor’s dog
Top Ten Shows I saw in 2022, in no particular order, and I doubt I am remembering them all…
1. Belle and Sebastian, Roseland 2. Slumberland Showcase, The Doug Fir 3. Cate Le Bon, The Wonder Ballroom 4. Yo La Tengo, The Wonder Ballroom 5. Quasi, Pdx Pop Now Fest 6. Ural Thomas and The Pain, The Good Foot 7. Lonnie Holley, Hollywood Theater 8. Magnetic Fields, Aladdin Theater 9. Horsegirl, Polaris Hall 10. Pavement, Edgefield
I still remember where I was when I first heard “100,000 Fireflies” in 1991. I remember my first Magnetic Fields show at CBGB in 1992, when I was confused by the fact that Susan Anway wasn’t singing. I grew to love all the other TMF singers but there is something calming and otherworldly about those first two albums, perhaps made more mysterious by the fact that we didn’t see her perform.
I (or we) tried to interview Susan Anway a number of times for chickfactor and the documentary Strange Powers, but it never quite came together. I was more in touch with her in the 1990s, when I was the Music Editor at Time Out New York and assigned her to write reviews of Celtic albums. She never performed live with the Magnetic Fields. Susan was honored to be associated with the Magnetic Fields but was also very busy with her “powerful atmo electropop” project Diskarnate, which featured German composer-producer Armin Küster and her partner, Jack Andrews. After decades living in Arizona, she was diagnosed with Parkinson’s disease in 2015. She died on September 5, 2021. This brief interview is from 2011.
image from her FBK page
chickfactor: How did you first get involved with the Magnetic Fields? Susan Anway: Claudia called me and said she and Stephin had heard my extreme psychedelipunk band V; and did I want to audition? She sent me a tape of “Crowd of Drifters”—Stephin said it was a song about vampires. First listen I thought, O NO-O, this sounds like a Kris Kristofferson song, a Kris Kristofferson song…ABOUT VAMPIRES! I actually laughed. Joke’s on me. How am I supposed to interpret this? But at the same time, it had a strange and wonderful quality I had never heard before and I fell in love with it musically.
The audition was in Stephin’s Boston apartment. The room was pretty bare except for a lonely mic stand, keyboards, MAC, rug and HP Lovecraft book on the floor. I thought, He is going to hate what I did to his song, I sound just like a Judy Collins clone. But after the first few lines, he stopped me, and we started working on realizing the song together. Just a typical day in a studio, like we had done it for years. Kismet.
photo of Stephin back then by Susan Anway
Describe a typical day recording with Stephin back then. When we recorded Distant Plastic Trees, Stephin seemed to be living on chocolate milk, cigarettes and bagels. I was commuting from Arizona, so we were fairly disciplined. We put in a typical eight-hour day, broken by a walk to Kenmore Square for “lunch bagels” and more chocolate milk. Sometimes we went out for supper afterward, because there are only so many bagels you can eat in a week.
In session I was always testing a variety of voices—Shirley Bassey, Debbie Harry, Aretha, Mary Travers, Mary Black, too many to list, even Sinatra. Vocalists often sing in character. There has to be some kind of back story. Stephin would say, “Don’t sing like you know how.” That was new. And it worked. But I still had to visualize. I think you can hear it most in “100,000 Fireflies,” “Candy” and “Tokyo A-Go-Go.”
Little-known secret: in one session Stephin handed me a hand-written lyric sheet for Tangerine Dream’s “(Further Reflections) In the Room of Percussion” and asked if I could sing it like Marlene Dietrich! I did. It was off da chain! Wish we had done it. “My god! the spiders are everywhere!” LOL Verzeihen Sie mir, liebe Marlene.
image from her FBK page
What is Stephin really like? When Ridley Scott was directing Gladiator, someone asked him if it was true that Russell Crowe was difficult to work with. He laughed and said: “The good ones always are.” Stephin is not difficult; he is simply a maestro. When you work with a maestro, you must view yourself as an instrument. The mutual goal is the execution of a shared musical intent, beautifully and descriptively, shaped by the choice and nuance of instrumentation. Ego falls away. It’s all about the music.
image from her FBK page
What were those early shows like? And the Boston/Cambridge music scene in general? Ican’t speak about the early shows or the Boston scene in the ’90s because at that time I had moved to Arizona, and was starting my love affair with EDM/electro/industrial/Europop.
Have you seen Strange Powers? I finally got a chance to view the film a couple of nights ago! I enjoyed it greatly. You might be interested to know that when the clip of “100,000 Fireflies” came on, the whole audience started singing it—including me! The film has some wonderful rehearsal/ arranging scenes and, of course Stephin’s (and Claudia’s) wry comments.
