Our final chickfactor 30 party in London was an afternoon Hangover Lounge affair at the Betsey Trotwood and had kind of a chill vibe that was welcome after two nights at the packed Lexington! Marlody is a new signing on Rob and Amelia’s Skep Wax label and her moody, intimate songs were quiet and poignant at a time when finally coming together after so long was so needed. Her music was a reminder that we all need to share our stories. The Catenary Wires are of course pop legends: Amelia Fletcher, Rob Pursey, Ian Button and Andy Lewis. They played stellar songs from their latest, Birling Gap, which you should snap up if you haven’t got it, and even thrilled the audience with a Heavenly song, “Cool Guitar Boy,” in advance of their couple of Bush Hall shows next spring, which was so so fun.
London is a place I was lucky to call home for half a decade and I miss it like crazy. chickfactor’s cofounder Pam Berry has lived there since the late ’90s and I love being able to go back and see people at these events in these places that miraculously are still open. I wish we could do it every year! Thanks again to the musicians, bands, venues, Paul Kelly for backline wrangling, the sound people, Hangover Lounge, Tae Won Yu, the folks who put me and others up, the documenters, readers, fans, friends, strangers, and pop lovers who make up this incredible community.
Tonight from the stage, Morgan from the Umbrellas said that her face was hurting from smiling so much and we could all relate! The London CF30 shows were like a big lovefest full of fantastic pop music! The show kicked off tonight with the Bay Area pop group Seablite, making their London debut in the most stylish and melodious way!
Birdie played next and our hearts melted because they are so damn charming and just effortlessly generate classic-sounding pop music that could have come from the 1960s. Their set list is below, but we know how lucky we are to have heard a few Dolly Mixture songs on Friday during Rachel’s set and some on Saturday with Birdie! Unbelievable joy.
The final act tonight was the Bay Area Slumberland band The Umbrellas, who are so young and yet so good at making classic but fresh indie pop in the best possible way. Such energy! Such positivity! If there were any justice in the world, we would take these shows on the road and fill the world with joy and melody! I’m sure these US bands will be back soon, but for now London + California = love.
Just a note: In case you wondered why the shows started so early and they had no real breaks between bands, it’s because the Lexington has another dance party event that starts roughly an hour after our thing ended. We left a time cushion between our show and theirs because our experience at CF25 was a bit difficult to deal with, the Pastels could hardly load out or relax and have a post-show beer before the late-night dance party people rushed the room.
(Personally, I was perched on a bench in the back because I had recently rolled my ankle and couldn’t manage the pain being on my feet all night or I would have been dancing like a dervish right up front as per usual! I was on so much paracetamol that I felt I couldn’t drink much cider, and I was a bit limited in my movements as host! But it was pretty crazy to see three of my former coworkers from SPIN magazine in the house! Daisy and Sarah, shoutouts to you for being so fun. )
Thanks again to all the bands who played and all the fans who came from afar and the Lexington. Special thanks to Gaylord Fields and Rachel Love (to whom I apologize for my grumpiness) for helping me wrangle the right lager and snacks from the local Tesco. The overall vibe this weekend was very much a lovefest, a total all-hands-on-deck, walking around the neighborhood and running into each other funfest with some of the greatest people. MC Gaylord did an amazing job of waxing loudly and lovingly about the bands to get everyone’s attention back to the stage. Many thanks to Paul Kelly and the Betsey Trotwood for wrangling the backline for the whole weekend. Thanks to the Hangover Lounge gents—Tim, John, Ben and Steve—for handling merch and being the generally wonderful humans that they are.
chickfactor anniversary parties are sometimes characterized as events where we bring bands back from retirement or as total nostagia-fests. While it is true that they are basically the best kind of friend reunion, this year’s London shows had little to do with nostalgia (though there was a wee Dolly Mixture vibe and a Heavenly song!). Our three-day festival featured five bands that were just interviewed in our latest issue, chickfactor 19 (Sacred Paws, Rachel Love and three Bay Area pop bands mentioned below), and two bands whose members (Paul Kelly and Debsey Wykes and the Catenary Wires) have been interviewed on our site in mostly recent times. The Lexington shows also featured three bands making their London debut: Seablite, Artsick and The Umbrellas flew across the world to play in London!
