poll: your favorite record stores

What are your favorite brick-and-mortar record shops, online shops, zine stores, etc.?

Gail CF: My Vinyl Underground and Mississippi in Portland. Dusty Groove. Carolina Soul in Durham. Amoeba.

Daniel Handler (aka Lemony Snicket): Amoeba on Haight, and the unclassifiable section three shelves back at Green Apple Books on Clement.

Beth Arzy (Jetstream Pony): Rough Trade East (London), Monorail Records (Glasgow), Sounds of the Universe (London), Flashback (London), OOR (Zurich), Grammar School Records (Rye), Rollin’ Records (London).

Fred Thomas: I love so many independent shops around the world. I’ve worked at Encore Records in Ann Arbor on and off since 1998 and as recently as yesterday (!!!), Culture Clash in Toledo is such a cool store, Love Garden in Lawrence Kansas, Mississippi and Jackpot in Portland. Hello Records and People’s Records in Detroit. Today Clothing in Ann Arbor is a serious inspiration. MOOG is a synth and music shop in Montreal I used to go into every day and never buy anything at the entire two years I lived there.

Ed Mazzucco / Shelflife Records: My Vinyl Underground. Amoeba SF back in the 2000s.

Kendall Meade / Mascott: Main Street Beat, Nyack, NY.

Theresa Kereakes: In Nashville, where I now live: The Groove (new & used records, gazillions of indie 45s, zines. and stuff); Grimey’s (new & used records, books, zines)—they both host live performances and events. Online, I buy from Rough Trade, because I can’t go to any of their stores in person. Oddly, I’ve never shopped in a zine or comic store, even though I lived basically next door to on in Chelsea (and I would always see my neighbor, Johnny Ramone in there). I buy my zines from record stores (I supposed I like one-stop shopping), and online and from book fairs/art shows where the creator is selling in person. 

Stuart Moxham: Bandcamp by miles, but also LSD Records shop in Wilton, Wiltshire and ebay

Alicia Speakeasy Studios: Amoeba is still the best record store in San Francisco.  I love it.  And now, Bandcamp is my second favorite record store.  

Claudia Gonson / The Magnetic Fields: I’m very happy that St Marks Comics moved to Brooklyn. It is near enough to me that I can pop over there fairly regularly. I am not a good music shopper anymore and have not found it easy to navigate through the new record stores I have seen. I do love poking around Brooklyn’s wonderful independent bookstores.

Janice Headley / CF & KEXP: Bandcamp, Patreon, Quimby’s

Tracy Wilson / Turntable Report: I miss Other Music and Steady Sounds so much. Current favorite shops include Uncle Tony’s Donut Shoppe, Acme in WI, and Double Decker in PA.

Pete Paphides: The Record Detective Agency in Palmers Green; Alan’s Record & CD Shop in East Finchley; the Little Record Shop in Hornsey; Monorail in Glasgow; Resident in Brighton; Rough Trade in West London; Easy Listening in Acocks Green, 40 years ago. 

What is your favorite record store? 

Nancy Novotny: End of an Ear, Austin

Sukhdev Sandhu (CF):
Sound Service, Villingen
For its tragic chanteuses, Bavarian folk music, and the nearby Vietnamese restaurant
Flur, Lisbon
For its natural light, gorgeously-sleeved house 12″s, and mellow staff
An Ideal For Living, Stockholm
For its lesser-known Robert Wyatt singles, early el LPs, Aztec Camera picture discs
Nat, Tokyo
For its 70s Swedish punk 7-inch singles
World of Echo, London
For its name, lovely owners Natalie and Stephen, Tara Clerkin Trio mugs
Monorail, Glasgow
For its giving, generosity, endless geographies
Pianola, Tokyo
For its chamber music, oddsome pop, delicate ardour
Discreet, Gothenburg
For its making, channelling and harvesting of mysterious local circles
Fnac, Cannes
Would that most independent stores were as good as this chain one. It made my Charles Trenet cup overfloweth.
Manic Hedgehog, Oxford
Where I blew my student grant in one go

Alexander Bailey: Winzer Records, Palm Springs

Danny Ingram: Restless Records (Soho, London)

Adam Stafford: Jigsaw/My Vinyl Underground of course. Arroyo Records in LA is good! I picked up a couple of Aislers Set 7-inches there recently. 

Brian Musikoff: Sonic Boom Records!

Kevin Coral: Last Exit Records in Kent, Ohio (though I work there so biased) and Current Year Records in Parma, Ohio.

