chickfactor 17: sneak preview poll question!

how has music changed in the past 20 years?

allen clapp: seems like there’s more tolerance for melody now than there was 20 years ago. everything back then was so aggressive and serious! ugh. I think the world has loosened up a lot since the early 90s. thank goodness.

dawn cf: lots.

stephin the magnetic fields: the enormous changes in every genre between 1972 and 1992 are obvious. changes since ’92 are subtle (country, dance music, children’s music) to nonexistent (cabaret, rap, metal, musical theater, rock, gospel, jazz, soundtracks). In chickfactor’s core genre of cheaply made strummy rock, there hasn’t even been a new guitar effect.

gordon the fan modine: hmmm. has it?

stephen the real tuesday weld: there seems like there is an awful lot of it.

corin tucker: obviously the format has gone digital and people find new music in a different way now. there also seems to be many many more bands than there were in 1992. unfortunately there are still very few great bands.

james dump/yo la tengo: haven’t really been paying attention.

ed shelflife: more bands and less labels.

jeffrey honeybunch: everything is accessible which has its good points (josef k video’s on youtube) and bad (I can’t tell if the josef k–influenced band is new, or something old I missed out on).

michael white: it barely has; only its delivery systems have been revolutionized.

gaylord cf/wfmu: music has changed more between 1960 and 1970 than in the 42 years that follow.

shaun brilldream: we have a healthy post-oasis indie scene now. more record labels too.

andrew eggs/talk it: the 1992 music economy is unrecognizable today because it depended on narrow channels to distribute music, channels that are by and large irrelevant now.

bridget st john: It’s a more level playing field – with the will and a little wherewithal any one who chooses can make music and has a good chance to be heard.

clarissa cf: there is much less new music that is my idea of a good time, and much more that is 20-years-younger people’s idea of a good time. I’m fine with that.

fran cannane: a lot of use of the vocoder. more silly talent shows encouraging bad music. a lot more cover versions being hits perhaps?

gene booth: popular music is incredibly subtle and diverse now — thanks nirvana you really did change everything.

jennifer o’connor: the idea of what passes for a song in many cases these days is a joke.

pete paphides: it’s more freely available and, as with anything which is more freely available, its monetary value has gone down.

gail cf: the underground disappeared in the 1990s when the internet happened and maybe even before.

daniel handler: has it? I keep hearing music that I think is new and turns out to be old, or vice versa.

ian musical chairs: the mainstream has embraced an indie sound; indie bands have embraced commercials and other licensing opportunities (now the only reliable sources of income for bands). most commercial rock music is otherwise basically the same as in 1992 (grunge) and aside from the occasional interesting production job, top-40/dance music seems pretty the same too except for the overuse of auto-tune which will sound silly in a few years.

tim dagger: mp3/downloads.

joe pines / foxgloves: the sundays stopped. belle & sebastian started. I got better at writing songs, and was lucky enough to record some of them with a few tremendous people. it arguably became easier to filter out what you didn’t like. which may, come to think of it, mean that contemporary culture is even worse than I think.

 

name this cocktail!

chickfactor-cocktail-1

This is a new cocktail designed by glo-worm percussionist (and member of Whorl / Big Jesus Trash Can / Saturday People / Castaway Stones / etc) Dan Searing, master of party ceremonies for many cf-attended events over the past two decades — read his recipe and then see the name ideas below. He is the author of the Punch Bowl…

This one is bittersweet, international and sparkling, just like Chickfactor!

Drink name TK

1 oz gin*
0.5 oz maraschino liqueur
0.25 oz fresh lemon juice
3 oz Champagne**

*I think an American craft gin like Breuckelen from New York or Small’s from Oregon work particularly well.
**Or use any dry traditional method sparkling wine such as Cava from Spain.

Stir first three ingredients with ice. Strain into a champagne flute or coupe. Top with sparkling wine and garnish with a lemon twist.