Tonight I was dead excited to see Sacred Paws for the first time, and they did not disappoint! (They toured the U.S. a while back but only the East Coast and I was West Coast then.) Rachel Aggs’ dance moves are a joy to watch and the whole band generates goodness. Their sound is rooted in the ESG-influenced past, but completely fresh and modern. We are so grateful they came down from Glasgow to play!
It was also amazing to see Rachel Love solo for the first time! She brought her kids and their friends to play many of the wonderful songs from her 2021 solo album that deserved more attention. We heard a few Dolly Mixture songs during Rachel’s set (“Down The Line,” “Miss Candy Twist,” “How Come You’re Such a Hit With the Boys, Jane?”), some with Debsey Wykes as a guest! Unbelievable joy. Plus, tonight was the first time Artsick has ever played in London and they were killing it with fizzy pop punk energy!
Thanks to the bands who played and traveled from afar, MC Gaylord Fields, the fans who came out, the Lexington, the soundpeople and especially the Betsey Trotwood and Paul Kelly for sorting out the backline for the whole weekend. Tonight was epic!
Night three at Union Pool was a blast! I was so excited to be seeing ARTSICK for the first time, and it was a NYC/East Coast debut for both them and SEABLITE! Both bands gave it everything and the crowd loved it. NYC’s JEANINES (now more of a Western Mass. combo I believe) and GARY OLSON (with a bit of LADYBUG TRANSISTOR!) brought it too! It was a magical night of old friends, fantastic music and general stardust. Thanks to DJ Sukhdev Sandhu, MC Gaylord Fields, Tae Won Yu for the gorgeous posters and graphics, our wonderful sound person Beck and the folks at Union Pool, along with everyone who played, came out and enjoyed the night! See more of Dean Keim’s photos here.
our second event in New York was at the Chashama space in Brooklyn where Steve Keene was having an exhibition. As the editor of the Steve Keene Art Book, I was sad to miss a number of book launch events earlier in 2022, so I was happy to put on this event with the book’s producer and SK documenter Dan Efram. Many of the pieces on the wall were from his or other private collections, so they were not all for sale (sadly!) Christina Zafiris, who worked in the marketing department at Matador Records when the label did a series of “Pavement Trees” made by SK, wrote about the experience of doing those in the book, and asked me to edit her essay for the book, which led to me editing the whole book. Another contributor to the book, Sam Brumbaugh, interviewed Bridget St. John for chickfactor 12 back in the late ’90s. (Read his essay from the book here!) Our love for Bridget’s music led to us having her play at many of our big festivals over the years in both New York and London. We named one of our festivals at Bush Hall in London “Mon Gala Papillons” (it takes its name from a photograph by Jacques Lartigue), which inspired Bridget to write a song of the same title! We love Bridget. (Photos: Gail O’Hara)
When I arrived in NYC in early October, the remnants of Hurricane Ian were still turning the city into a nasty soupy mess. I visited Eric Fischer at the Frying Pan pier complex a few days before our event there, and the wind and waves were violently shooting up through the dock. But on Oct. 6, the weather and party gods shined on us and gave us a completely perfect NY evening. Luckily Eric, who pretty much built much of the pier complex and has been involved with running and maintaining the ships for decades, is the hardest working person in showbiz and pushed me to try to hammer out every detail before the event. We had special gold wristbands, a fancy ‘chickfactor’ cocktail ready as a special for the event, and even a special vegan menu. Eric’s wife, Christina, procured our giant inflatable CF30 letters. Josh “Other Music” Madell helped me wrangle my least favorite part of setting up shows: PA and backline. Our sound person Mike Yesenosky usually works with the Magnetic Fields, so we were very lucky to have him tonight!
When Beatrix Madell, the 14-year-old who formed a band called Girl Scout Handbook for our CF30 NY party on the Frying Pan, asked her mom (longtime CF contributor Dawn Sutter Madell) what makes a song a chickfactor song, Dawn told her it would have to be a song “Gail likes.” But it’s clear that, between the folks who contribute to, read, support, and sell the zine and the folks who play at and attend our events, there is a community of like-minded folks out there that like similar tunes!