Ken Katkin: Shake It Records in Cincinnati. Historically: Pier Platters R.I.P. and Home of the Hits. 

Carmen Mullins: Crookedbeat (D.C.)! 

Tim Dagger: Currently, Twist and Shout in Denver. 

Matthew Edwards: Swordfish in Birmingham UK. Open Hand Music in Berkeley, CA. 

Joey Sweeney: Repo Records in Philly. 

Ryan Olson: Amoeba obviously here in L.A. but I like Record Surplus on my side of town.

Peter Momtchiloff: Truck Music Store. 

Jen Sbragia (CF, The Softies, All Girl Summer Fun Band): My Vinyl Underground for sure, also there’s a great one in my hometown called the Next Record Store (Santa Rosa, CA, formerly the Last Record Store R.I.P.)

Michael HHBTM Records: My Vinyl Underground / Microgroove / Grimey’s / Wall of Sound / Green Noise / Raven / Vintage Vinyl

Yvette Ray: Rotate This in Toronto

Bx Blackhawk: Bandcamp

Reuben Radding (photographer): Academy! 

David Martin: Government Center in Pittsburgh, Landlocked in Bloomington IN, Love Garden in Lawrence KS, Lunchbox in Charlotte NC, Tone Deaf in Chicago, End of an Ear in Austin

Hannah, @BowlieBlue: Relevant Record Café, Cambridge UK. no inflated prices (and even a student discount!), great vibes, cafe above the shop, amazing variety and seriously lovely staff 

Tracy Dreamy Records: Before London, I used to go to a place called Black Hole in Brea, CA. I think it’s still there. There were some equally good places in San Diego and Lou’s Records was always worth the drive. Obv Amoeba in SF. In London: Sister Ray… but also the record & tape exchange was ace.

Jason Summershine Records: Going Underground in Bakersfield always stellar. Plus, also one here in L.A. too. Points also to Gimme Gimme, Freakbeat & Record Safari in L.A. 

Patrick Carmosino: Discounting ones I’ve worked at, I’d have to say currently – Rebel Rouser in Bklyn, organization and non-Discogs-price-gouging a big +. In a perfect world, it should’ve been the one Chris V. was running on West 8th for a short time but alas…

Keith @anxietyblock: Feeding Tube Records in Northampton, MA. Lots of hard to find gems, specializing in Ptolemaic Terrascope type bands. Owner started the store because his kids weren’t interested in inheriting his very impressive collection.

Leela Corman: Armageddon and Analog Underground in Providence, RI; In Your Ear in Warren RI – the one by the water.

Adam Grimord-Isham: I’ll second Flat Black and Circular and Mississippi, will add Reckless in Chicago and Moon Rocks in Eugene. Specks in PDX is a little but great store!

Mark Woodpigeon: Atom Heart in Montreal always makes me happy. 

Robert Hindle-Yang: Records The Good Kind (Vernon, CT) 

Ben Parrish: In Portland: Mississippi Records, My Vinyl Underground. Olympia: Rainy Day Records. Denver: Twist & Shout

Don Clark: Celebrated Summer here in Baltimore.

The Catenary Wires: Wow and Flutter in Hastings, UK. 

Linda Smith: Normal Books in Baltimore. 

Jon Freer Sounds: Gothenburg, Sweden: Discreet Music. Manchester, UK: Vinyl Exchange, Piccadilly Recs

Chelsey Johnson: Black Hills Vinyl in Rapid City, SD! Also love Steady Sounds in Richmond. 

Bowery Ballroom: Record Grouch / CrookedBeat DC / Joint Custody DC

Lys Guillorn: In CT: Willimantic Records, Gerosa Records

Rob Ferguson: Jack’s (Red Bank, NJ). Princeton Record Exchange

Stephen Pierce: Electric Eye in Florence, MA. 

Leo Lopez: Oakland Ca.: Econo Jam and 1-2-3-4 Go! are really special. Stranded is good too.

Chris Jude: Harvest Records in Asheville, NC

Warsaw Cubicle: Lunchbox Records here in Charlotte! 

Cheesepolice (Twitter name): In Your Ear Boston

Chelsie Dever: Friends of Sound

Can’t Hardly Wait: Dr. Disc, Windsor, ON

Domigon (Twitter name): Rare Groove in Osaka

Jesse Kevon: End of an Ear

Elevator Bath: End of an Ear

Bodega Pop: Record Grouch here in Brooklyn; Mississippi Records in Portland, Oregon

Stupefaction Music: Currently: Rocket No. 9 in Kingston, NY

Libby Cudmore: Reimagine Records; Music & More. Both in New Hartford, NY. Both run by the coolest, sweetest, most thoughtful fans in the world. 

