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chickfactor 2023 lists, round three

image courtesy of Kim Baxter

Kim Baxter’s (All Girl Summer Fun Band) 
Top 10 Favorite Things About Reuniting with AGSFB in 2023


  1. The amazing feeling that occurred when the 3 of us got together and started playing music again. It was like no time had passed at all. I didn’t realize just how much I had missed playing with Jen & Kathy.
  2. Having friends come to our shows that we hadn’t seen in ages!
  3. Encountering the nicest and most helpful sound people that we have ever worked with.
  4. Jen’s contagious excitement for playing shows & recording music again, her awesome playlists & podcast selections, and her ability to drive for hours on end.
  5. Figuring out that if we rent an AirBnB with a garage, we don’t have to unload our gear each night. Our favorite new tour hack!
  6. Getting to play shows with so many awesome bands & people-Tony Molina, Mo Troper, The Softies, Growing Pains, Who Is She?, Love in Hell, Tony Jay, Kids on a Crime Spree, Rose Melberg, Lunchbox, Wifey, Field Drums.
  7. Catching up, cracking up, and built-in therapy + pep talks with Jen & Kathy at band practices and on the road.
  8. Hitting all of the health food co-ops on tour (Kathy is an expert at finding them) and being instantly transported back to the 90’s by the smell of nutritional yeast and nag champa.
  9. Sitting around in our PJs after shows and watching back-to-back episodes of Selling Sunset together (so bad, yet so good).
  10. Making plans for future shows and writing & recording new music!
Out Jan. 19!

Corin Tucker (Sleater-Kinney, Filthy Friends) 2023!!

Best Portland Thai Food – Rukdiew Cafe

Best Live Album – And the wind… MJ Lenderman

Favorite Live Show – The Cure at Corona Capital

Best sport trend – Pickle Ball

Favorite Youth Slang – LFG! (In a text, it means Let’s Fucking Go)

Great albums – Black Rainbows by Corinne Bailey Rae; The Water, The Sky by Black Belt Eagle Scout

Favorite Books – My Murder by Katie Williams and The Fraud by Zadie Smith

James McNew’s Favorite songs 2023:
Staple Singers, “The Gardener” (1970)
The Cyclones with Count Ossie, “Meditation” (1973)
Thin Lizzy, “The Friendly Ranger at Clontorf Castle” (1971)
Jimmy Flemion, “Oh Babe, What Would You Say” (2022)
Little Obsessions, “Can’t See What’s Mine” (2023)
Rob Sonic, “Mink” (2023)
Dave Edmunds, “Where Or When” (1977)
Flo and Eddie, “Keep It Warm” (1976)
Ceremony, “Your Life In France” (2015)
Yozoh, “Tommy” (2022)
The Notwist, “Sans Soleil” (2021)

Evelyn Hurley (Cotton Candy): Top fave shows of 2023

I watched a lot of good television shows this year, so in no real order, here’s a list of a few or my favorite tv shows for 2023:

Slow Horses – this TV show is on a lot of peoples “Best Of” lists and there’s a good reason for that, it’s really good! The acting and stories are super suspenseful, and it’s really funny. Highly recommend!

Rain Dogs – this is a British TV show which was really touching, even though the protagonists are somewhat unlikeable and flawed. The lead actress/writer/creator, Daisy May Cooper, is super talented, and she has another show on my list, which is called…

Am I Being Unreasonable? – this is the other Daisy May Cooper show on my list, and it’s completely different from Rain Dogs. The story is so compelling and the twist at the end had me literally screaming. Definitely watch this if you can, you will not forget it.

Schmigadoon – the second season of this show was based on the musical Chicago rather than Brigadoon, and songs are catchy, the story is clever, and the singing and acting is so good. It’s a great series, watch it if you get the chance, especially if you’re old an old theater kid like me.

Afterparty – this is also the second season of this show, and it’s really so well done with clever, jokes and great acting by everyone. I did not predict the ending at all!

Physical – this was the third and final season of the show and in my opinion it’s really one of the best TV shows I’ve seen in years. Rose Byrne is so excellent, which is saying a lot because every single actor in the show is fantastic. I can see why some people are uncomfortable with this show because it might trigger some trauma people have had with an eating disorder, but the way she portrays a working business woman in the 80’s, with all the references to exercise trends, clothing, foods, is really well done without being preachy or grating. Also, big shout out to Zooey Deschanel, whose portrayal of a zany character was so great.

Big Door Prize – the show was kind of a sleeper but I thought it was really good. Chris O’Dowd is really hilarious in an understated way, and Josh Segarra was so great as the almost-successful hockey player-has been. I still can’t really figure out what is going with the plot, show but it’s a good show!

Hijack – this Idris Elba show was so good, but it’s really suspenseful, so don’t watch it if you don’t like being stressed out.

Pretty Baby: Brooke Shields – this is an amazing documentary about Brooke Shields and how she grew up in the public eye in the 70’s & 80’s. I grew up the same time as Brooke, so all the footage of her childhood was a trip down memory lane for me, only this time I realized how incredibly exploited she was by almost everyone in her life. She handled every single man, woman, TV star, movie star, interviewer, journalist, etc… with such grace and respect, even though they were all usually acting like massive creeps. (Looking at you, Bob Hope.)It’s incredible how she turned out so well adjusted, because she seems like a really cool person.

WHAM! documentary – I’m a big George Michael & Wham! fan, and this documentary  was really well done and very sweet. It showed how incredibly talented and driven George Michael and Andrew Ridgely were. I especially loved how tormented George Michael was when he knew that his song “Last Christmas” wasn’t going to be the number one Christmas song because Band Aid would knock it off of its 1st place space, even though he was also on that song. But I especially loved the sweet friendship they had, and it makes me sad that Yog died way too young.

Sukhdev Sandhu (Photo: Gail O’Hara)

Sukhdev Sandhu (English professor, critic, event creator, and CF contributor/MC)

* Chiara Ambrosio is one of the most teeming, tireless people I know. She lives in London, is a writer and an artist and a filmmaker and a puppeteer and a publisher, and champions that which deserves championing. In this year alone: a linocut response to Yannis Ritsos’s Monochords; The Book of Raft – a companion to an upcoming film championing cultural hubs/ holdouts in London; a wonderful event at The Horse Hospital in Bloomsbury – which featured broom-dancing children, Kurdish singing and mulled wine-enhanced wassailing deep into the December night.

* I’m not sure if Mike Rubin ever sleeps. Almost every night he ranges across New York, shows in places both lofty and busted, often attending more than one event – jazz, hip hop, soul and post-soul, mangled electronica, beats from all across the world. He documents these fastidiously, making sure musicians and performers are properly credited, and flagging them up on his crucial Instagram page. It’s a wonderful resource and, in the words of the Caught by the River magazine, ”an antidote to indifference”.

* Archive Books. These days, every bookshop, big or small, cussedly individual or corporate, deserves at least two cheers. And then there’s Archive Books in Marylebone, London. It’s hard enough to get inside, far less glide down its aisles. There’s no space – except to wonder. Its shelves tower and teeter. Edwardiana for a couple of quid. Cricketing autobiographies, collected journalism of long-forgotten Fleet Strack hacks, self-published cookery books, an Aladdin’s cave of a basement crammed with music scores. Impossible to leave, most likely hours later, without a couple of bags of unknown pleasures in hand.

* There are more famous names in food journalism, but Sheila Dillon is in a league of her own. Since the late 1980s, she’s been reporting for – and later presenting – BBC Radio 4’s The Food Programme. Week after week, with clarity and dry wit, she has kept listeners in the now about topics such as the baneful power of the big supermarket chains, the BSE scandal, the fall of Communism’s impact on Russian food systems. Never talking down, pretending to be our pal, or following critical fashions, she is a truly great broadcaster.

* I’m Sorry I Haven’t a Clue. If England still exists, it’s here in this BBC Radio 4 panel show that’s been running since 1972. Its first host was jazzbo Humphrey Lyttelton, about whom Radiohead’s Jonny Greenwood said, “Without his direction, we’d never have recorded/ released ‘Life in a Glasshouse.” One of the programme’s quizzes – Mornington Crescent – is as recondite as any Fall lyric. Another – ‘Uxbridge English Dictionary’ – requires contestants to supply new definitions for existing terms; among those proposed in the Christmas 2024 edition were “aspic: disgusting habit”; “jacuzzi: French for ‘I blame myself'”, and “criteria: cafe for sad people”.

* Radio – live, now, happenstance – is still a thrill. My favourites are Andres Lokko on Sveriges Radio – 2pm every Sunday. Kevin Pearce-style Modernism forever! And Jack Rollo, half of Time Is Away, helming The Early Bird Show on Fridays from 7-9am. Aching folk, glassy ambient techno, worlds of echo, a hush and a huddle for everyone who’s just about made it through another week.

* Back in March, I was lucky enough to be allowed to stage a screening, the first in North America, of Being Mavis Nicholson. How I adored the Welsh TV interviewer when I was younger. So curious, warm, intelligent. She called herself “a natural gasser”. The documentary’s director Carolynn Hitt was closer to the truth: “When a conversation is good, you’re so engrossed in it, it’s like a blanket going round you both…”

* Art galleries: take them away. Too many pious shows, lumpy wall-text, the visitors samey-same. I’ve been going, more and more, to museums. More history, sense of place, modesty. More ‘there’ there. Among my favourites this year the Stadsmuseet in Stockholm, the Franziskaner Museum in Villingen (particularly the spectacularly alarming masks and colourful costumes associated with the annual Fastnacht festivities in southern Germany), and the KattenKabinet in Amsterdam Bob Meijer founded in 1990 to celebrate feline portraiture. There are sleepy cats in some of the townhouse rooms and in the garden. Everything about the place is purr-worthy.

* Monica Zetterlund and Sivuca performing together. That scarf!

* East Broadway, New York City. When you want to get away, when you want to stay, when you want to feel like you’re somewhere: East Broadway – in the autumn, Thursday afternoons, breezes and leaf-carpeted sidewalk. Stay outside, go inside – it doesn’t matter. Carol’s Bun, Ritualarium, The House of Sages. Walk your blues, walk into blue, walk off your blues.

As always: The Style Council, ‘It’s A Very Deep Sea’; Woo, ‘This Love Affair’; Kevin Ayers, ‘May I?’; Nico Fidenco, ‘Ligados’. But also: Erlend Øye & La Comitiva, ‘Mornings and Afternoons’; The Embassy, ‘Escape’; Guy Cabay, ‘Pôve Tièsse’; Romy, ‘She’s On My Mind’.