Girl Scout Handbook, a group of 12- to 14-year-olds from Brooklyn, took the stage right as fireworks were going off out in the Hudson River. Helicopters were swooping into the pier next to ours as well. GSH’s set was made up of covers chosen specifically for the event: The Zombies, Heavenly, the Spinanes, Lois, B&S and it was amazing! So great! They only practiced four times and already got written up in the New Yorker! Watching their proud parents watch them was so heart-warming. What a way to start the show!
Next up was DUMP, Brooklyn’s James McNew, who slayed the crowd with his solo set of classics from his repertoire and ace covers. The Jim Ruiz Set, as they often do, came all the way from the Twin Cities to make us swoon to their easy listening pop gems. And the Aluminum Group also flew in from Detroit and Chicago to show the world why it needs to listen to their fab new album. DJs Gaylord Fields and Stephin Merritt helped us keep things humming in between. Artist Kevin Alvir was offering quick portraits on demand, and the Aluminum Group brought a boutique’s worth of fun merch and handmade garlands. It was such a great night full of all kinds of people from different generations enjoying the venue, the music and each other’s company. Thanks to everyone who played, came to the event, and helped out (especially Eric and Christina, Josh and Dawn, and Y-Mike!)
October 7 at 1 Brooklyn Bridge Park, 360 Furman St., 5pm to 7:30pm Our third and final event in NYC will be at the Steve Keene Art Show, where Steve Keene will be painting (during the early bit) and signing copies of the book if you buy one! The STEVE KEENE ART BOOK came out earlier this year and CF’s Gail O edited the book. It was designed by Henry Owings from Chunklet and produced by Daniel Efram, who photographed and documented SK’s art for the book.
The British folk legend BRIDGET ST JOHN will play some songs
CF contributor and wonderful person SUKHDEV SANDHU will DJ
CHICKFACTOR 30 chickfactor fanzine was founded 30 years ago by Pam Berry & Gail O’Hara (in DC/NY) and we are incredibly excited to celebrate with you on October 28 & 29 at the Lexington and October 30 (afternoon) at the Betsey Trotwood. Cannot wait to see everyone and see these wonderful bands play! (Our 30th-anniversary issue is out now too and 5/6 of these bands are in it.) Presented in cahoots with the Hangover Lounge folks.
Fri. October 28: Sacred Paws Artsick Rachel Love Get tickets
Sat. October 29: The Umbrellas Birdie Seablite Get tickets
Sun. October 30: Daytime event (Noon to 4!) Hangover Lounge at the Betsey Trotwood The Catenary Wires & Special Guests Get tickets
Fri. Oct. 29: Doors 7pm, show 7:30
Sacred Paws(from Glasgow!) have a natural inclination not to take things too seriously. You can hear it all the way through a conversation with its two members, guitarist Rachel Aggs and drummer Eilidh Rodgers, punctuated by rolls of giggles and thoughtful pauses, and you can hear it in the light touch they bring to their music, a jangly blend of indie pop full of fizzing world rhythms and bright horns. Shimmering guitar riffs dance between snappy beats and swooning melodies that will have crowds committing to far more than a simple head-bob. “I think we’d get bored if it was too slow,” Eilidh says. “We’d never want to play something live that people couldn’t dance to. It would feel really strange to us. It’s kind of the whole point.” Joining them at this show will be Jack Mellin on guitar and Moema Meade on bass!
Artsick London debut! Artsick is an indiepop band from Oakland/Seaside, California, consisting of Christina Riley (Burnt Palms/Boyracer) on guitar and vocals, Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox/Hard Left) on bass. They formed in 2018 and released a 7-inch single, followed by their debut album Fingers Crossed, on Slumberland Records.
Rachel Love Rachel was guitarist and singer in the seminal 70/80s band Dolly Mixture who were signed to Paul Weller’s Respond label and championed by The Undertones & John Peel. She was the singer in the band Spelt and has released her first solo album, Picture in Mind, in 2021. Also half of the Light Music Company.
