October 7 at 1 Brooklyn Bridge Park, 360 Furman St., 5pm to 7:30pm Our third and final event in NYC will be at the Steve Keene Art Show, where Steve Keene will be painting (during the early bit) and signing copies of the book if you buy one! The STEVE KEENE ART BOOK came out earlier this year and CF’s Gail O edited the book. It was designed by Henry Owings from Chunklet and produced by Daniel Efram, who photographed and documented SK’s art for the book.
The British folk legend BRIDGET ST JOHN will play some songs
CF contributor and wonderful person SUKHDEV SANDHU will DJ
CHICKFACTOR 30 chickfactor fanzine was founded 30 years ago by Pam Berry & Gail O’Hara (in DC/NY) and we are incredibly excited to celebrate with you on October 28 & 29 at the Lexington and October 30 (afternoon) at the Betsey Trotwood. Cannot wait to see everyone and see these wonderful bands play! (Our 30th-anniversary issue is out now too and 5/6 of these bands are in it.) Presented in cahoots with the Hangover Lounge folks.
Fri. October 28: Sacred Paws Artsick Rachel Love Get tickets
Sat. October 29: The Umbrellas Birdie Seablite Get tickets
Sun. October 30: Daytime event (Noon to 4!) Hangover Lounge at the Betsey Trotwood The Catenary Wires & Special Guests Get tickets
Fri. Oct. 29: Doors 7pm, show 7:30
Sacred Paws(from Glasgow!) have a natural inclination not to take things too seriously. You can hear it all the way through a conversation with its two members, guitarist Rachel Aggs and drummer Eilidh Rodgers, punctuated by rolls of giggles and thoughtful pauses, and you can hear it in the light touch they bring to their music, a jangly blend of indie pop full of fizzing world rhythms and bright horns. Shimmering guitar riffs dance between snappy beats and swooning melodies that will have crowds committing to far more than a simple head-bob. “I think we’d get bored if it was too slow,” Eilidh says. “We’d never want to play something live that people couldn’t dance to. It would feel really strange to us. It’s kind of the whole point.” Joining them at this show will be Jack Mellin on guitar and Moema Meade on bass!
Artsick London debut! Artsick is an indiepop band from Oakland/Seaside, California, consisting of Christina Riley (Burnt Palms/Boyracer) on guitar and vocals, Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox/Hard Left) on bass. They formed in 2018 and released a 7-inch single, followed by their debut album Fingers Crossed, on Slumberland Records.
Rachel Love Rachel was guitarist and singer in the seminal 70/80s band Dolly Mixture who were signed to Paul Weller’s Respond label and championed by The Undertones & John Peel. She was the singer in the band Spelt and has released her first solo album, Picture in Mind, in 2021. Also half of the Light Music Company.
Sat. Oct. 29: Doors 7 p.m., show 7:30
The Umbrellas London debut! “The Umbrellas are one of the most exciting bands to come from the indiepop underground in ages. Bursting out of the SF Bay Area’s fertile indie scene, The Umbrellas come correct with a sound that fits snugly into a long line of classic pop, from The Byrds to Orange Juice, The Pastels, Comet Gain, Veronica Falls and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco’s best bands. Their self-titled 2021 debut album dazzled with a dozen perfect pop tunes, charming the indiepop faithful but also winning fans outside the scene, leading to sold-out tours with bands as disparate as Ceremony and Destroy Boys.” (—Mike Schulman) New Releases – ‘Write it in the Sky’ 7″ released via Slumberland, Meritorio, Tear Jerk, and Fastcut records.
Birdie Debsey Wykes (Dolly Mixture, Saint Etienne) and Paul Kelly (East Village, Saint Etienne) decided to form a group together while they were members of SAINT ETIENNE’s backing band in 1994. For two years, Debsey (backing singer) and Paul (guitar) toured Europe, Japan, America and played most of the major European festivals until SAINT ETIENNE took a break and BIRDIE was born. For this show, it will be: Debsey (bass and vocal); Paul (guitar and vocal); Jon (drums); Patrick (guitar or piano) and possibly Sean (piano)!
Seablite London debut! Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. In June 2019, Seablite’s LP debut, Grass Stains and Novocaine was released by Emotional Response, garnering domestic and international praise. They’ve since released a 10″ EP, High-Rise Mannequins (2020) and most recently their new single, Breadcrumbs c/w Ink Bleeds (2022). Seablite are back in the studio recording their sophomore LP and looking forward to what the upcoming year will bring.
