susan anway: I’m presently listening to the wayward bus/distant plastic trees cd for the 1000th time – give or take a hundred. it’s the first magnetic fields collection that I fell in love with, and the record I’ve shared the most with close friends and passersby.
(back in the day, I think I bought a handful and gave them away in an effort to impress its brilliance upon everyone I could.) susan anway’s voice was a huge reason why.
like many fans, my introduction to the band probably came via the “100,000 fireflies” single. not long before – or after – I saw the ramshackle orchestra that was the magnetic fields live band at the time, with stephin singing. I remember really enjoying them, well enough to buy the cd when it became available and was completely blown away by the songs, the instrumentation, but most of all – feeling deeply moved by susan’s voice. she had the perfect mix of sweetness and world-weariness – so well-suited to the diversity of songs. it would be impossible for me to pick a favorite vocal performance from this record – all of it: the mournful appalachian ballads (“tar heel boy”), the synthetic disco pop (“tokyo a’ go-go”)…resonates equally. there’s magic in the songwriting and recording for sure – but for someone i’ve never met, the impression she left on me is deep and long-lasting.
michael nesmith was the singer of my favorite monkees songs (“don’t call on me” & “what am i doing hangin’ round”) – but I never heard those songs when I was young. the song of his I knew and loved best for years and years was his 1970 single “joanne.” I think mainly because I’ve always loved melancholic & melodramatic songs and singers – that song affected young me as much as anything by roy orbison. I don’t remember exactly how i got there – but at some point I discovered his 1972 album, archly titled and the hits just keep on coming. life is full of little sonic discoveries that leave you wondering how you had not heard a thing before now? from the haunting opening chords of “tomorrow & me” to the stomping closer “roll with the flow” – it’s a packed record in every way except for the instrumentation, featuring just michael and pedal steel player red rhodes. a record full of deep observations and seemingly simple songs that in a fairer world, would be given equal reverence to gene clark, or gram parsons’ best work.