Sat. Oct. 29: Doors 7 p.m., show 7:30
The Umbrellas London debut! “The Umbrellas are one of the most exciting bands to come from the indiepop underground in ages. Bursting out of the SF Bay Area’s fertile indie scene, The Umbrellas come correct with a sound that fits snugly into a long line of classic pop, from The Byrds to Orange Juice, The Pastels, Comet Gain, Veronica Falls and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco’s best bands. Their self-titled 2021 debut album dazzled with a dozen perfect pop tunes, charming the indiepop faithful but also winning fans outside the scene, leading to sold-out tours with bands as disparate as Ceremony and Destroy Boys.” (—Mike Schulman) New Releases – ‘Write it in the Sky’ 7″ released via Slumberland, Meritorio, Tear Jerk, and Fastcut records.
Birdie Debsey Wykes (Dolly Mixture, Saint Etienne) and Paul Kelly (East Village, Saint Etienne) decided to form a group together while they were members of SAINT ETIENNE’s backing band in 1994. For two years, Debsey (backing singer) and Paul (guitar) toured Europe, Japan, America and played most of the major European festivals until SAINT ETIENNE took a break and BIRDIE was born. For this show, it will be: Debsey (bass and vocal); Paul (guitar and vocal); Jon (drums); Patrick (guitar or piano) and possibly Sean (piano)!
Seablite London debut! Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. In June 2019, Seablite’s LP debut, Grass Stains and Novocaine was released by Emotional Response, garnering domestic and international praise. They’ve since released a 10″ EP, High-Rise Mannequins (2020) and most recently their new single, Breadcrumbs c/w Ink Bleeds (2022). Seablite are back in the studio recording their sophomore LP and looking forward to what the upcoming year will bring.
Sun. October 30: CF30/Hangover Lounge at the Betsey Trotwood
Formed by Amelia Fletcher and Rob Pursey (of Talulah Gosh, Heavenly, Marine Research and so many more!), Catenary Wires also feature Fay Hallam, Andy Lewis and Ian Button. Today will be Amelia and Rob as a duo. Their Birling Gap LP released June 2021 on Skep Wax and Shelflife (USA). Super early show! Noon to 4pm event. The show is technically sold out but we hope to be able to release more tickets.
chickfactor fanzine was founded 30 years ago by Pam Berry & Gail O’Hara (in DC/NY) and we are celebrating by having some parties in New York! We are so excited to have a friend-reunion and see all these rad bands play!
October 6 at the Frying Pan The Aluminum Group Jim Ruiz Set Dump Girl Scout Handbook + DJs Stephin Merritt & Gaylord Fields Vegan options in the restaurant, nautical photo ops and portraits and other fun stuff! Get tickets
The Aluminum Group are the brothers John and Frank Navin of Chicago and Detroit, who recently released a wonderful new album. John says of this event: “Our performance is very audience interactive. We start with a brief demonstration and teach attendees how to make paper laurel necklaces, then we sing 5 new songs. Show a new short film by Frankie. Then sing sing 5 more songs from the new record, then encore with a new unreleased song from our next record, called ‘Punch The Lights Out Of This Crazy World.’”
Jim Ruiz Set Led by the Legendary Jim Ruiz (guitar, vocals), the set also features Emily Ruiz (drums, vocals), Mike Crabtree (lead guitar) and Charlotte Crabtree (bass, vocals). The Twin Cities outfit has been playing CF events since the olden days and never ever disappoints.
Dump Brooklyn’s James McNew is the force of nature behind Dump, which was interviewed in Chickfactor 8 back in 1994. Some of you may have heard of his other band, Condo Fucks. We are pretty sure that he will be playing solo tonight and that this is the only Dump show happening anywhere in 2022.
Girl Scout Handbook Girl Scout Handbook was formed by Brooklyn high school student Beatrix Madell, an avid musician and music fan. The band is technically 5 people, Madell, another guitar player, a drummer, a trumpet player, and a keyboard player. They will be doing a set of covers for tonight’s show!