Gail O’Hara / CF editor/photographer’s ten songs stuck in my head:

The Zombies, “This Will Be Our Year”

Gene Wilder, “Pure Imagination”

“I’ve Got a Golden Ticket”

Little River Band, “Reminiscing” (because…karaoke)

Bee Gees, “How Deep Is Your Love”

Cynthia Erivo, “Alfie”

“Fairytale of New York” (because … karaoke and RIP, Shane, my old neighbor)

She and Him, “I Thought I Saw Your Face Today”

The Clientele, “Lady Gray”

All year: Connie Lovatt with Bill Callahan, “Kid”

Things I’m looking forward to: New Softies and Umbrellas albums, Heavenly and 69LS shows

Pete Paphides (Photo: Gail O)

Pete Paphides (author, critic, Needle Mythology records)

Condiment/seasoning of 2023: Vegan Smoky Bacon Nooch by Notorious Nooch Co.

Protein shake of 2023: Milk (semi-skimmed or oat), peanut butter, whey powder, one frozen banana, sunflower and pumpkin seeds, almonds. Blend. Drink. Oh my god.

Sandwich of 2023: The simple tomato sandwich. Trust me. Nothing else. Just some buttered bread and a sliced room-temperature tomato with a dash of salt.

Various artists anthology of 2023: Disco Discharge presents Box Of Sin. A four LP soundtrack to the gay clubbing experience of the 80s.

Single artist anthology of 2023: The Teardrop Explodes: The Teardrop Explodes: Culture Bunker 1978-1982

Music memoir of of 2023: Paul Simpson: Revolutionary Spirit – A Post-Punk Exorcism

Memoir of 2023: John Niven: O Brother

Most heroic, articulate and humane corrective to toxic masculinity of 2023: Caitlin Moran: What About Men?

Late to the party TV experience of 2023 (i): Better Call Saul

Late to the party TV experience of 2023 (ii): Season one of Fargo, especially Billy Bob Thornton as Lorne Malvo

Cereal of 2023: Robert Forster’s Spring Grain muesli

Football (soccer) hero of 2023: Spurs manager Ange Postecoglou in the interview after losing to Chelsea with two men sent off and refusing, on point of principle, to adjust to a defensive formation in order to avoid being pummelled by their eleven man opponents: “It’s just who we are, mate. As long as I’m here, that’s what we’re going to do. ‘Even with five men, we’ll have a go.’”

Carb replacement of 2023: Edamame spaghetti.

Gig of 2023, not including gigs by humans I had a hand in making: The Northern Soul Proms at The Royal Albert Hall; The Soup Dragons at Electric Ballroom; The Bluebells at Glasgow St Lukes

Gig of 2023, including gigs by humans I had a hand in making: Eaves Wilder’s last-minute set on the second stage at Glastonbury (replacing the also-brilliant Japanese Breakfast, who were/was stuck in transit).

Song of 2023, not including songs by humans I had a hand in making or artists whose album was released on my label: Nadine Shah: Topless Mother

Song of 2023, including songs by humans I had a hand in making: Eaves Wilder: Freefall. Literally my most played song of the year

Song of 2023, including songs by artists whose album was released on my label: Iraina Mancini: Cannonball. Or maybe this was my most played song. It’s close.

Album of 2023, including albums released on my label: Iraina Mancini: Undo The Blue.

Album of 2023, not including albums released on my label: Grian Chatten: Chaos For The Fly; Beatowls: Marma; Mitski: The Land Is Inhospitable and So Are We

Exhibition of 2023: Women In Revolt!, Tate Britain

Parental pride moments of 2023: Seeing the results of Dora Paphides’ astonishing work for The Last Dinner Party’s My Lady Of Mercy, Fred Roberts’ Say and Chinchilla’s Cut You Off; Running along Brighton seafront to a Eaves Wilder’s just-released Hookey EP and thinking my heart was about burst (in an utterly wonderful way).

Inspired musical collision of 2023: John Douglas from Trashcan Sinatras on my Soho Radio show, creating a brand new acoustic accompaniment to the vocal of Stormzy’s Firebabe.

Lazarus-style return of 2023: The Bathers: Sirenesque

Label of 2023: Last Night From Glasgow

Drink of 2023: Sainsbury’s own brand peach iced tea. And you can have as much as you want because zero calories

Meet your heroes pinch-me moment of 2023: Interviewing Chrissie Hynde for Record Collector. I was told one hour. Three hours later, I left and somehow my car hadn’t been clamped or ticketed.

Best album recommended to me by one of my heroes: When I got to Chrissie Hynde’s apartment, she played me Spooky Two by Spooky Tooth. The first thing I had to do after I left was locate a copy.

Chocolate of 2023: Snacksy Raw Chocolate with Ginger

Cake of the year: McVities Jamaica Ginger Cake with Madagascan Vanilla Custard. In a teacup or mug, eaten with a teaspoon. Whilst watching Great British Bake-Off on the sofa.

Belated realisation of 2023: Boiled eggs make great hand warmers + once you’ve warmed your hands on them, you can eat them.

Record I Didn’t Realise I Most Needed In 2023: dEUS: How To Replace It

Most perplexingly ignored album of 2023: Keaton Henson: House Party

Best Instruction Given By An Artist When Telling Their Band How To Play Their Songs During The Recording Of An Album: “Just try and channel the soundtrack of Ten Things I Hate About You” – Keaton Henson

Big-hearted, perfectly judged, very very very funny movie of 2023: No Hard Feelings. Jennifer Lawrence and Andrew Barth Feldman both just utterly perfect in it.

Andrew Bulhak (music writer, DJ) Top Songs of 2023 (not necessarily in this order):
Emma Anderson – Clusters
the bv’s – warp
Hot Coppers – Hot Coppers
Jimmy Whispers – Ice Cream Truck
Lael Neale – I Am The River
Leah Senior – The Music That I Make
Pickle Darling – Kinds of Love
Slowdive – Kisses
Spearmint – tell me about my sister
Spunsugar – Metals
Strawberry Runners – Circle Circle
yeule – dazies

Borrowed from https://www.instagram.com/macsuperchunk/
Mac McCaughan (Superchunk, Merge Records): Fave Reissue / Archival Releases of 2023
Pharoah Sanders – Pharoah (Luaka Bop)
Reissue of an album by the jazz giant we lost last year that you pretty much just had to listen to on YouTube until now unless you had hundreds of dollars for an original copy. The music (incl a bonus LP of unrelease live performances) is amazing and the package includes a booklet, photographs, flyer reproductions and other ephemera.
Chin Chin – Cry In Vain (Sealed Records)
My fault for not knowing about this incredible all-girl Swiss punk group from the 80s. Amazing songs which remind me of a slightly more aggro Look Blue Go Purple. Can’t stop listening!
Milford Graves / Arthur Doyle / Hugh Glover – Children of the Forest (The Black Editions)
The Black Editions label has uncorked a flow of powerful free jazz archival releases over the last few years and this previously unreleased home-recorded by Graves performance from 1976 is essential. The world will be catching up with Milford Graves forever i think.
Masayuki Takayanagi – Mass Hysterism In Another Situation (The Black Editions)
Electric guitar destruction from ’83 and a two-guitar & drums trio led by Takayanagi. Massive.
Milford Graves / Don Pullen – The Complete Yale Concert 1966 (Corbett Vs Dempsey)
Speaking of Milford Graves, i keep trying to imagine what the audience expected / what they got when they attended this intense performance in 1966… Long out of print and lovingly put back together by the fine people at Corbett Vs Dempsey.
Arthur Russell – Picture of Bunny Rabbit (Rough Trade)
The Arthur Russell archive may be bottomless but if it’s all as listenable as what’s been excavated so far I hope they keep it coming.
Hiroshi Yoshimura – Surround (Light In The Attic)
“Environmental music” commissioned by a home builder to play in their living spaces or something like that… recorded the same year as one my favorite ambient records ever, Yoshimura’s Green LP and never reissued before, Surround is as liquid and beautiful as the sleeve suggests.
 
John Coltrane – Evenings At The Village Gate: John Coltrane with Eric Dolphy (Impulse)
 
Minor Threat – Out of Step Outtakes 7″ (Dischord)
The titles of these two releases tell you all you need to know!
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2023 chickfactor lists, round two

Photo by Harmony Reynolds
The Umbrellas’ Top 10 San Francisco Date Spots
Hey… February is right around the corner… Love is in the air… Wink wink!1. Musée Mécanique
2. Vesuvio Cafe, City Lights and an Italian dinner
3. Top of the Mark
4. Lands End/ Sutro Baths
5. Audium, and THEN Tommy’s Joynt
6. Free Gold Watch
7. Royal Cuckoo on Sundays
8. Conservatory of Flowers
9. A cable car ride with a tallcan!
10. Giants game at Oracle Park

image courtesy of Theresa Kereakes

Theresa Kereakes, punk photographer and historian
When I was a kid, I recall reading a column in TV Guide called “Cheers & Jeers,” and I think that’s what 2023 calls for….

Cheers:
The World According to Joan Didion by Evelyn McDonnell.

All my dots connected in this book – California, women writers, inadvertent movers & shakers. The intellectual rigor combined with passion for their respective subject matters from both the author and her subject make this book a must-read. I don’t want it to end. More than a biography, it is a consideration of the times, and how Didion lived and wrote in them.

Maestro – believe it or not! If you know me in real life, you know I am no fan of Bradley Cooper and a huge fan of Leonard Bernstein. With low expectations, I watched it and was not disappointed. I don’t care that Cooper is not Jewish and he wore a prosthetic nose. Movies are smoke and mirrors and if one chooses to criticize on this point, then criticize the superb Irish actor, Liam Neeson for portraying the German Oskar Schindler in Schindler’s List. Bottom line: for a mainstream movie featuring the movie star as actor and director, this was most serviceable and Lenny is introduced to a whole new audience.

Tim: Let it Be Edition – The Replacements. My favorite album of 2023 is a reissue of an 80s record, remastered to sound the way it should. It’s perfect.

Eddie Izzard- The Rewind Tour. It was a delightful time hearing the old sketches and how prescient Izzard’s comedy was in the 80s. Dress to Kill is probably still my favorite stand up performance by anyone- seeing a reprise of “Tea & cake or death?” made my night.

The Algonquin Cat – best thing about Midtown Manhattan- the historic hotel has a cat. His name is Hamlet and whenever I am in NYC, I stop by the hotel JUST FOR THE CAT!

Jeers:
War
Barbie – subtle as a flying mallet
Media coverage of Taylor Swift’s dating life
For me, the overall vibe of 2023 is “hurry up 2024,” and I dream of more interesting times.