To serve as a punch chill all ingredients  well. In a punch bowl combine one 750 ml bottle of gin, half a bottle of maraschino liqueur and 6 oz plus 2 tsp lemon juice and the same amount of cold water. Gently add 3 bottles of sparkling wine. Float lemon slices in the bowl and add a large chunk of ice. Serve in punch cups, timblers or coupes. To make ice chunk freeze water in a bundt or loaf pan overnight. Release by dipping or rinsing with warm water. Alternatively, fill a well rinsed paper quart container with water and freeze. Peel away container to use.

Please vote here

  1. Call it a chickfactor (suggested by Stephin Merritt)
  2. The Pam Berry? The Bubblecore? The Aviatrix? The Cat Eye Glasses? (all suggested by Daniel Handler)

(later) Yes, I love an Aviation so I thought it applied. You could call it the Earhart because if you have too much you disappear.

  1. The Gaylord Fields?  There’s no name more delicious than that. (suggested by James McNew)
  2. I agree with whoever suggested on Facebook that it should be called the Jukebox Jury. (suggested by Pam Berry)
  3. How about calling it the Enchanté? Or the Bien Sur? The Peut-etre or the Tal vez? Or the Delovely. It sounds a lot like an Aviation with Champagne added to it in place of some gin, and lacking the creme de violette, which makes it a lovely purple tint. http://cocktails.about.com/od/ginrecipes/r/aviation_cktl.htm In other words, it sounds delicious. (suggested by Sheri Hood, who ran 4AD’s NYC office in the early days and managed Stereolab)
  4. La Choupette. It’s high time someone named a cocktail after Karl Lagerfeld’s cat. (suggested by Edna CF, please don’t vote for this one, I hate Karl)
  5. The Jukebox Jury (suggested by Mark Butler)
  6. The Indie Cool Queen (suggested by David Moore)
  7. The GailBerry (suggested by Joe The Pines) Please don’t vote for this.
  8. Write in the drink name here _________________________

Go to our Effbk page and message us your vote. Winner receives a smile and a wink.

cf 2012: for the love of pop! ticket links for los angeles, san francisco and london

chickfactor shows happening this autumn!

easy ticket links here.

september 20 at bootleg theater in los angeles! 8:30pm

starring stevie jackson (from belle & sebastian) + LILYS + the legendary jim ruiz group + kim baxter (from all girl summer fun band)

september 22 at rickshaw stop in san francisco! 7:30pm

starring THE SOFTIES +  stevie jackson (from belle & sebastian) + LILYS + allen clapp + kim baxter (from all girl summer fun band)

november 16 in london: films & pop quiz (TBC/TBA)

november 17 at bush hall in london! early start 7pm

starring the pastels + the aislers set + amor de días + would-be-goods + mc gaylord fields + chickfactor djs

november 18 chickfactor + hangover lounge all dayer at the lexington in london! 2pm to 11pm

starring pipas + tender trap + bridget st john + the real tuesday weld + the legendary jim ruiz group + harvey williams and josh gennet + the starfolk + gaylord fields fake beatles + chickfactor & hangover lounge DJs

(please note there are no other official ticket sellers apart from wegottickets.com for the london shows)

 

chickfactor 2012: for the love of pop! london announced…

chickfactor fanzine continues its all-year-long 20th-anniversary celebration with a series of concerts around the U.S. and UK.  cf heads to Los Angeles on Sept 20 for an amazing show, followed by San Francisco on Sept 22 for another! And then there is our beloved London Nov 16, 17, 18. Here is the lineup below — get your pop plane ticket now and come on over!

November 16
Film screening and pop quiz (venue TBC)

November 17 at Bush Hall
The Pastels! The Aislers Set! Amor De Dias! Would-Be-Goods!

(Doors 6:30, super-early showtime 7pm) Tickets are here!

The Pastels
The Pastels and chickfactor go way back. the inventive Glasgow pop group has a new record coming out early 2013 on Domino, recorded Glasgow, mixed Chicago with John McEntire.  It will be their first record since the 2009 collaboration with Tenniscoats, Two Sunsets.  The group is currently Stephen McRobbie, Katrina Mitchell, Gerard Love, Tom Crossley, Alison Mitchell, John Hogarty.