Sat. Oct. 8:
Seablite is a four-piece pop band from San Francisco inspired by 80s/90s indie and shoegaze. In June 2019, Seablite’s LP debut, Grass Stains and Novocaine was released by Emotional Response, garnering domestic and international praise. They’ve since released a 10″ EP, High-Rise Mannequins (2020) and most recently their new single, Breadcrumbs c/w Ink Bleeds (2022). Seablite are back in the studio recording their sophomore LP and looking forward to what the upcoming year will bring. East Coast/NYC debut!
Artsickis an indiepop band from Oakland/Seaside, California, consisting of Christina Riley (Burnt Palms/Boyracer) on guitar and vocals, Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox/Hard Left) on bass. They formed in 2018 and released a 7” inch single, followed by their debut album “Fingers Crossed,” on Slumberland Records. East Coast/NYC debut!
Jeanines specialize in ultra-short bursts of energetic but melancholy minor-key pop. With influences that run deep into the most crucial tributaries of DIY pop — Messthethics, the Television Personalities, Marine Girls, early Pastels, Dolly Mixture — they’ve crafted a style that is as individual as it is just plain pleasurable. Alicia Jeanine’s pure, unaffected voice muses wistfully on the illusions of time, while My Teenage Stride/Mick Trouble mastermind Jed Smith’s frantic Motown-esque drumming and inventive bass playing provide a thrilling rhythmic foundation.
Gary Olson OG Brooklynite Gary Olson is best known as the leader and founding member of The Ladybug Transistor, but he made a wonderful solo record in 2020 as well, and has collaborated with many bands including the Aislers Set. He also runs a famous studio in Brooklyn called Marlborough Farms, and will be playing as a duo tonight.
1994 was a pivotal year: The art and music community on the East Coast was rocking and filmmakers Michael Galinsky and Suki Hawley made a film called Half-Cocked, which featured many band people including Rodan, Slint, Freakwater and the Grifters. Now they have curated, along with Tony Kapel, a new art show called Shooting Blanks: The Art of Half-Cocked, opening Nov. 29 the Seven Seas Motel during Art Basel Miami that pulls together art, photography and ephemera related to the film and the broader community. Some call it nostalgia; others call it historic documentation. We spoke to Michael Galinsky and Suki Hawley about their work and the exhibition. Photographs by Michael Galinsky
Chickfactor: How did the art show “Shooting Blanks: The Art of Half-Cocked” come about? Michael Galinsky: About this time last year Tony asked me to be on his radio show that airs in Miami and online. He wanted to discuss Half-Cocked and my mall photos. We had a great conversation, and he also had several other people involved in the film on the show in the following weeks. Part of our discussion had to do with his surprise that the film wasn’t more widely known, so it was his idea to build an event around it during Art Basel. He suggested showing my photos and the film. Since Half-Cocked was such a collaborative project, and everyone involved with the making of the film is an artist we decided to make it more of a celebration of the kind of creativity that the film was meant to document. We also wanted to loop in others who documented that world, and people like Theresa Kereakes who helped inspire that kind of documentation.
CF: Who is Tony Kapel and how is he involved? Suki Hawley: Tony is a musician/artist who does curation and puts out records and cassettes. This made it a very easy collaborative effort. The other day he mentioned that he started telling everyone about this event right after we decided to do it, but that no one really believed we’d pull it off. I laughed when he said this because this was part of the secret of getting Half-Cocked made. I kind of knew that if you told people you were doing something you kind of had to do it. At the very least it puts a fire under your ass.