Ryan Daly: Pitchfork Records in Concord, NH, and Mile Long Records in Wheaton, Illinois. 

Ami_59x (Twitter name): Zia Records and Stinkweeds in Phoenix

Astral Swans: Recordland Calgary

Laura Fenwick: No contest, Grimey’s. 

Cheshire Adams: Nashville: Grimey’s. Chicagoland: Vintage Vinyl Evanston, Reckless, Laurie’s Planet of Sound. 

Ben Tye: These two keep on extending my retirement age: Honest Jons LDN and World of Echo Shop. 

Julie Underwood: Love Garden Sound in Lawrence, KS

Slow Season: Forever Young in Prairie, TX, and Permanent Records in L.A.

Black Mesa Records: Guestroom Records in Norman or OKC

Julie Butterfield: Sonic Boom / Seattle and Gre Coffeehouse and Vinyl / Palm Springs

Danny Ethridge: Waterloo in Austin; Grimey’s in Nashville

Albert Rolls: Music Town

cf poll: how has your musical discovery process changed since the golden age of chickfactor?

we’re publishing a few of our polls that were left out of CF18.

photo by gail o’hara, new york city 2000.

daniel handler (lemony snicket):if I didn’t live near amoeba records and wander the aisles once a month, I would have absolutely no idea what is going on.
stephin the magnetic fields:without convenient access to record stores, it has become practically impossible to find anything I like from this century. on the other hand it has become much easier to find french baroque harpsichord music. 
sukhdev cf: I don’t listen to much american music any more. sweden, france, japan are more important to me. (perhaps that’s chickfactor’s influence.)
shawn belschwender:without chickfactor, I’m like a blind man groping an elephant. I don’t know what anything is. so I rush right back to the safety of NWBHM bands.
clarissa cf: in the early days of chickfactor, my musical discovery sources were equal parts kim’s underground, wfmu, going to shows by artists I liked and getting there in time for the opening acts, and people on whom I had crushes sending me mix tapes. these days, my main source of musical discovery is looking at joel whitburn’s top r&b singles 1942–1996 and then finding artists I’ve never heard from it on spotify. I’d also say going to starbucks, but for the past eight months the only song they’ve played is rostam’s “bike dream” on continuous repeat. also, the golden age of chickfactor, as well as everything else, is right now.
mac merge/superchunk:weirdly not much—though I throw away fewer tapes now that everyone’s demo is a soundcloud page. bandcamp is a great way to discover stuff which didn’t exist then, but there were more record store employees to recommend stuff back then.
gaylord cf/wfmu: it really hasn’t, though nowadays I can’t bend down to look at records without throwing my back out.
ashley cf: I’ve died a little on the inside. I just listen to NPR and podcasts now. I hear it’s much easier to discover new music now but it just seems overwhelming. 
michael white:  like everyone else, it’s mostly online now—which, of course, isn’t as romantic as, say, seeing something interesting looking in other music and taking a chance on it, but it also means I don’t waste $35 on some japanese import I subsequently discover is terrible.
evelyn cotton candy: I guess I don’t read zines as much, so new music is more word of mouth.
kevin the hairs: I feel a bit more out of touch. I see what friends are listening to or what reviews I come across or what bands my friends are listening to or recommend.
lisa levy: I still mainly hear about bands through friends, though pandora and spotify also occasionally come through with something interesting.
joe the pines/foxgloves: I’ve gone from listening to radio 1 to listening to radio 2 to listening to bbc 6music. the same disc jockeys eventually turn up on all three, and steve lamacq is still playing mega city four and kingmaker.
jeff drawing room records: hmm… well… the internet has sped up my discovery to ultra-fast light-speed. I tend to self-research more instead of seeking out the good tastes of friends and acquaintances. as I’m older too, I’m more open to lots of different sounds than when I was younger and stauncher in terms of music I enjoyed.
tom square cotton candy:being currently 28, my musical discovery process pretty much began around chickfactor’s golden age.

cf etiquette special: chatting during the opening act

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if you go to see a band in a small space, and the opening act is boring, is it okay to chat?

jennifer o’connor: no.