Thank you for all your many kindnesses re: TMF and my contribution to the early band sound. I am happy my disembodied voice is in the film. As a vocalist, I feel in some ways that’s perfect.
image from her FBK page
These responses were for our 20th anniversary issue (CF17, 2012): What was the best record / live show / artist in 1992? Record (other than The Wayward Bus) Magnum Force Performance: Sielwolf
What is the best record / live show / artist of 2012? Record: looking forward to Delerium’s Music Box Opera. Performances: The Roots & Combichrist, for sheer sustained intensity and crowd motivation
AS AN ERSTWHILE ASTROLOGER I AM EMINENTLY QUALIFIED TO GIVE ADVICE. THE BAD NEWS IS, MERCURY IS IN RETROGRADE FOR VALENTINE’S DAY. THE GOOD NEWS? THERE ISN’T ANY.
Selfie courtesy of Stephin Merritt
We met during COVID, talked/texted for a few months and finally decided to just meet in person last September. She’s great, my age (mid-40s), goth (like me, although I might be more of a mod), smart, funny, likes good music, all the things. But she’s cripplingly insecure, in a way that I don’t know how to deal with? I’m divorced, was married 10 years. She’s the first person I’ve dated since getting divorced in 2018. I’m not a “rebound” kinda guy, I like real relationships. But due to her own bad experiences with past relationships, she has so many trust issues, even though it should be obvious that I don’t have a wandering eye and am totally into her. What can I do? How do I make her see that I’m not like her exes? — TVPs Fan SM: WOMEN CANNOT AND SHOULD NOT TRUST MEN. GET USED TO IT. ALSO, IF YOU DON’T KNOW IF YOU’RE A GOTH OR A MOD, YOU SHOULD BE SEEING A COGNITIVE-BEHAVIORAL THERAPIST.
I met someone online during COVID and we’ve never met in person. Should I propose? — Lockdown Princess SM: NO! PEOPLE ONLINE AREN’T REAL. GO TO A BAR, LIKE AN ADULT. MOST HAVE OUTDOOR SEATING. WEAR A UNION SUIT.
I have a Valentine’s Day date but the forecast is going to be 28º and cloudy so a bit chilly to eat outdoors. Should I invite them back to mine? Should I risk being exposed to someone else’s droplets and bodily fluids so we can have sex indoors? — Sweetheart of the Rodeo SM: WEAR A UNION SUIT. DO NOT MAKE A PLAN FOR AFTER DINNER, IT’S PRESUMPTUOUS AND GAUCHE.
My BF is addicted to Facebook. Even when we’re in bed he’s gazing into some left-wing FBK group and making snarky comments. Is there any hope for us? — Device addict’s BF SM: ONLY HAVE SEX OUT OF BED, ALWAYS, AND THEN YOU WON’T CARE WHAT HE DOES IN BED.
Is perfume passé? —Unscented SM: YES, IT’S HORRIBLE. ANYONE WEARING PERFUME IN AN ELEVATOR SHOULD BE ASKED TO LEAVE AT THE NEXT FLOOR.
We are stuck in our house with three children this Valentine’s Day. Do you have any advice on how we can find romance in spite of them? How can we keep them away from us so we can be intimate? — Spouse House SM: HAVE SEX OUTSIDE, LIKE ADULTS. PARKS ARE GOOD, CARS ARE GREAT. PUBLIC BATHROOMS ARE GOOD FOR A QUICKIE. GARAGES ARE AWESOME. I want to make my beloved a meal full of aphrodisiacs. What should I make? (We’re vegan) —Hungry for Love SM: CHOCOLATE, CHOCOLATE, AND MORE CHOCOLATE.
I’m a lifelong commitment-phobe who seems to attract other commitment-phobes. How can I stop the madness? —Pattern Breaker SM: YOU MAY NEED TO DECLINE TO DISCUSS YOUR RELATIONSHIP HISTORY, SAYING YOU’RE NOT PROUD OF IT BUT YOU HAVE CHANGED YOUR PRIORITIES.
I have a crush on someone whose musical taste could be improved. How can I “help” them improve it? Should I make a mixtape? What should I put on it? —Ear Candy SM: MIXTAPES ARE GREAT, BUT MAKE SURE YOUR CRUSH KNOWS THAT THE LYRICS ARE NOT MEANT TO BE LITERAL MESSAGES. (OTHERWISE IT WOULD TAKE FIVE YEARS TO MAKE THE RIGHT CHOICES.) ALSO, BE OPEN TO LEARNING WHY THEY LIKE WHAT THEY LIKE…WITHIN REASON! I ONCE DECLINED TO DATE AN OTHERWISE WONDERFUL GUY BECAUSE HE WAS INTO JAMIROQUAI, AND I DO NOT REGRET THAT DECISION.
I’ve basically been living in slankets and shackets for a year. What should I wear on V-day? —Athleisure Annie SM: NOTHING!