CF: Please describe Half-Cocked the film. MG: Suki was in graduate film school and was frustrated and annoyed because it wasn’t nearly as useful as her undergraduate program had been. I was a photographer who wanted to make films. We met at her roommate Cynthia’s birthday party, and shortly after, she started to book a tour for Cynthia’s band Ruby Falls, and she used all of the contacts I’d developed in booking Sleepyhead’s first tours. So that summer, she went on the same route that we often took and met many of the people we knew. That summer she also shot listed the film Party Girl because she was the director’s assistant and the director came from theater. So, she realized she kind of knew enough to make a film. We understood that it’s best to write what you know, and since we knew all of these amazing musicians in the South, we wrote about that. We did a lot of brainstorming with our roommates Cynthia Nelson and Steve Thornton respectively and then Suki and I would write for days at a time. We got a rough script together in a month. I sent it to my dad, who panned it. “Where the fuck’s the conflict?” he scrawled on the title page. We made another pass and sent it to everyone we hoped to have in it. Jon Cook had ideas for a crazy subplot that involved murdering a pizza delivery guy. It kind of exploded what was there. I mentioned this to Sean Meadows the other day, who was also in the movie, saying there wasn’t a way to incorporate it. He asked why not? I guess he was right, we could have done that. However, we really wanted to make something that could get seen. Even in my band we weren’t exploding the boundaries of expectation, just gently pushing them a bit. I loved work that exploded them, but it wasn’t my impulse to do so. SH:Half-Cocked is about a bunch of kids who steal a van full of gear and pretend to be a band in order to stay out on the road. The stakes are not as high as Some Like it Hot, but it does borrow some of that kind of slapstick at times. The other inspiration was teen riot films like Over the Edge and Suburbia. There were a lot of other more serious film influences as well; The Last Picture Show and Stranger than Paradise come to mind. The idea was to write a skeleton script and have everyone fill in their roles. We wanted to document the world we were a part of without making a “documentary.”
CF: Who are the artists involved with the show? Tell us about a few pieces in it. MG: We tried to be as inclusive as possible, both directly inviting people and making it known that we wanted people to contribute. We focused on the creative community in Louisville and Chattanooga, where Rodan and Boondoggle were from; bands we met on our first tours. However, we also pulled in people like Ron Liberti, from bands like Pipe, Small 23, and Clok Lock—as well as a brilliant poster artist. We have videos from [the late] Letha Rodman (from Ruby Falls), her sitcom Apartment 6, as well as a few of her collages, and a short film we made about her work. She was a huge supporter of all of our efforts. We will also be showing a film made by Ian Svenonius and Alexandra Cabral, The Lost Record. Ian brought a great deal of wit and panache to Half-Cocked as the owner of the van that gets stolen. We have photos from Pat Graham, Theresa Kereakes, Allison Wolfe and others. We have just a growing body of art and documentation and hope to take the show on the road to other locations, and maybe make some kind of book.
CF: We’ve talked a lot about community and documentation. Are those central themes here? What else were you hoping to achieve by wrangling these artists together? MG: The most exciting thing to come from this effort is a short film that Suki cut from Andrew Bordwin’s video footage of the Ruby Falls tour. I’d never seen this stuff and it’s really funny because there’s one section where Ruby Falls has their show in Chattanooga canceled and they find out in John Moses’ record shop. Almost the same scene takes place in the film and I had no idea that it had happened on their tour. So, in the short we cut in several scenes from the film that mirror what’s going in their footage. It adds so much to the idea of documentation. There’s a performative aspect to Half-Cocked that’s different in the color video footage. Together, the short video and the film capture something so much deeper than the individual pieces do. SH: There’s not much wrangling going on. Everything has fallen together pretty organically. Not everyone could get their shit together to send stuff, and a lot of people don’t have much of their older stuff. However, everyone is still involved in making art in some way. I think it’s all very inspiring to look at and sit with. It’s like mini museum show and hopefully the beginning of a much larger project.
CF: Michael, when did you start taking photographs? MG: I started making pictures in high school in a photo class. I took to it like a duck to developer bath. Really, I was the only one in the class who was obsessed right off the bat. I spent many a lunch hour in the darkroom discovering the magic of images forming in the developer tray.
CF: What was your first camera? MG: My first, and really my only 35 mm SLR camera was a Nikon FG 20 with a shit sigma 3.5 lens. I ran that thing into the ground. The lens was kind of soft, but that gave the work something of a distinctive slightly out-of-focus look, LOL.
CF: Tell us about some of the books you’ve published. MG: My first book was Scraps, and it was put out by David Simkins on his Sugar Free Records label. He was a music fan I met in Chicago I think and when he moved to NY he offered to put out a book. I had another book that is still not published, of my early music and tour photos. Scraps is a reference to what was left after I made that book, but it’s also about the scrappiness of the underground DIY world. After that I made a couple of books of my mall work. All the books are out-of-print, but I want to make some new ones. I want to make a book that combines Scraps with the unpublished one Lost. I want to make another one largely based on what I have pulled together for this show. I also want to get to work on the color stuff I shot after 1995 when I got a point-and-shoot camera.