don smith: I still remember a drunken kelly young from death worm radio yelling at the great plains when they played with beat happening at d.c. space to shut the hell up when the aging replacements-era indie rockers tried to make a go of it about 18 months after their last point of relevancy. the crowd was talking amongst themselves and the band clearly was making no impact on them, but at that heckling comment they seemed really hurt and confused, barely able to muster “what is this, new york?” they quickly played “why do punk rock guys go out with new wave girls” and left the stage. in the end I felt really sad for them, even if they had totally missed the boat musically and bored us to tears. up until that point I had never considered that the band wasn’t onstage in a cone of silence, unaffected by the audience’s reaction. but still, they were doing material appropriate for 1986 and here it was 1988. ron house redeemed himself for the four-eyed posse crowd with thomas jefferson slave apartments.

matt shinkansen: it’s fine to chat if you’re bored but, as a courtesy, you should include the band in the conversation. ask them what chord they’re playing and stuff like that. suggest more interesting open-string variations etc.

david huon/driving past: it’s ok to chat whether they’re boring or brilliant. chat is grouse!

lisa cf: not right in front, where people are trying to listen. this is why more clubs should have an in-and-out policy.

tracy dreamy: no, it’s about respect. go next door, or if you must say a few words, keep it brief and the volume down.

ld flare: only if you don’t know them. if you do know them, it’s absolutely unforgiveable.

mac of oxford: no, shut the fuck up, you may find them “boring” but elsewhere others may be straining to hear that boredom.

clarissa cf: if the policy of the space is that you can’t leave and come back in, be discreet (at the back of the room, very quietly). otherwise, leave and come back in. you’ve paid your money, which gives you some rights, but there is the matter of simple politeness to the people who do want to hear the band.

mike yesenosky: out of respect for the people in the opening act, who might be decent human beings even if they don’t make music you like, no. at least they are doing something productive with their time. keeping your mouth shut for 45 minutes shouldn’t be that big of an ordeal for an adult. plus there are probably people in the room who are enjoying them and didn’t pay to hear you chatting.

stuart moxham: yes, ’cause they’ll improve (or quit.)

robert tono-bungay: interesting. it might be a matter of degree: a word or two here or there, y’know, I don’t think you can help that. although I don’t think it’s ever “ok to chat”, to really go at it. I mean, you whip out a cell phone, everyone thinks you’re a creep; but you do the same thing with a live person standing next to you and that’s ok? on the other hand, a large background murmur DOES send a perhaps valuable message to those in the midst of performance that they might should, y’know, rethink things. and it doesn’t have to be a small place either — I saw portishead at the hammersmith and it was as if someone had drawn this “line of yak” right at the mixing console. everything from the board on up was rapt attention, and from the board on back the place sounded like a broadway theater lobby during intermission. tell you one thing — you sure could tell who paid to get in and who didn’t! CF

how many of the things you have to say cannot wait? do you usually stay toward the back or by the bar so as not to disturb people who came to hear the music?

lisa cf: catty comments about band cannot wait. spotting someone’s ex in a crowd cannot wait. if you are about to faint or vomit, that can’t wait. everything else can.

david huon/driving past: everything that comes into my head cannot wait, because I’ll lose it if I don’t say it straight away. if I don’t lose the truth of it, I’ll lose the appropriate, spontaneous form of it, it won’t be convincing anymore.

liz clayton: I was once at a show at a very small venue and it so happened that a friend of mine, who had just returned from an eventful trip with her husband, was there. while we shouldn’t have been talking, I didn’t shush her when she started to tell me how she was probably about to get divorced, because it seemed pretty important. in between songs, the performer, who was a friend of mine, said “have you ever been performing a song at a quiet club and you’re really getting pissed off because you can hear someone talking and you look over to find the person and it’s someone you’ve been friends with for years?” and gave me a look of death. ouch!

don smith: you are laying a lot of the blame for this talking at the feet of the audience. did you ever giggle, pass notes, or doodle during high school classes? why would you divert your attention from the teacher and perhaps inhibit the other children from learning? because ya get bored and you want to gossip. or were you the kid who tsk-tsked the talkers? and besides, who said that every band is good? the venue’s architecture allows this behavior. the new 9:30 club has a second level and easy-to-access spaces that would allow for conversations during lulls in band’s sets, both the old and new black cats have a wide area in the back for conversations. if I came to a show with friends or came to see bands that I don’t really like just to hang out with friends then the bands need to move me to keep my attention, but that’s what I paid them to do when I walked in the door. another problem which you address is the inappropriate booking of bands into certain spaces. on the east coast the major venues for bands, even indie pop or quiet acoustic bands where songwriting is key, are rock clubs and bars completely inappropriate for such quiet and introspective music. I have seen such mismatched shows before and the crowd can get annoyed that people are talking and drinking in the very bar they went to see quiet library music. the bar patrons probably share the ill feelings about the people who aren’t partying it up in the bar they went to. I would think that if a band is quiet or plays lyrical music where people want to hear the words, the last place that they should play is a bar. that’s why art gallery shows exist. in the end gail, I beseech you, don’t be a playa hata.