The Aislers Set
The wonderful Bay Area pop group led by Linton reformed for chickfactor 2012: for the love of pop! brooklyn earlier this year and blew the roof off the place. These days we have to fly them in from the East Coast, West Coast, Sweden and Germany — shows with them all are rare indeed so do not miss!

Amor De Dias
We at chickfactor cannot get enough of The Clientele and Pipas, so when members of those bands — Alasdair MacLean and Lupe Nuñez-Fernández — formed Amor De Dias (means Love of Days), we were stoked. They are finishing up their second album this summer, and we can’t wait to see their delicate set tonight.

Would-Be-Goods
Fronted by Jessica Griffin and featuring seasoned pop stars Peter Momtchiloff, Debbie Green and Andy Warren, the elegant London group has been around since Jessica released her first record on él Records in 1987. Like most of the artists here, they have played many a chickfactor show including the 10-year anniversary parties in NY, DC and London.

& DJ and MC Gaylord Fields (WMFU)

November 18 at the Lexington
chickfactor / Hangover Lounge All Dayer (2–10:30pm)
Ticket link here!
Tender Trap!
Pipas!
The Real Tuesday Weld!
Bridget St John!
The Legendary Jim Ruiz Group!
The Starfolk!
MC & DJ Gaylord Fields!

 

Tender Trap
Fantastic London pop group fronted by former Talulah Gosh / Heavenly singer Amelia Fletcher, we are very excited to be seeing them! Their latest release, Ten Songs About Girls, is out now on Fortuna Pop! records.

Pipas
The super-charming Brooklyn-London electropop duo of Mark Powell and Lupe Nuñez-Fernández have performed rarely in recent years, but did reunite in April 2012 for chickfactor’s Brooklyn show. Do not miss this show!

Bridget St John
The stellar British singer-songwriter who John Peel started Dandelion Records for back in the day moved to New York years ago and occasionally returns to the UK, often for chickfactor parties. She performed at our chickfactor 2012: brooklyn show along with our 2004 party at Bush Hall called “Mon Gala Papillons,” which inspired her to write a song.

The Real Tuesday Weld
The ace TRTW is led by the talented Mr Stephen Coates, once inspired by the actress Tuesday Weld and the 1930s crooner Al Bowlly to make crackly vintage swoon-worthy pop tunes. His group’s 2011 release, Songs for the Last Werewolf, was a soundtrack to a book, and they have been known to put music to film as well.

Legendary Jim Ruiz Group
A rare show from the sparkly Minneapolis jazz-pop combo led by the Legendary Jim, who recently completed the long-awaited third LP with help from California pop dude Allen Clapp, titled Ambassador Jim – 1965. Also fresh from the stage of chickfactor’s recent anniversary parties in Brooklyn and Los Angeles, the LJRG lineup tonight will be Jim, Emily on drums, and Allison and Brian from The Starfolk. “I’m leaning strongly toward taking a 1964 le beat group approach,” says the Legendary one himself.

Harvey Williams and Josh Gennet
Fluffy-haired Harvey is well known to the pop kids as a former member of Field Mice and Another Sunny Day and an excellent if not prolific solo artist of a gentle nature; tonight he will play with former Holiday frontman Josh Gennet for what will certainly be some serious pop stuff.

The Starfolk
Fun Minneapolis orch-pop trio The Starfolk is fronted by Brian Tighe (The Hang Ups, The Owls) vocals and guitar along with Allison LaBonne (The Owls, Typsy Panthre, Legendary Jim Ruiz Group) on bass, Stephen Ittner (The Hang Ups, The Owls) on drums and Jacqueline Ultan (Jelloslave, Saltee, Anti Gravity) on cello, though tonight Allison and Brian will be backed by Jim and Emily. The Starfolk is currently finishing up their debut full length, the mixing will be completed in September.