Sun. October 30: CF30/Hangover Lounge at the Betsey Trotwood
Formed by Amelia Fletcher and Rob Pursey (of Talulah Gosh, Heavenly, Marine Research and so many more!), Catenary Wires also feature Fay Hallam, Andy Lewis and Ian Button. Today will be Amelia and Rob as a duo. Their Birling Gap LP released June 2021 on Skep Wax and Shelflife (USA). Super early show! Noon to 4pm event. The show is technically sold out but we hope to be able to release more tickets.
chickfactor fanzine was founded 30 years ago by Pam Berry & Gail O’Hara (in DC/NY) and we are celebrating by having some parties in New York! We are so excited to have a friend-reunion and see all these rad bands play!
October 6 at the Frying Pan The Aluminum Group Jim Ruiz Set Dump Girl Scout Handbook + DJs Stephin Merritt & Gaylord Fields Vegan options in the restaurant, nautical photo ops and portraits and other fun stuff! Get tickets
The Aluminum Group are the brothers John and Frank Navin of Chicago and Detroit, who recently released a wonderful new album. John says of this event: “Our performance is very audience interactive. We start with a brief demonstration and teach attendees how to make paper laurel necklaces, then we sing 5 new songs. Show a new short film by Frankie. Then sing sing 5 more songs from the new record, then encore with a new unreleased song from our next record, called ‘Punch The Lights Out Of This Crazy World.’”
Jim Ruiz Set Led by the Legendary Jim Ruiz (guitar, vocals), the set also features Emily Ruiz (drums, vocals), Mike Crabtree (lead guitar) and Charlotte Crabtree (bass, vocals). The Twin Cities outfit has been playing CF events since the olden days and never ever disappoints.
Dump Brooklyn’s James McNew is the force of nature behind Dump, which was interviewed in Chickfactor 8 back in 1994. Some of you may have heard of his other band, Condo Fucks. We are pretty sure that he will be playing solo tonight and that this is the only Dump show happening anywhere in 2022.
Girl Scout Handbook Girl Scout Handbook was formed by Brooklyn high school student Beatrix Madell, an avid musician and music fan. The band is technically 5 people, Madell, another guitar player, a drummer, a trumpet player, and a keyboard player. They will be doing a set of covers for tonight’s show!
Sat. Oct. 8:
Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. In June 2019, Seablite’s LP debut, Grass Stains and Novocaine was released by Emotional Response, garnering domestic and international praise. They’ve since released a 10″ EP, High-Rise Mannequins (2020) and most recently their new single, Breadcrumbs c/w Ink Bleeds (2022). Seablite are back in the studio recording their sophomore LP and looking forward to what the upcoming year will bring. East Coast/NYC debut!
Artsickis an indiepop band from Oakland/Seaside, California, consisting of Christina Riley (Burnt Palms/Boyracer) on guitar and vocals, Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox/Hard Left) on bass. They formed in 2018 and released a 7” inch single, followed by their debut album “Fingers Crossed,” on Slumberland Records. East Coast/NYC debut!
Jeanines specialize in ultra-short bursts of energetic but melancholy minor-key pop. With influences that run deep into the most crucial tributaries of DIY pop — Messthethics, the Television Personalities, Marine Girls, early Pastels, Dolly Mixture — they’ve crafted a style that is as individual as it is just plain pleasurable. Alicia Jeanine’s pure, unaffected voice muses wistfully on the illusions of time, while My Teenage Stride/Mick Trouble mastermind Jed Smith’s frantic Motown-esque drumming and inventive bass playing provide a thrilling rhythmic foundation.
Gary Olson OG Brooklynite Gary Olson is best known as the leader and founding member of The Ladybug Transistor, but he made a wonderful solo record in 2020 as well, and has collaborated with many bands including the Aislers Set. He also runs a famous studio in Brooklyn called Marlborough Farms, and will be playing as a duo tonight.
1994 was a pivotal year: The art and music community on the East Coast was rocking and filmmakers Michael Galinsky and Suki Hawley made a film called Half-Cocked, which featured many band people including Rodan, Slint, Freakwater and the Grifters. Now they have curated, along with Tony Kapel, a new art show called Shooting Blanks: The Art of Half-Cocked, opening Nov. 29 the Seven Seas Motel during Art Basel Miami that pulls together art, photography and ephemera related to the film and the broader community. Some call it nostalgia; others call it historic documentation. We spoke to Michael Galinsky and Suki Hawley about their work and the exhibition. Photographs by Michael Galinsky
Chickfactor: How did the art show “Shooting Blanks: The Art of Half-Cocked” come about? Michael Galinsky: About this time last year Tony asked me to be on his radio show that airs in Miami and online. He wanted to discuss Half-Cocked and my mall photos. We had a great conversation, and he also had several other people involved in the film on the show in the following weeks. Part of our discussion had to do with his surprise that the film wasn’t more widely known, so it was his idea to build an event around it during Art Basel. He suggested showing my photos and the film. Since Half-Cocked was such a collaborative project, and everyone involved with the making of the film is an artist we decided to make it more of a celebration of the kind of creativity that the film was meant to document. We also wanted to loop in others who documented that world, and people like Theresa Kereakes who helped inspire that kind of documentation.