Top 8 shows Seablite went to in 2023
Sweeping Promises – The Chapel, San Francisco (LM)
Underworld – The Warfield, San Francisco (LM)
The Charlatans and Ride – The Fillmore, San Francisco (GT)
Suede – O2 Academy, Glasgow (GT)
Love and Rockets – Fox Theater, Oakland (JM)
Patti Smith – Golden State Theatre, Monterey (JM)
Mo Dotti – Permanent Records, Los Angeles (AP)

Aluminum – The Makeout Room, San Francisco (AP)

Papa Slumber (right) with Nommi and Gaylord, London, 2022 (photo: Gail O’Hara)

Papa Slumber’s Lucky 13
01 Joe Armon-Jones & Maxwell Owin – Archetype (Aquarii)
02 Autocamper – You Look Fabulous! (Discontinuous Innovation)
03 Nat Birchall – The Infinite (Ancient Archive of Sound)
04 The Clientele – I Am Not There Anymore (Merge)
05 John Haycock – Dorian Portrait (Second Thoughts Records)
06 Kode9 / Burial – Infirmary / Unknown Summer (Fabric)
07 The Lost Days – In The Store (Speakeasy Studios)
08 Malombo Jazz Makers – Down Lucky’s Way (Tapestry Works)
09 Primal Scream – Reverberations (Travelling In Time) BBC Radio Sessions & Creation Singles 1985-86 (Young Tiki)
10 The Southern University Jazz Ensemble – Goes To Africa With Love (Now Again)
11 Sam Wilkes & Jacob Mann – Perform The Compositions Of Sam Wilkes & Jacob Mann (Leaving Records)
12 Yaw Evans – The Bits (GD4YA)
13 The Oakland Weekender – great music, great friends, can’t wait to do it again!

Jennifer O’Connor’s favorite records
MeShell Ndegeocello – The Omnichord Real Book (Blue Note)
Steve Gunn & David Moore – Reflections Vol. 1: Let the Moon Be a Planet (RVNG Intl.)
Emahoy Tsege-Mariam Gebru – Jerusalem (Missippippi Records)
Armand Hammer – We Buy Diabetic Test Strips (Fat Possum)
Feist – Multitudes (Polydor)
King Krule – Space Heavy (Matador)
Meg Baird – Furling (Drag City)
Roge – Curyman (Diamond West)
Everything But The Girl – Fuse (Buzzin’ Fly/Virgin)
Mitski – The Land Is Inhospitable And So Are We (Dead Oceans)

Rachel Blumberg (drummer): Top Ten Portland Area Pooches Who Have Spent Time At Our Humble Abode, The Two Fir in 2023…
1. Winnie Dean Underberg!  We adopted her in November and shortly thereafter learned she is a purebred McNab! Whoever knows what this is without googling it wins a prize. She is so sweet and super smart and we love her so much.
2. Arrow, fur child of Sarah Fennel (Night Brunch) and Matt Sheehy (Lostlander).
3. Tizate, also known as Sweet T, fur child of Joanna Bolme (many, many bands and also Reverse Cowgirl, the country cover band we both play in along with Rebecca Cole), and Gary Jarman (The Cribs). Sweet T quickly made her way to our heart with her snuggling ways and “dead bug in the sun” pose. She came to Joanna and Gary through Street Dog Hero, a great dog rescue organization based in Bend, OR.
4. Ringo, fur child of Adam Selzer (M.Ward, Norfolk & Western, Type Foundry Recording Studio). He is super smart and recently Adam discovered the most hilarious thing. Sometimes his recently baked sourdough bread would go missing. He could never find the missing bags that held said sourdough, until a few weeks ago he found a stash of  plastic bags hidden behind the cherry tree in the corner of their yard!  RIngo was hiding them there after eating the bread!
5. Sal, fur child of Sam Farrell (Fronjentress, Graves, Curly Cassettes, Family Reunion Music Festival) and Sarah Paradis ( Cush Upholstery)
6. Rankin, fur child of Rankin Renwick (Oregon Department of Kick Ass)
7. Oney, fur child of Cory Gray (Old Unconscious, Graves, Federale) and Nicky Kriara (Niko Far West Ceramics).
8. Bella, my sister’s pup, who is a golden sweetheart.
9. Sufi, my cousin’s pup. Tall elegant black poodle with sweet eyes.
10. Sparky,my father’s pup.
Cheers to these 13 wonderful  Music Related Things of 2023 that I either played  or enjoyed from the audience!
1. All Girl Summer Fun Band/Lunchbox/Field Drums summer house show in our basement!.
2. Your Heart Breaks/Matt Sheehy Magic Event/Cynthia Nelson Band house show in our courtyard!
3. Multiple shows and tours  and recording and releasing a new record (Villagers!) with Califone!
4. Friday night happy hour shows at the Laurelthirst drumming with Michael Hurley!
5. Two shows at Turn Turn Turn! with Field Drums, the first featuring Jeffrey’s songs based on Shel Silverstein poems, and the second with our new bass player!  Recording in 2024 is the goal!
6. Drumming and singing with the Cynthia Nelson Band at our house hosw and at Turn Turn Turn! on many several occasions!
7. Playing with Old Unconscious at the Curly Cassette Family Reunion Music Festival at Camp Wilkerson in August.  Playing with GSO there too!
8. Reverse Cowgirl shows and rehearsals. SO fun. Country dance covers with a band of ringers  (Joanna Bolme, Rebecca Cole, Anita Elliot and Arrin Schoedinger)
9. ESG at Polaris Hall!
10. The Papercuts at Mississippi Studios!
11. The Softies at Polaris Hall!
12. Quasi at The Doug Fir!
13. Yo La Tengo (two nights) at The Wonder Ballroom!

Michael Azerrad (author): Ten Best Vegetables of 2023
Puntarelle
Castelfranco radicchio
Salad Bowl lettuce
Sugar Snap peas
Leeks
Corn
Shishito peppers
La Ratte fingerling potatoes
Brussels sprouts
Fiddlehead ferns

CF contributor Julie Underwood’s Top 10 Albums: 

  1. boygenius – the record
  2. Olivia Rodrigo – Guts
  3. SZA – SOS
  4. Mitski – The Land Is Inhospitable and So Are We
  5. L’Rain – I Killed Your Dog
  6. Girl Ray – Prestige
  7. The Tubs – Dead Meat
  8. The Reds, Pinks and Purples – The Town That Cursed Your Name
  9. En Attendant Ana – Principia
  10. Jess Williamson – Time Ain’t Accidental

Lyle Hysen (the Royal Arctic Institute, Das Damen):

“Slow Horses”
“Showing Up”
A History Of Rock Music In 500 Songs
“Godzilla Minus One”
“Eretz Nehederet/A Wonderful County”
“Bun E’s Basement Bootlegs”
Dapper Goose – Buffalo restaurant
Make It Stop by Jim Ruland  
I Must Be Dreaming by Roz Chast (that is findable!)
The Adventurists by Richard Butner (ok that was 2022)

Thomas Mosher (My Lil Underground label, A Certain Smile):
Top 10 Daycare Plagues we survived this year:
1) Covid (again) [all of us]
2) RSV (all of us)
3) Hand, Foot, and Mouth (Me and Tilly)
4) Influenza A (Me and Tilly so far)
5) Ear Infection (just Tilly)
6) Sinus infection (Me from RSV)
7) double bout of Food Poisoning (Me and Justine)
8) Medication Allergy Rash (Just Tilly)
9) at least half a dozen colds (all of us)
10) there is still 4 days so we will see…

Photo via Shawn B

(OG CF cartoonist) Shawn Belschwender’s Best 2023 “New to Me” Reading discoveries:

  1. Lolly Willowes by Sylvia Townsend Warner (1926). Title character is tired of being a dependable aunt. In midlife, moves to a remote village. Joins a coven. Speaks to the Devil himself and discovers him to be rather stupid, but also, and more importantly, that he will leave her alone. From the Devil, and even the well-meaning, Lolly Willowes wishes to escape.
  2. Lynne Tillman. You’ll know whether or not you’ll like Lynne Tillman if you read her “By the Book” in the NYTimes, as I did. I thought it was one of the best of those things they’ve published. This year I picked up and read What Would Lynne Tillman Do? (a collection of her nonfiction, from 2014) and her novel Men and Apparitions (2018), in which she diagnoses us, through her ethnographer narrator, as The Picture People. Men and Apparitions is about images and their place in our lives, and men and their place in the world after/under feminism. Next Tillman book I am going to track down and read: Weird Fucks.

Some of the tracks I listened to the most in 2023:

  • “A Sleep With No Dreaming,” k.d. lang and the Siss Boom Bang, from their album Sing it Loud (2011). Possibly my favorite track on definitely my favorite k.d. lang album, which I think is a tour de force. I got into k.d. lang that first pandemic summer, when I was coming unglued, but it took me until this year to hook on to this album in particular, hard.
  • “If I Could Breathe Underwater (feat. Mary Lattimore), Marissa Nadler, from her album The Path of Clouds (2021). I would insist that this is objectively Marissa Nadler’s best song. That it features another of my favorite musicians, Mary Lattimore, is a bonus. I saw Mary Lattimore at The Colony in Woodstock, NY in 2022, and it is one of the concert-going highlights of my life. Anyway, I built a “Summer” playlist around this track and the k.d. lang above, I love them both so much.
  • If you want to talk masterpieces, that Purple Mountains album is one, and the death of David Berman is a tragedy, I don’t need to tell you. I listened to “Nights That Won’t Happen” from it the most.
  • I was confused when Saint Etienne was at its peak, owing to the Fox Base Alpha album cover, which made them look like they were Camera Obscura only not good (I like Camera Obscura). There was just too much knitwear for me to digest, at the moment. Finally, I downloaded all the Saint Etienne, and now I can’t get enough of “Nothing Can Stop Us.” I was then thrilled to stumble upon the Dusty Springfield track it samples from (“I Can’t Wait Until I See My Baby’s Face”).
  • “Au début c’était le début (feat. Bertrand Belin)”, The Limiñanas & Laurent Garnier, from the album De Película (2021). One day, before I die or they die, I wish to travel to France specifically to see The Limiñanas and Bertrand Belin perform, separately or together. If I could only see one, it would be Bertrand Belin. Sadly, I can’t find my fellow Belin Heads in the USA, and Limiñanas freaks are thin on the ground here, so I understand that I have to go to them.
  • “Anti-glory” by Horsegirl, from Versions of Modern Performance (2022). Wouldn’t have known about them if Gail O’Hara hadn’t alerted me to their existence. I missed a chance to meet ’em and take their picture, but it was the second pandemic spring and I was in the process of moving and falling fully apart. Are they referencing Conan O’Brien in this? Or the Barbarian? I don’t know what the lyrics mean, but I don’t care too much.
  • “Billy Jack,” Curtis Mayfield, from There’s No Place Like America Today (1975). It was written after that embarrassing movie Billy Jack, but it has nothing to do with it. “Ah, it can’t be no fun / Can’t be no fun / To be shot, shot with a handgun.” This is true. Peak Mayfield I’d known nothing about until this year.