Gaylord Fields Fake Beatles Talk
The inimitable Gaylord Fields is a DJ on the prestigious New Jersey radio station WFMU, along with a chickfactor contributor and MC for these two nights! He will do a special presentation on Fake Beatles starting at 3pm.

chickfactor / Hangover Lounge DJs!

Thanks to the Hangover Lounge, WIAIWYA, Half Pint Press, Tae Won Yu, LD Beghtol, Lucy Hurst, Fortuna Pop! and Slumberland for helping us!

chickfactor poll: what is your dream gig?

what is your dream gig?

from the archive, chickfactor 16 (2005)…

greg the saturday people: I’d like to be an executive assistant.

jonathan lambchop: any gig where I’m onstage in my underwear.

lupe pipas: gal costa/stereolab/sun ra/anonymous french ye-ye session musicians/the aislers set + the lucksmiths + the frenchmen + free loan investments + vashti of course.

claudia the magnetic fields: playing in barcelona, outdoors in a medieval church courtyard at the twilight with gargoyles and swallows swooping overhead. and it really happened!

clarissa cf: I dreamt a few months ago that I just happened to go see the b.p.m. lineup of unrest—they weren’t making a big deal about being “reunited,” they just happened to be playing. it was happy. I woke up with longing in my heart. this marks me as a relic of my era, I realize.

mike alway: to begin with, it would have to be at lunchtime.

bliss blood: playing for 100 people who are listening and making $100,000.

slim kill rock stars: a captive audience.

stephen the real tuesday weld: the bar of les trois garcons with al bowlly guesting.

josh gennet: anything that (1) pays and (2) number of people you don’t know in crowd exceeds the number you do know. if they clap it’s a plus.

rebecca cf: seeing the pixies reunion tour in 2004 was, pretty much, my dream gig.

candice p: I would have liked to see the clash, dusty springfield, and al green. that would be a pretty good show.

david silver jews: csn and m: crosby stills nash and me.

joe the pines: roger mcguinn, johnny marr and neil clark: duelling 12-strings

amelia tender trap: magnetic fields supported by beat happening at la guinguette inparis. I would have queued overnight in the snow for that one.

gail cf:: I own my own nightclub which is a combination of les trois garcons and the old town bar in new york. we have concerts, parties, exhibitions, screenings, readings, and salons. I have a partner with cash so there is endless funding. we use the stage during the day for filming silly chat shows. we have a vegan cafe fully stocked with superstrong coffees, homemade ginger beer, and veuve clicquot. it’s open 24 hours with a full service bar and kitchen. we have our own shuttlebus service! I hardly have to ask anyone to play because everyone wants to play here and people call me!

tim dagger: love (circa forever changes), beach boys (circa pet sounds), nick drake (circa anything), belle and sebastian, and the modern lovers end it with “roadrunner”!!!

lisa cf: the national book award.

john phosphene: pink floyd at the ufo club, late 1966/early ’67, with syd upfront and people alternately dancing or lying on the floor.

sam brumbaugh: the left banke did a show at the london school of economics and the opening bands were bill fay and fresh maggots. any 70s eater show or anne briggs impromptu pub performance.

ld flare: any one where people can sit down comfortably. ideally in a theatre with a proscenium.

peter straub: um, the one I have right now.

alasdair the clientele: I thought it said “pig” for a minute.

louis philippe: I was there—brian wilson playing pet sounds at the festival hall in london.

aliccia slumber party: I had a dream that I was a country music singer. playing a show, on a large dark stage alone with a brilliant, beautiful, white acoustic guitar with inlaid abalone. and a head stock I didn’t recognize. it was old and haunted. I wish that would happen.

john true love always: I’d love to back up george michael in his timberlake/ flaming lips-style image remake. I am holding my breath.

james dump / yo la tengo: trouble funk, santa claus, an octopus, my 3rd grade teacher, and sherilyn fenn, but I’m stranded somewhere thousands of miles away in my underwear.