I have spent all day trying to absorb the death of LD Beghtol, with whom I shared a stage and a cognac many a time. His extravagant voice and personality lent charm and drama to his bands Flare, The Moth Wranglers, and the New Criticism, as well as his unforgettable vocals on The Magnetic Fields’s 69 Love Songs. In lieu of a photograph I am posting what may as well have been a portrait, from a book by Edward Gorey we both admired. Listen to something gloomy tonight, with a touch of melodrama and panache, to remember a man who turned every room into a velvet-draped literary salon. Mr. Beghtol, the world is diminished.
What I keep remembering is at the first Three Terrors show, where Stephin, Dudley and LD were singing the saddest songs they could think of. LD sang “Pretty In Pink” with me on synthesizer and I screwed up the intro, so he only sang a few words and the we had to stop. But the few words, “Caroline laughs and it’s raining all day” gave away the surprise. So the start-over was particularly awkward. LD waited for the murmurs to die down—he did always hate a chattery audience—and then we started again and his vocals were so sad and relentless that everyone was transfixed. Everyone made the journey with LD to the place where this was indeed the saddest song. That’s what he did: he brought the theatrical moment, the drama, the gesture. And he could transfix you.
Dana Kletter remembers her friend and collaborator
When I met LD, I felt he knew me, and I think he felt I knew him.
The first time I recorded with him he instructed me to be the murdered girl.
He was a great writer of some crazy antic fiction.
“Maybe this time, you think to yourself: ‘Lady peaceful, lady happy.’ That’s the new me! Giddy with it all, you plant a big wet kiss on Not-So-Little Red’s startled, becollagened mouth, pinching what’s either a third nipple or an ill-concealed on/off switch slightly misaligned on the bead-encrusted bodice of the creature’s gaudy gown as a fan organ wheezes soothingly above the thrum of hypnotic snares.”
When I told him I found a new psychiatrist, he wrote, “I sometimes wish I were much more fucked up so I could do that.”
He was the most cynical romantic I’ve ever known.
He meant to make a record this summer but was thwarted by everything. He sent me some demos for possible songs. Hell is other people’s boyfriends, one began.
We texted and called each other regularly. I’m sorry I cannot text him now to complain about this.
I loved him dearly and will miss him forever.
Photo by Dana Kletter. Taken while we were in the studio recording “Morgantown.” Listen to the song here. Recorded San Francisco, 2012, Doug Hilsinger on guitar, LD and I on vocals, and backing tracks LD brought from New York. Mixed by Kramer.
Oh LD. I don’t remember exactly when I met LD but he just twirled into the Magnetic Fields universe around the time that 69 Love Songs was being designed and recorded. He was in a band called Flare. He sang on 69 Love Songs. He was a graphic designer who became instrumental in bringing chickfactor’s design to another level; his photoshop expertise also elevated the quality of my photography in the print publication. He became our designer in chief; I usually chose the art but he made it all work in chickfactor issues 12 to 15, our chickfactor mixtape, many event posters, and even a book of my photography that was published (limited edition, 7-inch size) in 2012.
When the rest of the city left town on holiday weekends, LD and I would hole up in my Manhattan apartment and/or his office on 23rd street and work work work on chickfactor. We would spin many singles. We would sit on the floor eating pad thai. We would plot upcoming shows. We both had extremely busy day jobs and yet we were productive AF during all of our free time. Other times we’d be communing with Stephin at St Dymphna’s over tea (Stephin’s chihuahua Irving Berlin would often eat the entire Irish breakfast) or later at Dick’s Bar on Second Avenue or the Phoenix where we would watch show tunes, sip Courvoisier and talk endlessly about people and music and art and life. I would often try to leave to go home and the boys would buy me another drink and set it in front of me.
LD was a force of nature. If he loved you, he *REALLY* loved you. But if you crossed him, it was murder. If he cared about you, his loyalty knew no bounds. He once wrote a set list that was built to torture a certain musician who LD believed had wronged me. He felt everything extra deep. Some of his creative partnerships didn’t last: If he burned the bridge, that was it. But he lived a creative life through and through; whatever day job he was doing, you can bet he spent every free moment doing a million small creative things. His grand moments in the spotlight with the Magnetic Fields in New York and London were among his proudest moments; as a featured singer he would come out with all the drama one would expect in such moments. He made you believe he *was* the King of the Boudoir all right.
Our relationship was complicated but we mostly got on like a house on fire. He found community with both the Magnetic Fields and chickfactor (among others), along with New York music culture in general. He and Dudley and Stephin were like a trio of charming, sulky sweethearts, and LD was like a bitchy-diva sibling to me. We mostly got along well but struggled with creative differences. Although the vile and brutal year 2020 took him along with many other cultural icons and American lives, his art will live on, and you can bet he had a million new projects simmering away that we’ll never get to see. I wasn’t ready to say goodbye, but I won’t forget him because he was unforgettable. RIP, LD.
interview and photograph are from chickfactor 15, 2002, by Gail O’Hara