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chickfactor friends 2023 lists, round one

image courtesy of Alicia

Alicia Vanden Heuvel (Speakeasy Studios, The Aislers Set, Poundsign, Brigid Dawson and the Mothers Network):
My “2023 Top Ten Songs that Ripped by Heart Out”:
“Love is Overrated” by Lightheaded
“This Job Is Killing Me” by the Telephone Numbers
“For Today” by The Lost Days
“Shadow” by Ryan Wong
“Perfect Worlds” by Tony Jay
“Cheap Motel” by Michael James Tapscott
“Holdin’ On” by Anna Hillburg
“Cross Bay” by Meg Baird
“Here We Go Again” by Tony Molina
“Smudge Was A Fly” by Seablite

image courtesy of Kendall

Kendall Jane Meade’s Best IRL Music Experiences of 2023
Experienced the Joan Baez documentary I Am A Noise two nights in a row because she was in attendance at a Q&A after each screening. On the first night, Lana Del Rey led the Q&A and it was so great to see that Lana is a huge fan of Joan’s. She seemed to hold all of the same folk nerd facts about Joan that are also stored in my brain. Just to be in Joan’s presence was spiritual for me, and you could tell Lana felt the same way.

Saw Bonny Doon play at Golddiggers in LA. I have a lot of love for this Detroit-based band, and I loved hearing live versions of songs off of their new album Let There Be Music. Katie Crutchfield from Waxahatchee was also in the audience, and she joined them on a few tunes.

Went with my big sister Merritt to see Willie Nelson’s 90th Birthday concert at the Hollywood Bowl. It was so heartwarming to see so many people pay tribute to Willie including Beck and Keith Richards. My favorite performer of the night was Willie’s youngest son, who performs under the moniker Particle Kid.

Saw my dear old friends Mary Timony and Joan Wasser play in a backyard in Pasadena. So many friends I hadn’t seen in a while were in attendance, and it felt like no time had passed between us. Mary sounded transcendent and was joined by a quartet for a song, and Joan was so moving and entertaining—two ladies I love at the top of their game.

I did a two-week tour of the UK and Scotland, tagging along with songwriter Kris Gruen to promote our single “Heaven on a Car Ride.” We opened for Chuck Prophet and the Mission Express and completely fell in love with that band. Chuck is such a unique songwriter and the whole band are incredible performers, including Stephanie Finch who needs to be on the cover of Chickfactor as she is an incredible pop singer and songwriter in her own right.

Connie Lovatt (photo: Gail O’Hara)

Connie Lovatt’s Top 2023 things
Top Record Label: Enchanté (US)

Top devastating comment by rock critic: the one that compared my work to a viral video of baby ducks.

Top Sound: Bill Callahan going “plink” on a guitar string to bring to life the “wink” done by a character in a new song of his.

Top Coconut Mirror whisperer: Dawn Sutter Madell

Top Walk: From the White House to Georgetown with Ravi.

Top Heartbreak: Saying goodbye to St. Marks apartment.

Top Meal: A chickpea and rice soup my daughter and I love to make and eat when sick or blue.

Top Song: Mom singing anything to me over FaceTime. But she does too many country tunes. Needs to branch out.

Top Joe: Joe Wohlmuth

Top Honey: Avocado Honey. This year and every year.

Top Disgust: Canned Sardines.

Top Pain in the Ass: The leak in roof that could never get fully fixed no matter what anyone did. Have high hopes for a solve in 2024.

Top Image: Our dog in his winter puffy coat. He gets compliments from strangers. It’s that good a fit.

Top Gluten Free Sourdough: Knead Love Bakery.

Top Salad: arugula and sauerkraut. No one believes me.

Lois Maffeo (Photo: Gail O’Hara)

Lois Maffeo: 4 Radio Shows to listen to when you can’t take Marc Riley mansplaining everything on the Riley & Coe show on BBC6.

James McNew on NTS radio. I wish it was on every day.

Don Letts on BBC 6 on Saturday. It was a bit mellower when it was on Sunday, but he still hauls out 70s pop hits that “caught my imagination when I was a youth”. Contemporary dub and Stealers Wheel? Get in!

Night Tracks on BBC 3. Host Hannah Peel has a very quiet voice and faultless taste in off-piste music. Where else would I have found JJJJJerome and an ice orchestra?

And then there’s always good ol’ Gideon Coe when he flies solo on Thursdays on BBC6. Just great tunes and no fuss.

Photo by Riley Artsick

Riley from Artsick Favorites:

Tara Clerkin Trio – On The Turning Ground (music)

Anna Hillburg – Tired Girls (music)

Lightheaded – Good Good Great (music)

Mo Dotti – Blurring / Guided Imagery on Vinyl (music)

8th Day by Cindy Deachmann (art book)

Drive Here and Devastate Me by Megan Falley (poetry) (it didn’t come out in 2023, but it is one of my fav books read from this year)

Handsome Podcast with Tig Notaro, Fortune Feimster and Mae Martin

Show I watched: Rap Shit on MAX

Show I went to: All Girl Summer Fun Band, Kids On A Crime Spree and Tony Jay at Bottom Of The Hill

Show I played: Slumberland Records with Tunnel Records show – The Reds, Pinks & Purples, Chime School, Artsick with DJs Poindexter and Jessica B at The 4 Star Theatre in SF

Fav record store: Redwood Records, Santa Cruz

Award-winning music supervisor Dawn (via Agoraphone’s FBK page)

Dawn Sutter Madell’s top 15 live shows I saw in 2023

dry cleaning at pioneer works

john cale at prospect park

calexico at lpr

black duck at union pool

mosswood meltdown-oakland, ca (esg, avengers, bratmobile, le tigre, quintron and ms pussycat, 5,6,7,8s, morgan and the organ donors, etc)

plantasia at greenwood cemetery (alex zhang hungtai, angel bat dawid, laraaji, etc)

hand habits at webster hall

dromedary festival (das damen, antietam, sleepyhead, versus, etc) -catskill, ny

boygenius at msg

arca at armory

soul glo, zulu at monarch

girl ray at sultan room

frankie cosmos at warsaw

panda bear, sonic boom at knockdown center

mekons at good fork pub

Bridget at Mon Gala Papillons (a chickfactor event), Bush Hall, London, 2004. Photo: Gail O’Hara
Bridget St John: 5 things that have enriched my 2023
American Symphony
American Fiction

Candle Restaurant, NYC

30th Street Guitars
Feldenkrais – functional integration

image nicked from Glenn’s fbk

The Reds, Pinks & Purples favorite albums for 2023!
tested on multiple listens…

Vulture Feather – Liminal Fields

Parker Allen – Melon Kolly/Parker’s First Song Diary

Pumice – Phyllis

Wurld Series – The Giant’s Lawn

Ryan Davis – Dancing on the Edge

Cindy – Why Not Now?

Fortunato Durutti Marinetti – 8 Waves in Search of an Ocean

Truth Club – Running from the Chase

Outer World, from their bandcamp

Tracy and Kenny from Outer World’s list of ten music-related things that have made us very happy in 2023.
In no particular order.

1) Jane & Serge – A Family Album hardcover book from 2013, long out of print, but discovered in a local bookstore this year. It comes with so many fun bonus items: poster, sticker sheet, booklet, contact sheets, and photo prints.

2) Yogasleep Dohm Classic white noise sound machine to help with tinnitus ringing at bedtime. It is an actual small fan creating the relaxing sound of moving air so there isn’t a digital looping sample that can be troubling for musicians with a keen ear. For touring musicians – it is also relatively portable and helps to drown out snoring members.

3) Yoshitomo Nara Drumming Girl collectible figure #3

4) Apple AirPods

5) The Ekdahl Moisturizer from Knas is a spring reverb unit with exposed strings for manually manipulable sonic noise making

6) The Teenage Engineering K.O. II does it all: sample, sequence, compose, records sounds, loops, includes fun filters + stereo effects, compressor, and is super portable.

7) John Waters X Seth Bogart Pope of Trash socks from the Academy Museum exhibit in Los Angeles.

8) Custom color palette Shure SM58 microphone

9) The Buddha Box 1 2023 edition from FM3 (reissue)

10) BiLLY LiLLY’s Kate and Cindy sensational paintings on wood.

Jeffrey Underhill (right, with pals, HoneyBunch, Velvet Crush, Field Drums):
10 loosely chronological things that made my year.
1. The Island of Hawaii
2. The February 22nd snow storm.*
3. Velvet Crush Teenage Symphonies to God re-issue/Spanish tour
4. Michael Hurley & the Croakers last Friday shows at the Laurelthirst*
5. FieldDrums/Lunch Box/All Girl Summer Fun Band at The 2-Fir*
6. The 48 hour Drag-a-Thon at Darcelle XV*
7. The Family Reunion Festival July 27-29, in Rainier OR.
8. The entire month I turned 60.
9. All of the foods on and just off of 82nd Ave.*
10. Winnie Dean UnderBerg
*in Portland, OR

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chickfactor’s holiday gift guide

Capitalism is evil! But you can still support artists, musicians, photographers, and small businesses by using our handy holiday (or anytime) gift guide! We want everything here and you will too. 

Great book where women get to speak! By Audrey Golden

 

Amazing looking book about some trailblazers

Preorder Mary’s new one and get a slip mat

Cool shades from a fabulous American band

Disco ball pendant from Tatty Devine

I got to visit Hatch earlier this year and I want it all. 

Book about influential New Zealand label with wonderful photo of Hamish on the cover

Memoir from a living legend! 

Memoir from another living legend!

Great looking oral history!

Get it from a great Chicago record store

Belle and Sebastian book of lyrics

Beautiful BBC Radio Sessions from Dolly Mixture

Nowhere New York gorgeous photo book by Julia Gorton

Saint Etienne hoodie

Budget gift: Clean stickers for $5

Certainly one of the most beautiful holiday records ever made.

This one really makes me sigh: Adrian Tomine Prints

Recently excerpted on our site and selling fast! 

Thom Bell was a genius and the Spinners one of my favorite bands! 

Ace looking new book from Chris Stein! 

of course zines make great gifts too!

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Connie Lovatt, Coconut Mirror

Thanks to everyone who has given press coverage to Connie Lovatt’s Coconut Mirror. You can listen to the album on Bandcamp, Soundcloud and other digital platforms. The limited edition compact disc is also available at My Vinyl Underground in Portland, OR; Monorail Music in Glasgow, Scotland; and Main Street Beat in Nyack, NY. More shops coming soon (please contact me if you’d like to sell it!) Thanks to Daniel Gill/Force Field for PR.

From Uncut magazine, Dec. 2023 issue, writer Jon Dale:

From All Music.com:

From God Is In the TV:

From the great Rebecca!

Read the full interview on Fifteen Questions:

Thanks to Uncut again for recognizing Connie:

From Rosy Overdrive:

For the Rabbits debuted the second single, “Kid,” which features Bill Callahan:

Thanks to Bill and Brooklyn Vegan for always getting it! 

From A Pessimist Is Never Disappointed:

Thanks to BV again for choosing “Gull” as one of the top songs of August.

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These Things Happen: The Sarah Records Story Excerpt

Happy publication day to These Things Happen: The Sarah Records Story by Jane Duffus (on Tangent Books). Jane says that “Sarah’s co-founders Clare Wadd and Matt Haynes were both very involved with the production of the book, which also features almost 130 interviews with band members, fans, fanzine writers, journalists etc, and very much takes a feminist and fan’s approach to the label. The book is 450+ pages, 250+ pictures, hardback, and was three years in the making.”