dawn cf: like a gig that happens in my dreams? I had a dream that chelsea clinton was singing antietam’s “walk away”. I have a feeling this isn’t what you are asking. gig of my dreams:

stephin the magnetic fields: walk into next room, find tuned (and self-tuning) ukulele ready to go in specially designed uke stand, discover my hearing damage is cured, play all-new set of beautiful songs I didn’t know I’d written, fronting a band such as tito puente might have led. the show is filmed, so I never have to play live again, and I don’t.

frances cannanes: I think we had it in new york one time. music went well, I was drunk enough to think I was being funny and there were lots of people there. but also in byron bay when there was no one there and also in northampton in a cellar and also in tokyo last visit on first night…I guess they just keep happening.

stephen cannanes: so many really, easy lug!, good sound, good engineer, good lineup, lots of mates, guinness rider, upstairs accommodation with a party room, recently it’s been doing three set evenings where it’s all pretty relaxed and people dance a lot, you always seem to have a good time when the crowd are getting down!

daniel handler: writing liner notes for a saint etienne album. if I say this enough perhaps it will come true.

david grubbs: it would involve people who’ve never heard me play before. old people in the first several rows, smiling. outdoors at night. cobblestones.

alistair tangents: it would be a two-night show (not a festival) with the velvets, byrds, felt and the clientele on the first night, and then fire engines, hellfire sermons, mccarthy, the wolfhounds, the playwrights and the pipettes on the second. the show would be at the silver factory, andy would be projecting his films, edie sedgewick would be dancing and billy name would be taking photos for posterity.

the legendary jim ruiz: the would-be-goods, max eider and I on a package tour of the netherlands and belgium, by bike of course.

kristian airliner: for watching? the beatles at any venue in ’63 or ’64. for the way they looked more than anything else.

jeff aden: at this point, I’d settle for a nice, high-paying show where we don’t actually have to play music. oh yeah, with chili-dogs on the rider.

 

news!!

cf_17_cover1

we will publish a new paper issue this fall, our first printed one in a decade. now would be the time to send us some records (vinyl 7″s especially) to review. email me for ad rates.

my Portland, OR, photo show chickfactor nw is on display at Reading Frenzy thru July 1, please go! There is a small # of photo books for sale there, and soon I will be posting where to order more.

London shows will be Nov 17 & 18. Still sorting out the line-ups!

we made a book.

belle-epoque-cover

I am very excited about this — my first monograph! Designed by graphic design master LD Beghtol, with liner notes by renowned critic / NYU professor / indie nerd Sukhdev Sandhu, it is shaped like a 7″ single. There will be a few copies for sale at my Reading Frenzy photo opening on June 7, and then we will do a larger press run if funding permits. cover girl: Lisa Levy. Inside are black-and-white photographs from 1985 to 2010 of musicians, writers, artists, actors, etc. Many that you are familiar with!

CF2012 East Coast Tour Diary…

bt-set-list

(This set list was appropriated from Robin Banks, the lucky owner!)

So we did it. We had six nights of rock (or pop) in seven nights. two in D.C., one at Maxwell’s, and three at the Bell House in Brooklyn, NY. it was total euphoria and ecstasy and emotional and all just completely great in every way. Mike from Black Tambourine tore off a finger in D.C., a few other BTs had stomach flu, many had terrible allergies, Pam had an ankle injury, and nearly everyone who attended all six shows lost their voices and had “retail feet” at some point! By Wednesday, April 11, I was nearly laryngitic. When I flew back home on Friday, April 13, I was so cloggy and allergic I lost hearing in one ear and I still have not regained it all! If it weren’t for all the dopamine we were hopped up on, we would not have survived.