CF: Who is Tony Kapel and how is he involved? Suki Hawley: Tony is a musician/artist who does curation and puts out records and cassettes. This made it a very easy collaborative effort. The other day he mentioned that he started telling everyone about this event right after we decided to do it, but that no one really believed we’d pull it off. I laughed when he said this because this was part of the secret of getting Half-Cocked made. I kind of knew that if you told people you were doing something you kind of had to do it. At the very least it puts a fire under your ass.
CF: Please describe Half-Cocked the film. MG: Suki was in graduate film school and was frustrated and annoyed because it wasn’t nearly as useful as her undergraduate program had been. I was a photographer who wanted to make films. We met at her roommate Cynthia’s birthday party, and shortly after, she started to book a tour for Cynthia’s band Ruby Falls, and she used all of the contacts I’d developed in booking Sleepyhead’s first tours. So that summer, she went on the same route that we often took and met many of the people we knew. That summer she also shot listed the film Party Girl because she was the director’s assistant and the director came from theater. So, she realized she kind of knew enough to make a film. We understood that it’s best to write what you know, and since we knew all of these amazing musicians in the South, we wrote about that. We did a lot of brainstorming with our roommates Cynthia Nelson and Steve Thornton respectively and then Suki and I would write for days at a time. We got a rough script together in a month. I sent it to my dad, who panned it. “Where the fuck’s the conflict?” he scrawled on the title page. We made another pass and sent it to everyone we hoped to have in it. Jon Cook had ideas for a crazy subplot that involved murdering a pizza delivery guy. It kind of exploded what was there. I mentioned this to Sean Meadows the other day, who was also in the movie, saying there wasn’t a way to incorporate it. He asked why not? I guess he was right, we could have done that. However, we really wanted to make something that could get seen. Even in my band we weren’t exploding the boundaries of expectation, just gently pushing them a bit. I loved work that exploded them, but it wasn’t my impulse to do so. SH:Half-Cocked is about a bunch of kids who steal a van full of gear and pretend to be a band in order to stay out on the road. The stakes are not as high as Some Like it Hot, but it does borrow some of that kind of slapstick at times. The other inspiration was teen riot films like Over the Edge and Suburbia. There were a lot of other more serious film influences as well; The Last Picture Show and Stranger than Paradise come to mind. The idea was to write a skeleton script and have everyone fill in their roles. We wanted to document the world we were a part of without making a “documentary.”
CF: Who are the artists involved with the show? Tell us about a few pieces in it. MG: We tried to be as inclusive as possible, both directly inviting people and making it known that we wanted people to contribute. We focused on the creative community in Louisville and Chattanooga, where Rodan and Boondoggle were from; bands we met on our first tours. However, we also pulled in people like Ron Liberti, from bands like Pipe, Small 23, and Clok Lock—as well as a brilliant poster artist. We have videos from [the late] Letha Rodman (from Ruby Falls), her sitcom Apartment 6, as well as a few of her collages, and a short film we made about her work. She was a huge supporter of all of our efforts. We will also be showing a film made by Ian Svenonius and Alexandra Cabral, The Lost Record. Ian brought a great deal of wit and panache to Half-Cocked as the owner of the van that gets stolen. We have photos from Pat Graham, Theresa Kereakes, Allison Wolfe and others. We have just a growing body of art and documentation and hope to take the show on the road to other locations, and maybe make some kind of book.
CF: We’ve talked a lot about community and documentation. Are those central themes here? What else were you hoping to achieve by wrangling these artists together? MG: The most exciting thing to come from this effort is a short film that Suki cut from Andrew Bordwin’s video footage of the Ruby Falls tour. I’d never seen this stuff and it’s really funny because there’s one section where Ruby Falls has their show in Chattanooga canceled and they find out in John Moses’ record shop. Almost the same scene takes place in the film and I had no idea that it had happened on their tour. So, in the short we cut in several scenes from the film that mirror what’s going in their footage. It adds so much to the idea of documentation. There’s a performative aspect to Half-Cocked that’s different in the color video footage. Together, the short video and the film capture something so much deeper than the individual pieces do. SH: There’s not much wrangling going on. Everything has fallen together pretty organically. Not everyone could get their shit together to send stuff, and a lot of people don’t have much of their older stuff. However, everyone is still involved in making art in some way. I think it’s all very inspiring to look at and sit with. It’s like mini museum show and hopefully the beginning of a much larger project.