tracy dreamy: mostly my words can wait — unless there is a fire or other emergency that I must warn people of.

matt shinkansen: no, because it disturbs the people trying to order drinks. bands have to compete with the bar, and one of them’s bound to lose out — it’s basic darwinism.

robert tono-bungay: I kind of never converse during someone’s set, at least I try not to. I just feel like I want to concentrate on what these bands worked hard (presumably) on presenting. and anyway, I think more people can attribute whatever hearing loss they may have to getting their earholes screamed into at close range than getting a buttload of skronk from some PA.

ld flare: I use sign language or write notes in lipstick on cocktail napkins. CF

originally published in chickfactor 15’s special etiquette poll section.

cf poll: the musical taste of your offspring

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describe your kid’s/kids’ taste in music.

alicia the aislers set / magic trick: well, she is very moved by music. her current favorites are journey, katy perry, elvis presley, david bowie. she’ll occasionally ask for alice cooper, the ramones, joan jett, stevie nicks, the grease soundtrack. her first vinyl lp that she would put on and dance to was steely dan. she knows what’s good when she hears it. nothing but honesty from that kid! if it’s a bad song on the radio, she’s like “turn this off! put on some journey!!!”

jessica would-be-goods: bowie, t rex, early elvis costello, classic disney songs (e.g. “everybody wants to be a cat” and “I wanna be like you”) — and the would-be-goods, which is very touching. she used to threaten to kill me if I told any of her friends I was in a band but now she thinks it’s OK and even plays them our music.

mark teenbeat/unrest: one likes lady gaga and the other classical music, though they won’t complain when the kinks are on the hi-fi.

corin tucker: it’s ever changing, but this week it’s skrillex and deadmau5.

dawn cf / agoraphone: it’s a strange mix. folk music of all sorts: woody guthrie, pete seeger, fairport convention, laura viers. then wild flag, ramones, and the fave david bowie (mostly ziggy stardust). I can’t really explain it.

daniel handler: otto started out loving late-period kraftwerk, went through a beatles phase, is now a big fan of stars, metric and (not my fault) chromeo.

andrew eggs/talk it: my oldest son likes music with loud guitars and melodies. he loves melodic punk music like strike anywhere as well as airborne toxic event and stuff that comes on DC101. my younger son’s two favorite songs are “donald where’s your troosers [sic]” and “tie me kangaroo down,” so he’s harder to classify. sometimes he requests music with “people screaming.”

claudia the magnetic fields: I think at this age, the parents dictate that. my friends keep telling me to play her shonen knife or the ramones, or other upbeat punk music. and she does respond well to that. she also seems to love rihanna, from her outbreak of dancing in restaurants to her. but at home we play pretty much peaceful folksy kids records, elizabeth mitchell, putumayo collections, dan zanes, some other kids records like wiggleworms, a bit of latin female vocalists like cesaria evora, some country female singers, some classical, some joni, etc. I think if I were a jazz fan, eve would probably be into jazz right now. she just attaches on to whatever’s playing, including dancing to embarrassing electronics that make little songs.

matt lorelei: ursula likes the family cat, vince guaraldi, polyrock, and burl ives. stephen’s son niko has a brazilian nanny so he’s listening to and digging os mutantes quite a bit.

kim baxter: his current favorites are vampire weekend and the english beat. I play nick drake in his room every night as he’s going to bed but the other night he asked for jeremy enigk instead.

kelly velocity girl: whatever it is they like, they listen to incessantly. here is the honest to god play count from itunes for the past few months from songs the girls picked themselves:

“goody two shoes” – adam ant 146 plays

“sensible”- small factory 154 plays

“dancing queen” – abba 192 plays

“choco la la la” – mr. g 137 plays

“crystal days” – echo & the bunnymen 140 plays

“under the rotunda” – the lucksmiths 138 plays

“suggestions” – small factory 105 plays

“do they know it’s christmas” – band aid 169 plays

“the ramblin’ rover” – silly wizard 146 plays

when they’re born one thinks please let them like good music. when they do they listen to music, good/bad/indifferent it is with such repetition that one prays please let them take up literature.

pete paphides: our 11-year-old is obsessed with coldplay. which is fine. I’d rather not have “edgy” children. she also loves goldfrapp. the 8-year-old is partial to dexys’ too ry-aye album.