Friday, April 6: Tonight was Stevie Jackson, Frankie Rose, Honey Bunch, Dot Dash, and special guest The Pines (featuring Black Tambourine singer / CF cofounder Pam Berry & the Foxgloves’ Joe Brooker). Watching the Pines with Pam’s daughters Ava and Lulu was a highlight in both D.C. and New York. They already have a hunch that they totally lucked out in the mom department, and now they got to see mom (er, mum) up there singing like an angel along with Joe.  The Pines did a quickie special guest set in D.C. but it was just delightful. Dot Dash, featuring Terry Banks of Tree Fort Angst and glo-worm, was super great and sold a million T-shirts. Stevie ended up joining forces with Honey Bunch on their set and vice versa (he said it was like playing with the Velvets don’tcha know), and how great was that? Worlds collide. I don’t think I’d heard the chickfactor song live since 1998 at the Supper Club in NY! The only issue with the venue was that it never quite seemed loud enough, except during soundcheck. Frankie Rose did all the hits and closed out the night with her cool pop combo. Dan Searing (of glo-worm, Big Jesus Trash Can, Saturday People) was the charmingly loquacious MC and booze coordinator for both nights. I only wish I’d been in town earlier to attend a party at the Pines, where parties are legendary. The age group tonight ranged from age 5 to 78 btw. chickfactor attracts a diverse clientele. (food diary: lunch veggie mezza at Lebanese Taverna Market, dinner a big salad)

Saturday, April 7: Tonight was Black Tambourine, Lilys, Fan Modine, Lorelei and special guest LD Beghtol (backed by some guys from Black Tambourine / Lorelei). LD is the bearish gent out of Flare, who also was a guest singer on 69 Love Songs and chickfactor’s art director in the later years (when the photos started looking amazing). I had asked him to do some covers of songs by Crash, an amazing late-80s, early-90s pop group featuring singer Mark Dumais (who died 20 years ago) and guitarist Kurt Ralske (of Ultra Vivid Scene). I learned about Crash from Pam and Mike and the Black Tambourine/Slumberland crew 21 years ago and LD has a great voice for singing those songs. He did a few Crash tunes, a Flare song and a Jesus and Mary Chain tune, and oh my god “Everything Under the Sun” was one of the most compelling live music moments in years. Really was so great and so happy to see LD backed with a bunch of Crash fans. D.C.’s Lorelei made everyone swoon by covering the Pale Saints and being generally foxy, and while they were plenty loud during soundcheck in an empty room, I would have liked to hear them even louder (this was one of our main concerns with the venue all weekend). The Fan Modine came up from NC to play some hits and sounded super-rad, though I prefer hearing them when things quiet down more. Lilys mainstay Kurt Heasley played solo, which sounded pretty ace, even if I have to admit it would have been great to have him backed up with a band on a few of those classic tunes from his rich, rich back pages (why are these not all reissued? what is wrong with the world?). The first moments of the Black Tambourine show were just dead exciting. It just moved me to near-tears seeing them up there! I was one of the lucky few back in the day (1991 ish) to see them live, but tonight! you could hear the vocals! the venue was, well, basically an art gallery and wasn’t always ideal (too bright, not always loud enough) but I was more than chuffed to finally be seeing these guys play live again (set list above, natch). “Aggi” was a highlight for sure! (food diary: again! Lebanese Taverna with the family; dinner: salad and a giant iced coffee)

Sunday, April 8: Day off from rocking. I had not enough sleep, took Amtrak north and guess who randomly sat next to me? Stephen Lorelei’s mom! Crazy. She was telling other people on the train about the CF20 show! Along with my mom, she made it to the event, which was great. I got off the train in Newark, Gaylord Fields picked me up, we stopped and chowed on a few giant vegan sandwiches, and then we did his radio show together, with me getting to play all the records! What a dream come true! He seemed to enjoy what I played, which isn’t surprising as we have similar (um, perfect!) taste in music. (food diary: we went to Angelica Kitchen! Where I would have many meals this week and where Lupe Pipas met us and hung out too)