CF: How many films have you made together? SH: Michael and I have made nine feature films and countless shorts (many of which will be playing in the gallery). We have three or four long-term doc projects in various states of disrepair. CF: What are some of the biggest challenges facing creative artists these days? MG: There is just a veritable flood of content of all types. I can see how overwhelming it is for my daughter. Everyone is competing for our eyes and ears and so much of that work is overly slick and produced, even the stuff that’s meant to be messy and fucked up. No one wants to pay for creativity or “content.” It’s a shit show.
CF: How would you describe the Half-Cocked era compared with 2021? MG: What we wanted to document in Half-Cocked was a world that was unconcerned with the expectations of the larger world. It wanted to be separate and disconnected. Now that’s happening in a million different ways in small groups—but also wildly connected through social media, and with so much intention. I’m glad we got to do what we did then. CF: Half-Cocked came out around the time the internet truly took over our lives. What was better before personal technology changed everything? Everything. And nothing.
CF: Explain what the Soundwave Art app is and how it will be used in the show. SH: Soundwave basically turns each image into a QR code. So when you point your phone it can bring up whatever reference we want. It makes the show so much more interactive. Michael has a lot of spoken word and music that goes with his photos. It just makes the whole thing much more interactive. We can link to videos by band, or sound pieces etc. It adds a great deal. CF: What are your future plans? MG: I really want to tour with the film again so that we can see the world but also celebrate the art that went into it. So many of the acts are still making work, and hopefully this will help them get more attention SH: me too!
Shooting Blanks : The Art of Half-Cocked will feature work by the filmmakers Suki Hawley & Michael Galinsky (RUMUR), as well as past and current work from the cast, crew and artists connected to the scene documented in the film:
Akeo Ihara / Allison Wolfe / Amy Davis / Andrew Bordwin / Barbara Johnson / Brian Lynch / Bob Fay / Cynthia Nelson / Catherine Irwin / David Pajo / Erin Smith / Gail O’Hara / Greg King / Ian Svenonius /Janet Beveridge Bean / Jason Noble / Jon Brumit / Jon Moritsugu / Jon Moses / Kevin Corrigan / Leslie Gomez-Gonzalez / Letha Rodman Melchior / Luis Collazos / Jeff Mueller / Jennifer Rogers-Anderson / Maitejosune Urrechaga / Michael Galinsky / Ron Liberti / Pat Graham / Sean Meadows / Suki Hawley /Tara Jane O’Neil / Tara Key / Theresa Kereakes / Tim Furnish / Tim Foljahn / Thom Snively
Half-Cocked is a 1995 film that documented the DIY underground music scene in and around Louisville, Kentucky, in the early ’90s. It was a vibrant, creative community that had a powerful impact on musicians around the world. This show will celebrate the art and the artists associated with that scene, then and now.
The exhibition will include screenings of Half-Cocked, other Rumur films, and a slideshow + Q&A on Galinsky’s photo book Decline of Mall Civilization. In 1995, the Half-Cocked soundtrack was released on Matador Records. The cast included members of the bands Rodan, The Sonora Pine, June of 44, Ruby Falls, LungFish, Slint, Nation of Ulysses, Shipping News, Boondoggle, The Grifters, Sleepyhead, Freakwater and Crain.
PUBLIC HOURS Tuesday, November 30 – Saturday, Dec 4 / 11 am — 6 pm Sunday, Dec 5 / 11 am — 5 pm
IN THE COMMON SPACE SATURDAY Dec. 4, 2021
4pm The Decline of Mall Civilization Book slide show and Q&A with Michael Galinsky
6:30 pm Half-Cocked Film Screening and Q&A with Suki Hawley & Michael Galinsky
8PM Live Music Gown BORRI Rat Bastard Nightly Closures Pocket of Lollipops KC Jankem