gordon the fan modine: my littlest is always turing the radio up and bobbing his head no matter the genre. his older brother can’t get enough rick james.

mike black tambourine / manatee: theo’s gone through a few phases, getting really into one band of genre for a while and then moving on, though he always likes the old stuff too. the first music I think he stated a strong affinity for was jazz, specifically late 50s/60s hard-bop. then he went on a beatles jag, concurrent big troubles and teenage fanclub crazes, and has more recently moved on to punk rock, which he will happily state is the best music and that he’ll “love punk music forever” and “funky” music like james brown and the meters. a chip off the kid frostbite block, I’d say!

bridget st john: definitely in spirit and in desire to play different instruments. she has a great feeling for and love of music. and is an extraordinary poet and writer.

tim dagger: the beatles.

photograph of alicia the aislers set by tae won yu. 

cf poll: what dish do you wish you could re-create at home?

cannanes

what meal do you wish you could re-create at home?

fran cannane: really great curries especially those from malabar restaurant crows nest in sydney. (listen to a new cannanes tune, “bumper,” from their forthcoming small batch EP out on march 19)

corin tucker: japanese traditional udon soup. I’ve tried making it at home but there’s a lot of expertise there.

james dump/yo la tengo: cookie puss. (yo la tengo has an ace new album out called fade; two dump LPs are being reissued this spring on morr music)

kim baxter: conveyor belt sushi with the conveyor belt coming out of the kitchen into the dining room. (kim baxter’s latest album comes out march 15 on blue vinyl; her band is touring europe in april)

daniel handler: cruda at esca.

stephin the magnetic fields: the tomato cobbler at mary mac’s tea room in atlanta, GA. I bought the cookbook, but I can barely boil water.

rachel blumberg: I once had these tomatoes at a venue in italy. the tomatoes were the reddest red I’ve ever seen. they were grown in the volcanic loam on the side of mt. etna in sicily. they were served with fresh basil and olive oil. it was amazing. so good it made me weep. we had that with the most amazing bread and there were mushrooms too, sauteed in garlic and wonderful wine. it was all so simple and perfect. the only way I could ever recreate it would be to transport those tomatoes through a portal. I dream about those tomatoes. (rachel, who is interviewed in the latest chickfactor paper issue, has a new shop here)

gordon the fan modine: coal-fired pizza. (fan modine have a new one out this year)

hannah grass widow: pierogis.

joe pines / foxgloves: a steak that stephen wood would consider worth eating.

matt lorelei: I’ve been trying to re-create tartine bakery’s sourdough bread at home. getting close.

ian musical chairs: burekas!

tim dagger: that pasta/sausage with vodka sauce at la buca in portland.

bridget st john: a meal made entirely of ‘raw’ food.

pete paphides: a generic chinese beef curry like the ones you get at take-aways; a lamb balti like the ones you get at brilliant birmingham balti houses. once in a while, a big mac.

gail cf: everything on the menu at angelica kitchen (I have come close to mastering the miso tahini spread, soba sensation and noodle salads) and the mushroom ale pie at mildreds.

cf poll: what drink goes with what album?

chickfactor-cocktail-1

what drink goes with what album? (question by daniel handler)

gail cf: veuve clicquot goes with everything. I would imagine the special 20th anniversary “chickfactor” cocktail, created by the acclaimed booze handler daniel searing (from such bands as big jesus trash can, the saturday people and glo-worm), would go nicely with the chickfactor mixtape (pictured below).

daniel handler: rye neat, fire! you liked me five minutes ago

delmonico served up followed by bottle of chianti, divine comedy, casanova

chartreuse martini, st. etienne the sound of water

constantly warmed-up highball, the clash sandinista!

empty out the cabinet and experiment with weird liqueurs, 69 love songs

I could play this all night. and have.

stephen the real tuesday weld: tea, with anything.

james dump/yo la tengo: coffee and/or seltzer pair perfectly with all records.

stephin the magnetic fields: still trying to figure that out.

corin tucker: for me it was whiskey and “my aim is true” by elvis costello. these days it is kombucha and fiona apple.

the legendary jim ruiz: gary mcfarland’s “soft samba” album is best enjoyed with the soft samba coctail. pour two ounces of dry (fino) spanish sherry over two ice cubes in an old fashioned glass. add half an ounce of tropical fruit juice or pineapple juice. add a dash of angostura bitters.

gordon the fan modine: J&B scotch and soda and the kingston trio’s “goin’ places” will take you somewhere pretty specific.