Monday, April 9: Tonight was Black Tambourine, Fan Modine, Rose Melberg and special guest Musical Chairs. Downtime became a rare and valuable commodity this week, we realized after not having nearly enough. Today we were out at Maxwell’s in Hoboken by 5pm or something, and the classic venue lived up to its reputation as being one of the finest venues in the nation in every way (apart from the food maybe). Once I had some superpowerfulmagic spanish ibuprofen powder (thanks to Lupe), I overcame my giant allergy migraine and had a spectacular night. We all sat down and had dinner together, which was really fun. We hadn’t seen Ian from Musical Chairs in ages, and he played a short set of jangly kinda pop! Rose melted my heart by doing Kirsty MacColl’s classic “They Don’t Know” which many people know from Tracey Ullman, along with doing a handful of Tiger Trap songs! Fan Modine and Black Tambourine fared better in this environment — this is the kind of venue made for this music! I was woo-ing like a crazy Beatles fangirl and just completely losing my voice, it was so fun to watch them with Lupe and Gaylord and all our pals. Really super fun. MC Gaylord Fields was just as funny and entertaining as he is on the radio! (food diary: lunch with Loops at Candle Cafe on the Upper East Side; dinner at Maxwell’s, I think I had a veggie burger, it was not terrifically memorable)

Tuesday, April 10: Tonight was Black Tambourine, Small Factory, Versus, The Lois Plus, Dump and Mark Robinson (last two were special guests). What a lineup, holy crap. I think I probably would have put SF & BT on different nights originally but Dave SF specifically requested this lineup, and I really wanted them to play so… Dump did a proper set of tunes including their stunning version of the Pacific Ocean’s “Last Minute,” Prince’s “Pop Life” and a few of their own classics like “Superpowerless” (or what Dawn calls “Pants on the floor” or something). Dump said if it weren’t for chickfactor they probably wouldn’t play live, which is crazy! Mark Robinson was going to be there anyway and Unrest couldn’t do a proper set but wowed the kids (and the oldies) with just two perfect tracks: “Isabel” and “Yes, She Is My Skinhead Girl” so so great, love that guy! Miss Maffeo played with The Would-Be-Goods’ Peter Momtchiloff and Bratmobile’s Molly Neuman on drums, and it was just so perfect. “Rougher” was a highlight, as was “Strumpet.” Lois, as always, delighted the audience with badinage and persliflage. One would never suspect this lady has stagefright issues! Versus gave it to you. Richard and Fontaine looked foxy in their suits and Margaret is near the bursting point; Richard joked that they were my third choice (which is true: Containe & the Pacific Ocean were asked first, and it’s pretty hard to conceal that information from Versus, it’s all the same people!) They gave us exactly what we wanted: a trip back to the early 90s! Oh god, my heart was already overflowing when Small Factory hit the stage, delivering nothing but their ultracharming pop energy, including “Suggestions,” one of the top pop songs ever. Black Tambourine played their third & final reunion show and it was mind-blowing, heart-warming, just amazing, so great. This venue was perfect for everything, especially being able to see and hear from anywhere despite your height. Just perfect! MC Gaylord Fields had nothing but witty, erudite things to say as always, I wish we’d had him properly miked up so we could go back and hear it all.(food diary: lunch at Angelica Kitchen, special no. 2; dinner: vegan panini from S’nice and I didn’t realize how walking over there would seriously cut into my duties as promoter; note to self: next time: hire more interns!)