Author Jane Duffus says: “It’s been a long three years creating this book but, once you hold that beautiful new book in your hands, you instantly forget all the blood, sweat and tears that cropped up along the way. This may be my sixth book but the excitement never lessens when you open that initial box of books and pick one up for the first time. I always knew that this would be a big book but it just kept growing and growing. There was so much to say about this inspirational indie record label, and so many stories from the interviewees that I wanted to share, and to finally see them on the page is very rewarding. I just hope, now that the book is out in the world, that other people also enjoy it. It’s a bit nerve wracking, to be honest!” Please scroll down to read part of the chapter on something we care deeply about…

Collection of fanzines. Photo by Jon Craig
This is an excerpt from the book These Things Happen 

Chapter 5: Fanzine Culture
In the olden days, when the internet and email were just twinkles in the sky, the best way for music fans to share their love of the things that rocked their world was via self-published fanzines. The modern equivalent of a fanzine would be a blog but the ephemeral nature of them – and the changed means of production – creates an entirely different dynamic, so it’s not a perfect comparison.

The origin of music fanzines is commonly dated to the punk heyday of the 1970s, although fan magazines go back to the 1930s. The thinking is that fanzine writers typically have an opinion that is in opposition to that expressed in the mainstream media, hence the need to self-publish. Fanzines also enable fans of a particular thing to find and communicate with each other, thereby opening up a dialogue that would never otherwise have been possible.

The famous There and Back Again Lane sign. Photo by Sarah Records.

To buy a music fanzine, you would tape coins to bits of card and post these all around the country. You might hear about fanzines through adverts in things like NME or Melody Maker, or more commonly from the tiny slips of paper that fell like colourful inky snow from inside your most recent mail-order fanzine delivery. It was the habit of fanzine writers and flexi producers to create these tiny ads, squeeze as many as possible onto a sheet of A4, and photocopy this onto coloured paper. Then cut these sheets up and send batches of the ads to other fanzine writers to distribute. This, along with reviews in more established titles, was how we heard of other people’s fanzines. It was a very successful and introverted network of quiet people making silent contact with one another. Most of us would never meet face to face and were quite happy about that.

Heavenly. Photo by Alison Wonderland.

The other tried and tested method for selling fanzines was at gigs, so long as you lived in a town that put on gigs and you had the courage to go up to strangers and demand they hand over 30p in exchange for your photocopied musings. Mark Taylor was the editor of the popular Smiths Indeed fanzine, which he ran from his parents’ home in Bristol and sold all over the country. However, he remembers one of the pitfalls of having a successful fanzine: “I didn’t think about the weight of coins after selling 100 or 200 fanzines. I’d have to try and get through the gig without my jeans falling down!” Although this level of success wasn’t something most fanzine writers needed to worry about.

Jane Duffus and Matt Haynes at the Bristol, UK, book launch last week. Photo by Neil Phillips.

Chris Tighe and Robert McTaggart mostly sold their fanzine Far Out And Fishy at gigs and, according to Chris, would “just walk up to hundreds of total strangers, butting into their conversations, sticking a piece of printed paper under their noses, saying ‘Hey, would you like to buy a fanzine? It’s only 25p!’ and getting told to ‘fuck off’ once in a while.” He adds: “I wasn’t exactly an outgoing person and I’ve got a slight stammer, so it baffles me that I was able to do it.”

Rob Sekula of 14 Iced Bears tells me: “It was great to see fanzines being sold at gigs, they added to the excitement. Similar to how football programmes added to the sense of occasion when I went to Tottenham as a kid. They were a more immediate, less industry way to find out about good new bands and discover things like great records and bands from the past, from people who had similar tastes. Along with John Peel they were pretty useful in the days before the internet.”

Davey Woodward from The Brilliant Corners adds: “I always thought fanzines were a great thing to happen because I felt we were very close to going back to a time where big multinational labels just ruled the roost in terms of what happened. And I think, in those Thatcherite 1980s, there was a definite reaction against that. People thought, ‘No, I am going to do my own thing, I’m going to make it the way I want to make it.’ It was important in the wider scheme of things to create a scene for a group of people.”

Temple Meads postcards. Photo by Sarah Records.

Simon Barber, bassist with The Chesterfields, agrees: “Fanzines were so important. The difference between fanzines and the music press is you only write about something in a fanzine if you love it. If there’s a good review in the music press, you don’t know if it’s been paid for.” He adds: “I bought every fanzine going. If someone was going round a gig selling a fanzine, I’d buy it, those guys were the best.” Simon still has all his fanzines and kindly loaned me two enormous boxes of them while I was researching this book.

Ric Menck of The Springfields was based in Illinois and says: “The fanzine network meant everything to me back then. I was more interested in fanzines than the British weeklies. The fanzine writers weren’t trying to be cool. They just wrote about what they loved. Before computers came around, fanzines were the way to hear about cool new stuff. The fanzine network was always crucially important to underground music.”

Collection of fanzines. Photo by Jon Craig.

Influential fanzines that came in the years immediately preceding Sarah included the following three, all of which certainly made an impact on readers and bands. Their editors also all went on to make their mark on the world of pop culture in one way or another. Tellingly, these are all by men.

  • Attack on Bzag was run by James Brown from Leeds, who would go on to write for NME and Sounds, edit troublesome lads’ mag Loaded and men’s monthly GQ. He later become editor-in-chief for the Sport Newspaper Group which, despite the name, has nothing to do with football but everything to do with topless women and absurd sex stories.
  • Meanwhile, John Robb from Lancashire was running Rox when he wasn’t in punk band The Membranes. John told online magazine JSNTGM: “The best fanzines were out of control, quite literally out of control! They wrote in their own style about their own music and were not filtered by the music business … I love cut and paste artwork which very much matched the cut and paste nature of the punk and post punk music.” John went on to write for Sounds, Melody Maker and various national newspapers. These days he runs the music website Louder Than War.
  • Jerry Thackray launched a fanzine that was called The Legend! and – bizarrely – he also put out the first single on Creation. After his fanzine finished, Jerry wrote for NME (as The Legend!), before moving to Melody Maker and adopting the pen name of Everett True. “I guess I was quite idealistic,” says Jerry now. “But maybe that’s what separated some of the fanzine writers apart. Some of us really did believe that passionately in what we wrote about.” Talking about the way that he adopted a different approach to many of his contemporaries, Jerry says: “I saw all these post-punk fanzines and they all had interviews in. And I was like, ‘These interviews are fucking crap, they’re just really bad versions of the music press’. I couldn’t speak to people and it just so happened that music was easily the thing I was most passionate about so I wrote about music, and that’s all I’ve ever done my entire life.” He still writes about music and teaches music journalism in London.

To continue reading the section called Fanzine Culture, order the book via Tangents in the UK or Rough Trade in the U.S.

To find out about upcoming events (or perhaps arrange one), visit Jane’s website. 

Blueboy performing at the Bristol, UK, book launch last week. Photo by Neil Phillips.
Even As We Speak meeting radio DJ John Peel. Photo by Even As We Speak.
Secret Shine at the Bristol, UK, book launch last week. Photo by Neil Phillips.

 

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An interview with Connie Lovatt about Coconut Mirror

While we also interviewed Connie Lovatt in our 2022 issue of chickfactor (19), we interviewed her again just about Coconut Mirror, out Sept. 27 on our label, Enchanté Records (based in the U.S., not the one in Paris, France). Also read about the dream team who plays on it. Interview: Gail O’Hara

Connie Lovatt in Carrboro, NC, 2023. Photo: Gail O’Hara

chickfactor: When did you start making Coconut Mirror? Talk us through the timeline. 
Connie Lovatt: When [my daughter] Hartley was around 1, we needed to get help with childcare. We didn’t have family in Los Angeles and both our moms had been so generous with their time, traveling out to care for Harts as we adjusted into being parents. But as she got older, I needed to get some structured help so I could take a break during the day. Her name was Diana, and she was incredible. Later Lucy [LaForge] took over and was amazing with Harts, too. During my breaks I discovered I didn’t even like to go anywhere in LA. I started to hang out in my garage and read and work on songs. I didn’t play guitar because the sound would tip off Harts that I was somewhere in the house, so I didn’t do anything with an instrument. I started making up melodies with some phrases. After a few months doing that off and on, I had 11 solid song ideas.

That was 10 years ago.
So this was 2013. You can get into something for a little bit and then your kid gets sick and takes you out of it, or something happens, and I would put it away for a very long time. And years would go by, where like off on, off on, I gathered up melodies for each song. And then maybe three or four years ago (2019-2020), it was time to put chords to the melodies and see if the songs were indeed real. That’s kind of hard to do when you start with a vocal melody, to find the right chords and the flow. It was hard for me I mean, learning how to put chords to melodies that already existed because I’m not a great guitar player. And once I got that done, it took a couple years to figure out the directions of stuff. It was the first time I wanted every song to hold a sense of clear narration. I kept working on words all the time, and then when the pandemic hit, at some point, I would send lyrics to Bill [Callahan] and I’d say, “How’s this looking?” One day he gave the thumbs up, and I was galvanized!

Seven months after the pandemic started, we went to New Zealand. Ravi [my husband] got me this little digital four-track and I took it with me. We were there for six months, but two months before we were set to leave, I got it in my head that I had to get these down. I’d been sick for months with odd symptoms with what was eventually diagnosed as long COVID. We’d moved halfway across the world, and I wanted something to show for all this lost time. And it was time for me to face reality, to see how they sounded recorded. We were living in this pretty wood house right on the ocean. The weather in Wellington is extremely moody and beautiful. Almost every walk was challenging and wonderful. Every moment sheltered in the house was good. So, I started doing it, closing my bedroom door, and putting down the guitars and vocals. After months of being sick without any answers, it was incredible for me to hold in my hands something I’d made. It seemed impossible. 

The cover features a drawing by Connie’s sister Jennifer Lovatt

When we got back to Los Angeles, I found an engineer. He was a dad friend from our school. I’ve known him from the dozens of school events we went to with our daughters, and he was always helping with sound, at recitals or school plays etc. He’d been an engineer on tons of records from Veruca Salt to Barbara Streisand. His name is Joe Wohlmuth. So, I brought him all my files and I told him I wanted to work off these. I told him something magical happened in New Zealand and that my hands and vocals aren’t the best because of all these neuropathy issues but I want to build on what we have here. Then it took a little while longer to get other players. I was lucky enough to have beautiful Jim White secured but needed to wait for a break in his on-the-go schedule. Once we added Jim’s drums, I was able to send it to killers like James (McNew) and Rebecca (Cole) and Che (Chen) and slowly start building up everyone else’s tracks. Another person that helped me to build up confidence in these songs was Phoebe Gittins. She’s amazing and has an equally amazing mom, Philippa. Philippa was instrumental in helping us find the house we stayed in while in New Zealand, and she lived a couple houses down the road. She was the bestest next-door neighbor anyone could ask for. Her husband, Seth, had an acoustic guitar he generously lent to me while there. It sounds great and is mostly what I play on the record. When I met Phoebe, I learned she was a self-taught piano player. There was this piano in the house we were staying in and I had a couple songs down and I asked her to come by and put on headphones and play along to it and she sounded so beautiful. I kept those tracks, and they are on the album. She did so beautifully on those songs that when I eventually got back to LA, I sent her a couple more songs to work on. My friend Max Tepper lived close to us in Los Angeles, and I asked him to do some synthesizer stuff and he kindly wrote and handed over all sorts of cool sounds to work with. All the instruments, except for Lucy’s harmonica, were sent remotely. Joe and I would sit down and comp them in as they arrived and place them where we wanted, do little edits, and move things here or there to perfect the things we wanted. Then I re-sang everything except for some backing vocals that I kept from the New Zealand recordings. We rerecorded 3 guitar tracks, too.