CF: Michael, when did you start taking photographs? MG: I started making pictures in high school in a photo class. I took to it like a duck to developer bath. Really, I was the only one in the class who was obsessed right off the bat. I spent many a lunch hour in the darkroom discovering the magic of images forming in the developer tray.
CF: What was your first camera? MG: My first, and really my only 35 mm SLR camera was a Nikon FG 20 with a shit sigma 3.5 lens. I ran that thing into the ground. The lens was kind of soft, but that gave the work something of a distinctive slightly out-of-focus look, LOL.
CF: Tell us about some of the books you’ve published. MG: My first book was Scraps, and it was put out by David Simkins on his Sugar Free Records label. He was a music fan I met in Chicago I think and when he moved to NY he offered to put out a book. I had another book that is still not published, of my early music and tour photos. Scraps is a reference to what was left after I made that book, but it’s also about the scrappiness of the underground DIY world. After that I made a couple of books of my mall work. All the books are out-of-print, but I want to make some new ones. I want to make a book that combines Scraps with the unpublished one Lost. I want to make another one largely based on what I have pulled together for this show. I also want to get to work on the color stuff I shot after 1995 when I got a point-and-shoot camera.
CF: How many films have you made together? SH: Michael and I have made nine feature films and countless shorts (many of which will be playing in the gallery). We have three or four long-term doc projects in various states of disrepair. CF: What are some of the biggest challenges facing creative artists these days? MG: There is just a veritable flood of content of all types. I can see how overwhelming it is for my daughter. Everyone is competing for our eyes and ears and so much of that work is overly slick and produced, even the stuff that’s meant to be messy and fucked up. No one wants to pay for creativity or “content.” It’s a shit show.
CF: How would you describe the Half-Cocked era compared with 2021? MG: What we wanted to document in Half-Cocked was a world that was unconcerned with the expectations of the larger world. It wanted to be separate and disconnected. Now that’s happening in a million different ways in small groups—but also wildly connected through social media, and with so much intention. I’m glad we got to do what we did then. CF: Half-Cocked came out around the time the internet truly took over our lives. What was better before personal technology changed everything? Everything. And nothing.
CF: Explain what the Soundwave Art app is and how it will be used in the show. SH: Soundwave basically turns each image into a QR code. So when you point your phone it can bring up whatever reference we want. It makes the show so much more interactive. Michael has a lot of spoken word and music that goes with his photos. It just makes the whole thing much more interactive. We can link to videos by band, or sound pieces etc. It adds a great deal. CF: What are your future plans? MG: I really want to tour with the film again so that we can see the world but also celebrate the art that went into it. So many of the acts are still making work, and hopefully this will help them get more attention SH: me too!
Shooting Blanks : The Art of Half-Cocked will feature work by the filmmakers Suki Hawley & Michael Galinsky (RUMUR), as well as past and current work from the cast, crew and artists connected to the scene documented in the film:
Akeo Ihara / Allison Wolfe / Amy Davis / Andrew Bordwin / Barbara Johnson / Brian Lynch / Bob Fay / Cynthia Nelson / Catherine Irwin / David Pajo / Erin Smith / Gail O’Hara / Greg King / Ian Svenonius /Janet Beveridge Bean / Jason Noble / Jon Brumit / Jon Moritsugu / Jon Moses / Kevin Corrigan / Leslie Gomez-Gonzalez / Letha Rodman Melchior / Luis Collazos / Jeff Mueller / Jennifer Rogers-Anderson / Maitejosune Urrechaga / Michael Galinsky / Ron Liberti / Pat Graham / Sean Meadows / Suki Hawley /Tara Jane O’Neil / Tara Key / Theresa Kereakes / Tim Furnish / Tim Foljahn / Thom Snively
Half-Cocked is a 1995 film that documented the DIY underground music scene in and around Louisville, Kentucky, in the early ’90s. It was a vibrant, creative community that had a powerful impact on musicians around the world. This show will celebrate the art and the artists associated with that scene, then and now.