matt lorelei: a shandy for smiley smile. or maybe a dolores park swizzle with st. george’s absinthe (rum, lime, maraschino, absinthe, bitters).

bridget st john: a good red wine goes with most albums in my collection!

fran cannane: red wine goes with all cannanes albums…increasing in price and quality over the years.

joe pines / foxgloves: red wine with loveless, early-evening white wine with bryter later, late-night whiskey with magnetic fields’ distortion, tea and panettone with u2’s war, tea and a biscuit with reading, writing & arithmetic, hot chocolate with deacon blue’s oooh las vegas.

kelly velocity girl:
heavenly vs satan – heavenly
harviestoun bitter & twisted
playing lightly, stinging ever so slightly. best ingested on a mild early summer afternoon.

“strawberry wine” – my bloody valentine
jj prum wehlener sonnenuhr riesling kabinett (cool vintage please)
while the title seems to beg some fruitified concoction, let the mild sweetness and filigreed acidity take you where you need to go. for the spring time please.

suburban light – the clientele
jw lees moonraker
a gentle warm up after “the football crowds have all gone home”. is there is a bit of mist on a late fall afternoon? check.

for if you cannot fly – small factory
corpse reviver #2
turns winter into summer. the punch bowl serves a as suitable object to jump off of when in the throes of pop ecstasy.

photograph of the chickfactor cocktail by daniel searing.

 

food poll: what is your favorite food-related song or album?

cf08 cover

gail cf: “birthday cake” by cibo matto (pictured). “hot burrito #1” the flying burrito brothers (elvis c’s version is good too). “lemon cake” by containe. “candy” the magnetic fields.

daniel handler: wingdale community singers, “sugar and salt.”

hannah grass widow: “pig out” by shonen knife.

pete paphides: al stewart’s down in the cellar – a concept album about fine wine!

stephin the magnetic fields: shonen knife: “I wanna eat choco bars.”

james dump/yo la tengo: black flag, “black coffee.”

corin tucker: I have a 7-inch by an australian band called the claggs with a song about chips and gravy.

darren hanlon: “cheeseburgers in paradise” by jimmy buffet.

bridget st john: “suzanne,” leonard cohen.

gordon the fan modine: “I want candy.”

matt lorelei: “vegetables,” the beach boys. that’s sir paul mccartney on carrot don’t you know. or maybe “bite” by the chills.

dawn cf: modern lovers “ice cream man,” barbara manning, “your pies.”

tim dagger: descendents “I like food.”

joe pines / foxgloves: siouxsie & the banshees: “hong kong garden”. the cat’s miaow: “ice cream”. lloyd cole: “ice cream girl.”

vintage photo of cibo matto by gail o’hara, from the cover of chickfactor #8, new york city, 1994.

 

cf food poll: have any musicians influenced your eating habits?

daniel handler: I usually foot the bill while dining with musicians.

stephin the magnetic fields: stephen sondheim freely admitting he is unable to cook at all has made me feel better about my own disastrous attempts.

corin tucker: seth, sara and mike (from corin tucker band) are all pretty much foodies and are very adventurous. we had a really fun tour of japan where we tried octopus balls in osaka. I liked the flavor but had a hard time with the chewiness.

ed shelflife: the fat boys.

bridget st john: john martyn revealed the mysteries of indian spices and the joys of grilled tomatoes!

gordon the fan modine: I look after ash’s goats and chickens a lot and get amazing eggs and veggies in return.

darren hanlon: it’s hard not to eat hot chippies while mark monnone (lucksmiths) is around.

james dump/yo la tengo: the fat boys, big pun, poison idea.

stephen the real tuesday weld: don brosnan and I talk about the dukan diet a lot.

gail cf: connie containe/pacific ocean influenced me hugely by cooking vegan food for me a million times and taking me to angelica kitchen. lupe too when we were flatmates as she is the queen of the improv vegan bakers.

fran cannane: james dutton (cannanes) is a fine cook. david nichols is an inspirational vegetarian.

tim dagger: tears run rings, I’ll now try seitan.

allen clapp: jill pries clapp! she’s been vegetarian since the late 1980s. I’ve been a vegetarian for 8 years.

joe pines / foxgloves: my interest in the go-betweens is gradually leading me to consider eating kangaroo. I am told that it is both healthy and tasty.

 

 

cf food poll: what venue has served you the best eats?