You recorded this album next to the ocean. It’s hilarious that you went to New Zealand and made a Laurel Canyon record even though you were living in L.A. 
I didn’t know how it would all come together till New Zealand. Everyone that I’ve loved is in this record. Everyone that matters, women, men, they’re all in there somewhere. I wanted to show Hartley that after giving birth, that I could still make something. I wanted to make a record with acoustic guitar where I’m telling my daughter all the stories that mattered to me. My first few years in California, I listened to a lot of Neil Young and Judee Sill and some Stevie Nicks demos and Sandy Denny. I wanted their voices in my head as I got to know California. All the songs I had written with Fontaine [Toups] and Ed [Baluyut] (in Containe and the Pacific Ocean) were written so fast. They were immediate. I knew I was going to spend a lot of time on this. That I wanted to be certain of every word and note and it wasn’t rushed during the fun of hanging out with friends and trying to learn how to play or how to be in a band. I worked way, way faster then. Everything I did with people that was collaborative, the pace of that was not nearly as careful as I was now attempting. I’d never spent this much time writing one song, much less 11.

So, the recordings you made in New Zealand are these songs and you built on top of them, basically subtracting and adding after you got back. 
Yes. Almost all the acoustic guitar, lots of the backing vocals and a few of Phoebe’s piano tracks, all came from the work done on that little 4-track in New Zealand. 

Who else plays on the record? 
Lucy, who helped us take care of Hartley in the beginning, she writes and performs and is a strong singer. She plays all sorts of instruments. She’s one of those people that can play a million things. So, she came in and did harmonica and some backing vocals on “Sisters.” James Baluyut plays pedal steel on “Sisters.” And I think that’s everybody. Yeah. Phoebe, James [McNew], Jim [White], the other James [Baluyut], Lucy, Max, Rebecca [Cole], and Che [Chen]. And Hartley’s screams of joy as she played video games with friends a world away are heard in the background on a couple songs.

Bill Callahan produced one of your previous albums (The Pacific Ocean’s So Beautiful and Cheap and Warm). You’ve known each other since then, right (2002)?
Yeah. And then I played bass on his album A River Ain’t Too Much To Love.

Would you say that Bill was a consultant?
He was a loyal champion. He would check in and ask how the songs were going. Just by being interested, he gave me strength. He knows what I’m trying to do or trying not to do. No matter if I’m successful in my attempts or not, he’s kind and honest so the courage to work on remains no matter the feedback. I’m lucky to have him there telling me, “This is working. This could be better.” Everyone should have Bill as a friend. The end of “Kid” is now perfect due to him.

What else informed the record and its process?
Motherhood. Wifehood. My life changed course. I hadn’t touched an instrument for a couple years. When I started working on the melodies that would eventuality became the songs, I felt excited. I had so many happy moments playing in bands. I got curious if I could be happy trying this on my own. If the joys would still be there with just me in the room. I got really into it when I solved problems or things sort of elevated. I couldn’t quit caring about it. I wanted to finish this letter to my daughter, which is what it was becoming the more it came into view. You can’t give up on a letter to your kid! Sometimes I wish it hadn’t taken so long, that all those stops and starts and long gaps between stabs at the work hadn’t happened. But I was a different person in ways, compared to when I started, when I finally recorded it all. I’d became a bit of a perfectionist in that I no longer regarded impatience as a valid motivator to wrap it up. It had its own timeframe in my life and I was along for the ride. I finished when I finished and it felt good. 



Learn more about Connie’s previous bands here:
Containe Oral History
The Pacific Ocean Oral History

Listen to Coconut Mirror and other releases here. The album will be out Sept. 27 on select digital platforms and CD (via Bandcamp). 

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The Girl Ray Guide to London

We love London and we love Girl Ray so it seemed like a no-brainer to ask them to tell us about the things they love to do in London, which include eating loads of pizza, karaoke, hanging with piglets, and mudlarking. Girl Ray—made up of singer-songwriter Poppy Hankin, bassist Sophie Moss and drummer Iris McConnell—seems like the kind of friend gang/band that everyone would love to join. Their third album, Prestige, came out in August on Moshi Moshi and it’s an ode to disco that was inspired by the TV show Pose about NYC’s queer ballroom scene in the ’80s. US and EU: You can pick up the LP from the band on tour this autumn. Meanwhile, read on and find out what Poppy, Iris and Sophie love to do in the great city of London! Images courtesy of Girl Ray 

Girl Ray in London: Sophie, Iris, Poppy

FOOD AND DRINK
Poppy: The first thing is something that I like to do, which is going around and eating loads of pizza because I used to be a pizza chef last year and I got kind of obsessed with pizza and just trying to find the best ones in London and there’s much debate. But yeah, I used to work at a place called Ace Pizza, which does really, really good pizza. It’s kind of like Napoli New York hybrid. They’re great. And then there’s a ton of other good ones, like Gordo’s, which is also in Hackney. And I’m forgetting every single pizza I’ve ever eaten. But there’s a ton of good pizza happening in London right now, so yeah.

Iris: We like a place called Gordon’s Wine Bar, which is a little bit touristy, but it lives up to the hype. It’s right next to Embankment station and it was made in 1890 and it’s in a little cellar and it does really, really tasty wines and a banging vegan cheese board. It’s a lovely little place to go after the theatre, you know we never do that, but it’s a classic spot.

Sophie: Something I and we like to do is go to a place called Tayyabs, which is in Whitechapel, East London. It’s right by my uni and I like to go by myself in between classes and eat lots of Punjabi food, but we like to go as a group as well.

Iris: They do really good like soft chickpeas.

Sophie: Yeah, really, really good stuff. Yeah.

Poppy: Next one is cosy pubs. The best thing about London in the winter or autumn is getting cozy in a pub and one of my favorite ones is the Southampton Arms, which is near Tufnell Park and Hampstead Heath. Super cozy small pub with a fireplace and it’s just very old, old vibes. And yeah, and it’s great. We also have a load of great locals near where we all live in Hackney, like the Prince George and Chesham Arms and the Duke of Wellington.

Iris: And where we grew up there’s a really crazy one called the famous Royal Oak, where Sophie used to work.

Sophie: I used to work there. Never work at your favorite places.

Poppy: Yeah, that’s actually the best rule in life. But yeah.

Girl Ray!

Sophie: Speaking of East London, we also like E Pellicci, this old Italian fry-up place. It’s been there since the 1800s I think. And it just does a delicious fry-up. Also, like, very lardy Italian foods and the vibe is just fantastic.

Poppy: Yeah, beware the fried bread because it will mean you can’t finish the fry-up. So when they ask you toasted or fried bread, just go “toasted” even though fried is delicious.

Iris: I disagree. Really good fish & chips all around London, but we probably like Micky’s fish & chips the most which is in Hackney and near Dalston. It’s near this really good pub called Army and Navy. They do darts and karaoke there. I’m rambling now.

Poppy: I also like to tell people coming to London to go and get a martini at Duke’s Bar, which is, yeah, it’s a bar at the bottom of a very fancy hotel in Mayfair. But it’s like a very London experience and you have to wait a little while to get a table, but you go in there and you should order a gin martini and the martinis are the strongest drinks you’ll ever have. I think they have about six shots of gin in them and there’s actually a two-drink limit. You can’t have more than two drinks. But the guys come up with a little cart and they make it right in front of you and it’s very delicious.

Sophie: Another one we like is Bar Italia in Soho—another very classic old Italian joint. But yeah, the drinks are great, it’s very open plan and people watching there is just excellent.

Girl Ray!

THINGS TO DO
Iris: There’s a lovely little view from the top of the Oxo Tower. You can just walk up there for free, get that lift up or whatever and there’s just a great view from the Thames, get a little tap water and do some people watching.

Sophie: I’m looking at this list and I’m like, wow, I just do all these things by myself. OK. Genesis Cinema, again after university I like to go, sometimes they do 3-pound tickets for all the films that have come out like a few years ago, but they’re all the films that are super cheap and yeah, fantastic place.

Poppy: We also like to go to city farms, which are not unique to London, but it feels like quite a London thing where you get these, yeah, these small little farms in the middle of the city and you’ve got, you know, lots of lovely animals and …

Sophie: Ever heard of a farm?

Poppy: This is how a farm works. There are animals, but no, yeah, it’s a nice thing to do on the weekend, go and say hi to the piggies. They’re usually free.

Iris: You like to follow them on Instagram to see when there’s newborns.

Poppy: Yeah, exactly. But Hackney City Farm is my local and my favorite but there’s lots of good ones.

Iris: Vauxhall City Farm is great. Stepney Green. Yeah, there’s some real cute ones. There’s a wonderful little place called the Novelty Automation Museum. It’s a collection of homemade arcade machines. It’s right by Holborn and it’s just such a weird place and it’s just so strange. I love it there. It’s really fun. It’s like a work of art, but you get to play with it.

Poppy: Something I like to do as well, which is a bit random, is when the Thames is in its low tide, you can go onto the banks and find all kinds of crazy shit. There’s so many, like, there’s loads of bones, which I don’t touch obviously, but you can find little Victorian glass bottles and you can find clay pipes, like smoking pipes, loads of tiles, loads of stuff because basically for the past, like, however many 100 years, the Thames was basically just the bin for people, they just throw anything in it. So, there’s tons of stuff that washes up and it’s really fun to go and have a look and see if you can find anything.

Sophie: Um, it’s a bit dorky, but I quite like going on trains a lot, just for the sake of being on the train. And there’s a train line called the DLR [Docklands Light Rail], which was made in around 2012 for the Olympics and it goes across mostly East London, but it goes to central and South as well and it’s very like Blade Runner-y around the Canary Wharf and I find it quite relaxing to just sit on it and think about life.

Iris: And if you sit in the front, it feels like you’re driving the train.

Sophie: Yeah, there’s no drivers.

Iris: There’s great galleries everywhere around London, but particularly in Mayfair there’s some really fun commercial galleries that you can just wander around and they’re all free and the exhibitions change every few weeks and it’s very exciting. I mean, it’s incredibly wealthy around there, but it’s great for people watching also.