The exhibition will include screenings of Half-Cocked, other Rumur films, and a slideshow + Q&A on Galinsky’s photo book Decline of Mall Civilization. In 1995, the Half-Cocked soundtrack was released on Matador Records. The cast included members of the bands Rodan, The Sonora Pine, June of 44, Ruby Falls, LungFish, Slint, Nation of Ulysses, Shipping News, Boondoggle, The Grifters, Sleepyhead, Freakwater and Crain.
PUBLIC HOURS Tuesday, November 30 – Saturday, Dec 4 / 11 am — 6 pm Sunday, Dec 5 / 11 am — 5 pm
IN THE COMMON SPACE SATURDAY Dec. 4, 2021
4pm The Decline of Mall Civilization Book slide show and Q&A with Michael Galinsky
6:30 pm Half-Cocked Film Screening and Q&A with Suki Hawley & Michael Galinsky
8PM Live Music Gown BORRI Rat Bastard Nightly Closures Pocket of Lollipops KC Jankem
Doors 7pm, showtime 8pm. $20 advance; $25 at the door; advance two-day pass $40.
Tickets on sale at noon EST Monday, Feb 3!
Also will be available at Other Music.
Thursday, March 20
WITHERED HAND From Edinburgh and led by Dan Willson, the ace band has a brand-new second album, New Gods, coming out March 25 on Slumberland Records. It was produced by Tony Doogan (Mountain Goats, Belle & Sebastian, Mogwai, The Pastels) and features a stellar array of guests including members of Belle & Sebastian, Frightened Rabbit, Black Tambourine and The Vaselines. New Gods also features CF cofounder Pam Berry and a song called “Black Tambourine”! New single.
JIM RUIZ SET Hailing from Minneapolis, the legendary Jim Ruiz & Co. often play at CF parties. They released Mount Curve Avenue, their third LP, in 2012 and on vinyl in 2013 on Shelflife Records. Their jazzy Max Eider-influenced pop has always made us swoon. Tonight’s lineup is Jim Ruiz, Emily Ruiz on drums, Allison Labonne on bass, and Kim Serene on marimba and accordian. (Interview in CF9)
LILYS / KURT HEASLEY Super-talented East Coast (mostly DC, Virginia, Pennsylvania) songwriter Kurt Heasley has been putting out records as Lilys since 1991 that feature a noisy brand of pop we love. He has been working on some new material and will play some of that tonight.
AMOR DE DÍAS The London-based duo featuring Lupe Núñez-Fernández (Pipas) and Alasdair Maclean (see The Clientele) hasn’t toured in the US since 2011. They released a brilliant second album called The House at Sea on Merge Records in January 2013. The combination of Spanish guitar, English melancholy, the spirit of Gal Costa and a touch of cinematic magic makes them one of the most intriguing songwriting pairs working today. They’re currently making their third album. Recent track!
Friday, March 21
THE CLIENTELE Originally from Hampshire and now London, the Clientele is one of our fave pop acts of all time. This lineup featuring Alasdair Maclean, James Hornsey on bass and Mark Keen on drums hasn’t played together since 2005. The group hasn’t played in the US since 2010. These three got back in the studio for the first time since 2010 to record a new 7″ single for the Merge Records Thousands of Prizes thing, which is their first new material in 4 years. (interviewed in CF13)
VERSUS Many associate this band with ’90s indie rock but they put out a pretty bad-ass LP on Merge Records in 2010 titled On the Ones and Threes. Another “chickfactor house band,” Versus has switched off members over the years but this year will be the handsome Baluyut brothers Richard and Ed and foxy Fontaine Toups (CF Cover Girl issue 6).
BARBARA MANNING Barbara Manning used to be the poster girl for San Francisco, and has participated in some of the best pop music ever (with 28th Day, World of Pooh, SF Seals) and especially as a solo artist. She’s currently living in Long Beach and is a high-school chemistry teacher! We are very happy to have her on the lineup. CF Cover Girl issue 4.
THE SATURDAY PEOPLE This fab DC pop group hasn’t played in a while! Featuring the original lineup, which was Terry Banks (Dot Dash, Tree Fort Angst, glo-worm); Dan Searing (glo-worm); Greg Pavlovcak (Ropers); and Ara Hacopian. Interviewed in CF15.
chickfactor fanzine was started in 1992 by pam berry and gail o’hara in d.c./nyc.
we couldn’t be more excited to announce some good news: one of chickfactor’s top songwriters ever, joe pernice (pernice brothers, scud mountain boys, new mendicants), will be added to thursday night’s bill at chickfactor 21 with dump, lois and the jim ruiz set.
we are also thrilled to announce several of our guests: rose melberg’s band imaginary pants + tae won yu (kicking giant) will both be playing sets at cf21. each night starts right at 8pm so get there early!