Jim-Ruiz-Set-2

the legendary jim ruiz: I remember I ate my first tempeh reuben sandwich at the black cat in washington, d.c., in the ’90s. unforgettable.

john the magnetic fields: vega, copenhagen. helsinki hudson is a close second.

hannah grass widow: great american music hall.

corin tucker: I like the burgers at maxwell’s.

james dump/yo la tengo: maxwell’s, now and forever.

ed shelflife: cameo gallery in brooklyn that has the lovin’ cup cafe upstairs. good vegan options.

daniel handler: slow food festival, san francisco.

gail cf: I’ll have to say bunk bar.

pete paphides: festival food is the best food. the stall just beside the main stage at the green man that serves traditional welsh meals. faggots and home made chips with stellar gravy; beef stew with moist, heavy herby dumplings!

stephin the magnetic fields: helsinki hudson, in hudson, NY.

fran cannane: I remember most the butchersville pub in louisville, kentucky, in may 1991 as I was so amazed they would give us food for free. I cannot recall this ever happening to us in australia. no idea what the food was though.

kim baxter: rotown in rotterdam. it was so good that we went back for breakfast the next morning.

allen clapp: slims in san francisco has a wonderful veggie buffet!

matt lorelei: einstein a-go-go in jacksonville, florida. sadly it is no longer, but the spread they had for us was amazing. that’s the best we’ve ever been treated.

gordon the fan modine: the rooster’s wife in aberdeen, NC. they sit everyone down to a home-cooked meal from their garden in a beautiful old southern home.

stephen the real tuesday weld: blois festival france.

jennifer o’connor: it’s all a blur honestly.

ian musical chairs: maxwell’s, hoboken, NJ.

bridget st john: otterton mill, devon, UK.

jim ruiz photo courtesy of jim ruiz.

cf food poll: what is your signature dish?

frankie-rose

frankie rose: mexican food. pozole. enchiladas, which I made in glasgow, because there was a little mexican specialty shop that had all the ingredients.

cf: a lot of people in the UK don’t even know what mexican food can be like.

frankie rose: actually they don’t know what they’re eating. what they thought of as mexican food — I think they have tacos and burritos — but an enchilada was like a really foreign… they’d never even heard of it before.

gordon the fan modine: curried beets with beet green and almond “saag” and cucumber raita.

daniel handler: dandelion green pesto on gnocchi with aged gouda.

hannah grass widow: I’m told I make very tasty salads.

stephen the real tuesday weld: peanut butter, slightly burnt toast.

kim baxter: does taking the family out for conveyor belt sushi count? If not, I make a pretty good guacamole.

darren hanlon: wasabi mashed yams.

corin tucker: my son loves my beef tacos. I like to cook for him.

james dump/yo la tengo: v getting food from taco bell and pretending I made it from scratch.

fran cannane: mushroom fajitas this week.

tae won yu: it changes with the seasons. in the summer, I do homemade pasta with pancetta, heirloom tomatoes and basil. I also like risotto with mussels. seafood stew with coconut milk, very easy to make. I rely on seafood stew, never fails, always good. simple, cheap. I love getting an aged ribeye from ottomanelli. a perfect steak seared and basted in butter, that’s amazing.

allen clapp: spinach and cheese omelets. I’ll make ’em for anybody. It’s really the only food I know how to prepare, thanks to my older sister who taught me this skill when I was in second grade.

joe pines / foxgloves: baked salmon with lemon, leek, risotto, rocket salad + pinot grigio. or we could just go to the chinese, it’s only 5 minutes down the road.

matt lorelei: pasta with chard.

jennifer o’connor: vegan cajun cornbread casserole.

pete paphides: apparently it’s my wraps. the sweet potato falafel, tzatziki, red onion, tomato, mango chutney and coriander goes down well – although recently, I’ve been making this: peppered mackerel, tahini, tomato, red onion and toasted pumpkin seeds. also, roast red peppers stuffed with pearl barley, figs, goats cheese, caramelised onions, cumin, chilli and cinnamon. whilst I’m blowing my own trumpet, I prefer my tomato and basil pasta sauce to any other one I’ve eaten elsewhere. liquidised caramelised onions – that’s the key. my kids (and bob stanley) like my wholemeal pizzas.

janice cf: pizza.

stephin the magnetic fields: vegan bento box. I assemble a beautiful lunch.

tim dagger: toast.

gail cf: asian noodle salads. blueberry peach crumble. hummus.

rachel blumberg: I make a really mean eggplant parmesan. did it again the other night. the secret is the sauce. it’s all about ratios and timing and cooking it slow and low! I also love making soup and curries.

bridget st john: roasted vegetables with quinoa.

frankie rose photo by lauren bilanko.