Poppy: I also really like a spot in Walthamstow in east London called the Walthamstow Trades Hall, which is like an old working man’s club. But recently they started doing some super fun nights, like there’s a good karaoke night, which is a lot of fun.

Head to the fun-raiser to help Girl Ray get to the US!

SHOPPING
Sophie: We really like to go to car boot sales. We love knickknacks and there’s a car boot sale in Dalston called Princess May Car Boot, which is very, very good. And you’ll often see people you know, kind of setting up stores there because anyone could do it. Poppy’s done it.

Iris: And there’s a great one in Chiswick as well. If you drive, we recommend that. There’s a great vintage shop, probably my favorite in London called Blue 17 on Holloway Road. It’s very overwhelming but lots of fun. And I really like this toy shop in Archway fairly nearby called the Toy Project, which is kind of like a charity shop, but it just does toys and yes, it’s for children, but it’s just very fun to visit because everything’s really cheap and it’s run by a funny woman and her daughter. And it’s great for toy lovers.

FOOD AND DRINK
Trying pizzas (Ace Pizza, Gordo’s etc.)
Gordon’s wine bar
Tayyabs Indian
E Pellicci fry-up
Cosy pubs
Great Turkish food on Kingsland Road (Somine)
Martini at Duke’s Bar
People watching from Bar Italia
Fish & chips at Micky’s Chippy, Dalston

THINGS TO DO
Top of OXO
Genesis Cinema
City Farms
Novelty Automation Museum
Mudlarking by the Thames
Karaoke Night at Walthamstow Trades Hall
Walk on Hampstead Heath and swim in the ponds.
Mayfair galleries
Going on trains/DLR line

SHOPPING
Car boot sales, Princess May Car Boot in Dalston & Chiswick car boot sale
Blue 17 Vintage, Holloway Road
The Toy Project

Read our interview with Girl Ray in CF18 (which are pretty hard to come by these days!) and listen to their wonderful new album, Prestige, here! Also go see them play in the USA and EU later this year (see dates below). 

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Swansea Sound: Hue and Amelia Interview Each Other

Amelia and Hue, image courtesy of the artists

When Pam Berry and I started chickfactor zine in 1992, you can be damn sure we were listening to both Heavenly and the Pooh Sticks. We interviewed Heavenly for CF2 (Amelia Fletcher is on the cover with Bridget Cross from Unrest), but we never got to interview Hue Pooh, though we do remember a memorable show at Maxwell’s in 1992 or 1993. During pandemic lockdown times, Rob Pursey wrote some songs that were too punky for the Catenary Wires, so he and Amelia thought of Hue for a collaboration. So Swansea Sound was born—featuring Hue, Amelia, Rob (Skep Wax Records, The Catenary Wires), Bob Collins (the Dentists, the Treasures of Mexico), and Ian Button (who plays in too many bands to list)—and they’re about to release a fab new album, Twentieth Century (out Sept. 8), and go on tour (see dates down below). They need no introduction to you, reader, but we figured it would be fun to have Hue and Amelia interview each other after all this time! This is their conversation. Swansea Sound artwork by Catrin Saran James and Jon Safari.

Swansea Sound, image courtesy of the artists

 Hue: What was the first song / record you can remember hearing, Amelia?
Amelia: I have no idea, but I do remember the first time I took a real interest. My parents had the Sgt. Pepper album and the sleeve had all the lyrics on it. I remember diligently learning all the words. I think I was 7. I more or less still know them all.
How about you? And when did you first decide you wanted to make music yourself?
Hue: Mine is Beatles as well. Ob-la-di, ob-la-da. Though it wasn’t a single in the U.K. so I reckon I’m remembering the version by Marmalade which was a No 1.
Although that was ’68 and I would’ve been three so whether or not this is a half-remembered memory or accurate I’m not quite sure.
I was in a band of sorts when I was 8 but I’m not sure if what we were doing was music. I played a pink glitter guitar which is impressive considering I can’t play guitar in the 21st century. We didn’t have a name though I have retrospectively named us the Swansea Bay City Rollers.

Eithne, Amelia and Elizabeth (Talulah Gosh), image courtesy of the artists

Can you remember what was the first song you wrote and were you already in a band?
Amelia: The first song I wrote was called “Tissue Smiles”.  I have no idea why! It had pretty terrible words, but a decent tune.
It was for my first band, which was called Splatter Babies. We were in sixth-form and practised in our drummer’s parents’ front room. Adam Franklin (latterly in Swervedriver) was the guitarist, and wrote most of the songs. At that point, I presume he thought it would be good to have a girl singer. Being in a band with me for a year obviously changed his mind!
Hue: Ah splendid. I think I’ve seen a picture of you in Splatter Babies but not heard anything. We could / should cover ‘Tissue smiles’ if we get to that difficult third album with Swansea Sound!

Amelia: How did the idea for The Pooh Sticks come about, and what was the first Pooh Sticks song?
Hue: The idea of the Pooh Sticks initially was just very much an idea. I came up with the name and the concept  of forming ‘the ultimate ‘wimpy’ band’. I was stuck on Temple Meads train station in Bristol overnight with Steve from Fierce Records as we’d missed the last train to Swansea after a Primal Scream gig (jingle jangle version).
We then wrote ‘On Tape’ together with me coming up with the punchline and some other lyrics. Steve did the rest and we literally recorded it line by line as it was written. That was quickly followed by ‘Indie pop ain’t noise pollution‘ and ‘I know someone who knows someone who knows Alan McGee quite well‘.

Heavenly

Was Splatter Babies your only band before Talulah Gosh? How did TG get together and how quickly did the first songs and shows come about? Was the first gig in Oxford?
Amelia: That was the only band before Talulah Gosh. (Other than “The Peedles”, the Beatles covers band I attempted to create with a couple of school friends when I was 7!)
Hue: Ah so you were in a band at the same time as me doing the Swansea Bay City Rollers. The Peedles? I would buy a T shirt if you make one.
Amelia: Not sure how big a market there would be for that one! Talulah Gosh came together remarkably quickly. The guitarist and drummer part was easy – I asked my boyfriend Pete and my brother Mathew. I met Elizabeth at a gig in November ’85 and invited her to join the band on the basis of her wearing a Pastels badge We then found Rob to play bass – he was auditioned not on the basis of his playing but the records he had on his wall!
And we played our first gig by March ’86. Just four months after meeting Elizabeth. We had already written some of our most well-known songs by the time of that show!

Hue: So Rob did play live and was in the very first incarnation of Talulah Gosh? Before he left to join an Italian prog rock band for a tour of Sweden?
Amelia: Yep, I think Rob left TG on the basis that we were all a little annoying to be with at that point. He relented later! (I think).
Why on earth did you think of asking me to join The Pooh Sticks?
Hue: A few reasons I guess.
We had been offered a Peel Session and felt that Steve Fierce singing parts a bit out of his comfort zone couldn’t last. We could see you found it hard to say no to an indie band when they came calling, so we thought it was worth a 5p coin in the local phone box. You did reply ‘aren’t you the band that take the piss out of indie’! We actually liked many of the C86 era bands, particularly the melodic ones as we were pop fans ostensibly. I had seen you play in Port Talbot in Dec ’87 I think, which was near the end of TG. The session was maybe the April of ’88 so we figured you had some spare hours. You were a good sport. But I can’t imagine either of us thought we’d be still singing / shouting at each other 35 years on.

The Pooh Sticks

The Gosh seemed to attract a whole bunch of press. Some gushing, some less pleasant. What’s the most memorable for you? Good and bad?
Amelia: I think the most extreme press we got was actually in TG. On the plus side, we managed to get a whole page on page 3 of NME when we’d barely started. A rave from the Legend!, headlined “Do you remember fun? Talulah Gosh do!”
Hue: Yes, I remember that article by Jerry Legend I think.
Amelia: On the negative side, our very last press interview was also in NME but this time with Steven Wells. It was a big piece but he was totally horrible about us! He also referred to us as Aryan, which was pretty insensitive given I’m half-Jewish and huge numbers of my grandparents’ relatives died in the holocaust. The allegation seemed to be purely based on us having short bleached hair!
Hue: I know Steven Wells isn’t about any more to defend himself but he was a showboating writer and that doesn’t read well now at all does it? I met him a few years later as he made a video for a band I was managing. He found out I was from the Pooh Sticks and I got the distinct impression he didn’t like us. The video he made was totally rubbish by the way.
Amelia: We also got 1 out of 10 in NME for the second Heavenly album from guest reviewers Shampoo. But to be honest we were quite amused by that.
Hue: Ha! Shampoo supported the Pooh Sticks once at the Garage in Highbury as they signed their mega record deal. This was around the time that every band who supported the Pooh Sticks seemed to be become very successful overnight like Pulp, the Cranberries, David Gray, etc!

The Pooh Sticks with Amelia, image courtesy of the artists

Amelia: The Pooh Sticks had a good run. But I know you were actually up for trying to be famous (in a way that Heavenly never really had been). Were you ever pushed by your record label to do anything you were uncomfortable with? And how do you think you would have handled REAL fame?
Hue: I’m not sure that I was trying to be famous at all, it’s just that I didn’t have anything better to do when a major label came calling. I was working as a tennis coach at the time which I kinda enjoyed, but the chance of doing music full-time for a while seemed to make sense.
I did think signing to a major at that time would be the beginning of the end unless we sold records which we obviously didn’t, but we felt the songs we had needed more time in the studio and that this was the only way to do that. That possibly wasn’t true.
The label wanted us on the road playing lots of shows though. Up until that point we’d only ever played a handful of shows, so that became a bit of a slog pretty quickly. I’d had enough by the time we did a (successful) tour of Japan and decided I didn’t want to be in the Pooh Sticks anymore. I did return to be on Optimistic Fool (our last LP) as long as I didn’t have to tour. I had started to manage a band and work as an A&R at that point so was a busy bod.
Real fame wasn’t going to visit us, but I think it looks like hard work. I’ve got a few friends who became ‘famous’ like Catatonia, Super Furries or even the actor Rhys Ifans and it looks like hard work to me!
Amelia: Yep, I agree. Fame does looks like hard work. Stressful too! Fortunately, we got even less close than The Pooh Sticks!

Swansea Sound

Hue: You’ve never really stopped making music whereas I’ve had plenty of time away from it. Which parts do you enjoy the most? Writing? Recording? Touring? Doing fanzine interviews?!
Amelia: Fanzine interviews of course! Especially for Chickfactor, obviously!
But actually I probably like playing shows the most, although maybe because we’ve never done so many that they feel like a slog! For me, it isn’t necessarily the touring so much (although that can be good fun too) but the actually performing on stage. I’d like to say I just really like singing but it is probably just that I am an attention sponge!
I always enjoyed playing with The Pooh Sticks too—even if I quite often messed things up! Like that gig when I clean forgot I was supposed to be writing across your chest in lipstick and you were just standing there waiting with your torso exposed. Sorry again about that! I’m useless at rock antics!!
Hue: You often mention the lipstick on torso thing as if I was hanging around for ten mins!  I remember it all going smoothly and there’s photographic evidence to prove it happened. I think what you wrote on me was ‘Hearthrob’! We were playing with Ween in New York and in the pic we were packing a massive stack of Marshall amps. The one and only time that happened I think.
Amelia: ‘Hearthrob!’ That’s funny. I bet I spent at least some of the time onstage wondering if there should be one or two “t”s in Hearthrob. That’s how rock n roll I ever was!
Hue: I certainly wouldn’t get my top off onstage this days. Though there’d be plenty more space to scrawl on!

The Pooh Sticks with Amelia, image courtesy of the artists

What is your favourite song from the many you’ve written and which do you think is the best if it’s not the same one?
Amelia: Hmm. I think “P.U.N.K. Girl” is probably the best—mainly because it strikes a nerve but is not like anything else! But I think my favourite song might be “Memorabilia” by Tender Trap.
Partly because it was based on a silly song I invented to sing the kids when they were babies (I sang it while doing baby yoga on them to get rid of their wind!). Partly because it ended up being about memories of my brother. And partly because it’s just a good song.
So Iet’s move forward to Swansea Sound. I have very vivid memories of sending you that first song in Lockdown (“Angry Girl”), and then trying to figure out how to mix in the vocal you recorded in your kitchen on your phone! I’m still amazed at how well that worked!

Amelia playing in Splatter Babies. Photo: Vicky Bowman

But did you think at that stage that it would more than a couple of silly songs? When did you realise it could be something bigger?
Hue: You had mentioned for a little while that Rob had a song that he thought was Pooh Sticky. I’d had some friends previously send me songs but it never went anywhere or felt right. At one point I think I even talked with Liz from The School about writing some songs, but when “Angry Girl” landed it was a good time in the sense that is was in the early days of the first lockdown so I had plenty of time.
It was an odd time as I was, if not exactly shielding, very much living solo, as I have quite bad asthma and have been hospitalised a few times with attacks. So I was living rurally in a village at the time, like you do, not knowing how it was all going to pan out.
I didn’t really think “Angry Girl” sounded like it would suit me necessarily, but I could hear it probably wasn’t a Catenary Wires song! Took me a while to figure out how to listen to the track on one phone and then sing/shout into my other one. I tried a couple of rooms in the house but ended up on my knees in the kitchen.
I listened back and it sounded horrible! I sent it not knowing how you could knock it into shape, but when you did ping it back I was amazed. It sounded so fully formed.
I guess I wasn’t sure what would happen next but I think Rob then sent ‘Corporate Indie Band’ and we immediately thought we should put it out even if it was low key and very limited.
I only realised it could be something bigger when Gideon Coe played it with much enthusiasm and Rob kept writing new songs almost to order. Then the first show we did at the Preston festival worked surprisingly well.
‘Live at the Rum Puncheon’ is a pretty remarkable LP considering how it was recorded. It also set things nicely for a follow up to sound like a step up simply by the fact we were actually in the same room together this time.

Talulah Gosh, image courtesy of the artists

Amelia: Is there a plan for world domination, and if so, what’s the next step?
Hue: World domination? We’ll keep socking it the squares and straights across as many continents as we can in the short to medium term. Really looking forward to playing the U.K. shows plus in Europe and obviously going back to Japan and then hopefully the States. I just hope my dodgy hip holds out!
You’ve made/edited a few of the videos for Swansea Sound which has impressed me. Is music your only form of creativity or do you/would you write or paint?
Amelia: I’ve enjoyed making the videos. Rob and I tend to come up with the ideas and then I edit them. We did the last few Catenary Wires ones too, and a recent new video for “C Is the Heavenly Option” by Heavenly.
I think video-making is the kind of art form that suits me as it requires lots of patience and technical ability and then just a good creative idea or two. I’d love to be good at proper art or writing but I’m honestly useless at both! It is constantly galling to me. But I’m also constantly impressed by people who are good at either!

Rob and Amelia in the Heavenly era, image courtesy of the artists

What are you most excited about for the coming year? Here’s mine. Getting to play in the US and Japan again! How about you?
Hue: Yes I’m very much looking forward to going back to Japan. I’ve been twice before once with the Pooh Sticks in ’93 which was so great I left the band for a while as I thought it would all be downhill from there. I did return for another LP but never played live again until reforming in 2010. I also went in ’96 with a band I was managing which was a very intense trip. We’d been to New Orleans and then LA for shows on the way so it’s only the time I’ve kinda circumnavigated the world.

Swansea Sound

The bass player didn’t sleep for four days and had an ‘episode’ at Tokyo airport with some armed guards so we had to miss the flight bless him. He wasn’t in a good way and insisted on being on a flight where he could smoke which wasn’t easy in ’96. We finally got a flight with chain smoke-loving Air France and he returned to Wales in a fug of fags and free champagne.
I’m also excited about hopefully just being alive for another year as I’ve lost two friends suddenly in the last week.
The lovely Michel Van de Woude who you obviously knew as well as the guitarist on three of the Pooh Sticks albums. Michel indeed did play hot licks and was in our line up at Reading festival when we were the best of all indie bands. I will miss him.
Amelia: Yes, that was really sad news.
Hue: Also my mate Tim passed very suddenly this week and was only 53. He was a gig buddy but also came to our shows. Very sad about that.
That puts everything into (a Spinal Tap) perspective.
So let’s indiepop (or rock) til we drop and enjoy what we have.
Amelia: Cheers to that! CF

Swansea Sound dates
Sept. 8: Twentieth Century Listening Party
Sept. 9: LIVE album launch at Rough Trade East
Sept. 14: Manchester, The Talleyrand
Sept. 15: Cardiff, Moon Club
Sept. 16: Carmarthen, Cwrw
Sept. 17: Bristol, Rough Trade (FREE)
Sept. 27: BBC6Music Riley/Coe studio session.
Sept. 29: St Leonards, The Piper
Sept. 30: Paris, Popfest
Oct. 13: Leeds, Wharf Chambers
Oct. 14: Newcastle-On-Tyne, Cumberland Arms
Oct. 27: Brighton/Hove, The Brunswick
Oct. 28: London, The Water Rats

Read our Heavenly piece from last year and our Catenary Wires interview from a few years ago! 

 

 

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Dream team: the musicians who play on Coconut Mirror

The New York singer-songwriter Connie Lovatt talks about all the amazing musicians who play on her new solo album, Coconut Mirror (out on our label Enchanté U.S. Sept. 27 on Bandcamp, CD and select streaming services). Workspace images courtesy of the artists.

Connie Lovatt’s workspace

Connie Lovatt, Coconut Mirror (Enchanté US, out Sept. 2023)
Songs written by Connie Lovatt / Produced by Connie Lovatt

Connie Lovatt: vocals, acoustic guitar, tambourine
James McNew: bass
Jim White: drums
Rebecca Cole: keyboards on Basin, Broke, Sisters, Snow
Che Chen: lead guitar on Sleep, Snow, Lines
Phoebe Gittins: piano on Broke, Gull, Heart, Honest, Kid, Snow, Zodiac
Lucy LaForge: backing vocals, harmonica on Sisters
Max Tepper: synthesizer on Heart, Honest, Snow, Sleep, Zodiac
Bill Callahan: vocals on Kid
James Baluyut: pedal steel on Sisters
Hartley Nandan: screaming on Sleep

Recorded by the artists and Joe Wohlmuth
Engineered and mixed by Joe Wohlmuth 
Mastered by Jeff Lipton and Maria Rice at Peerless Mastering, Boston, MA

Jim White’s work area

Jim White: A brilliant friend that gave the album the topography of dreams. I’ve listened repeatedly to him playing on some of my favorite songs over the years and can barely believe he’s playing on mine. What kind of magic is this?

James McNew recording his bass parts; drawing by James

James McNew: If you could walk up to a music library and ask it “can you play bass on my songs?” and then the music library sits up cozy next to you and says “watch this” and solves all your problems.

Rebecca Cole’s recording room

Rebecca Cole: I asked her to play on some songs when she was practically 48 hours from leaving on tour with Pavement. Her suitcase was probably 1/2 packed on her bed. I got a very sweet “I’ll try” kind of answer. What she sent back sounded so good you would have thought I gave her a year’s time.

Where Che Chen makes his magic

Che Chen: I think the most interaction I’ve had with Che is sharing a smile as we walk past each other at a club or a hallway in a rehearsal space. But I knew his guitar playing very well. To me he is psychedelic in that he’s both the mindset and the setting. I felt brave asking him to play. He was kind and overdelivered and I love it all.

Phoebe Gittins’ piano and her assistant

Phoebe Gittins: I was at the end of my tattered thready rope when I started recording and man, I just didn’t know. Asking Phoebe to come by and play on a song to just see if it could be even something another musician could hold on to was one of my better moves. She is so melodic and musical that I’m telling everyone I know you need to lay roses at her feet and ask her to play on your songs. She’s the sweetest.

Where Max thinks of his outer space sounds

Max Tepper: Max is a family friend and our daughters have known each other from months old. He plays guitar and is road-tested and knows all the bands and all the stories. I knew keyboards and synths were a part of things in his world. I don’t know exactly when or why I heard synths on certain songs, but I was so lucky Max understood what I meant when I asked. He sprinkled the heavy sparkles!

Where Lucy LaForge works

Lucy LaForge: For my young daughter she was magical like Mary Poppins, except the umbrella was a guitar and the chimney sweep was a stuffed cow. For me, on this record, she was a rock who tried everything from tap dancing on the studio floor to harmonica, to trying all the harmonies on “Sisters” to autoharp. She has a bag of tricks no matter where she goes. 

James Baluyut’s music room

James Baluyut: A very patient man who helped me send off some final backing vocal ideas as he simultaneously figured out some flawless pedal steel for “Sisters.” He’s a positive force to be around when making music. Nimble and always pushing things forward. I took up his time but I brought him enormous chocolate chip cookies.

Bill Callahan’s workspace

Bill Callahan: He’s one of my favorite songwriters of all time. I got to sing on a couple of his songs a while back. It took a few years for me to write a song good enough for him to sing on. He won’t be losing any sleep about my latest theory, but I do think I’ve shortened his 8 furlong lead by an inch.

Where Joe Wohlmuth and Connie worked on Coconut Mirror

Joe Wohlmuth: All contributors, except in-town Lucy, recorded their own work and everyone did an excellent job. This method, no matter how carefully done, created many sonic scenarios that were out of Joe’s control. Background noises, mic issues, consistency, tempo, etc., etc., had to be addressed and blended together to Coconut Mirror’s starry-eyed standards. Joe has an ear that no note can slide past unaccounted for and he helped guide these songs through every step with an attentive ease.

Learn more about Connie’s previous bands here:
Containe Oral History
The Pacific Ocean Oral History

Listen to Coconut Mirror and other releases here. The album will be out Sept. 27 on select digital platforms and CD (via Bandcamp).