Wednesday, April 11: Tonight was The Aislers Set, Pipas, Bridget St John, The Legendary Jim Ruiz Group, and special guests LD Beghtol backed by some Lorelei/Black T types and John Lindaman from True Love Always. John TLA just came out and did “Mediterranean” the excellent pop track his group contributed to the chickfactor mixtape comp from 2002. LD & the gang did their Crash and J&MChain covers and Flare song along with a Ben Watt-sung EBTG tune, the first of many EBTG references this evening! The Legendary Jim Ruiz Group, or the Jim Ruiz Set as they may now be known, just blew us away with their midwestern pop genius. Highlights included “Goodbye to All That” and “Valentine”, such a great set! Bridget performed beautifully and made a lot of people well up. We loved hearing “Mon Gala Papillons,” something she was inspired to write after hearing the name of our 2004 London festival of that name, which was inspired by a Jacques Lartigue photo. The Brooklyn/London duo Pipas haven’t played anywhere in years, and made the crowd so happy. They did so many hits. I really love those guys! The Aislers Set played a better set than I have ever seen them play, and I found myself wondering: Why, as a society, we ever allowed this fan-effing-tastic pop group to disband? What the hell? the Dubya era killed so many good things, and this was one of them. They did nothing but hits. Apparently they have nothing but  hits! And they were just on fire tonight, ask anyone. The video doesn’t really even capture the greatness. But wow, wow. And Peter Momtchiloff commented how this music being played this week doesn’t feel like it’s just about the past, but also about the present and the future. So true. Professor / film critic / indie nerd Sukhdev Sandhu was the MC tonight and he was irresistible as always albeit a bit quiet in his subtle Britishness. (food diary: lunch at Angelica Kitchen; dinner at S’nice)

Thursday, April 12: Tonight was Stevie “Belle and Sebastian” Jackson, HoneyBunch, The Softies, the Pines, and three! special guests Franklin Bruno, Ladybug Transistor and Fan Modine. Someone noticed that all the special guests were, uh, boys! I did try for some ladies, I’ll have it be known that Mascott, Jennifer O’Connor, The Cover Girls, Laura Cantrell, the Naysayer were among those on the list but for various reasons they could not! The manguests were super anyway — Franklin did after all play at our very first CF party with live music in 1993. Ladybug did a few fine Nordic-tinged Brooklyn tunes, and Fan Modine did a couple ace covers. Again, watching the Pines with Ava, Lulu and Bix Madell may have been one of the festival highlights for me. The paparazzi could not get enough! It felt really special to see the Pines doing a proper set in a proper venue in New York — about time! The Softies hadn’t played in 12 years and that was hard to believe because they just sound so fresh! HoneyBunch and Stevie did their collaborative thing again tonight and it was bliss. Stevie ended up with a real interactive fun set drawing the audience in and  making them love him even more. We were at a chickfactor show and we were all singing our hearts out to Stevie’s cover of “Rocket Man” by Elton John and Bernie Taupin. MC Phoebe Bluesky Summersquash was on hand to keep the audience entertained, man, she is a good one. In case you didn’t know who HoneyBunch wrote “Hey Bluesky” about, now you do. The whole week just filled me with so much love, luck, dopamine, euphoria, pop love, friend love, I know I sound dorky but who cares. All that was missing was more time so we could all have spent more quality time together. Pam and I didn’t even get to go shopping like the olden days. In fact the New York economy would have fared better had she been able to shop instead of just rehearsing! (food diary: lunch at Angelica; hummus sandwich with the kids from S’nice)

I got thanked an awful lot and CF did and I did work hard but it took a village to pull this thing off. Next stop: Portland, Oregon! May 30 at Bunk Bar featuring The Softies, Joe Pernice, Lois, and Selector Dub Narcotic. Later this year: San Francisco, Los Angeles and London, and maybe Chicago! (Sorry, kids, Black Tambourine not likely to play those dates)

• Here is a piece about chickfactor in the Washington City Paper, where Pam and I met. WCP also had some post-show commentary and photos.

• And an interview with Black Tambourine in the Washington Post, Mark Jenkins’ review of the BT night, and another article here

• And an interview with Pam on Refinery 29 & an interview with Gail in Capital New York and one with NBC’s Nonstop Sound

• This is a photographic document of our D.C. shows in Paste

• The DCist writes up the Black Tambourine Artisphere night and they interviewed Dot Dash as well

Brooklyn Vegan reviewed some bands and missed others, nice photos here (Bell House April 10, Bell House April 11 and Bell House April 12)

• Maura’s nice writeup in the Voice and her post-show technology commentary related to my attempt at getting people to put their cell phones away during the shows

• Vinyl District did some nice coverage here

• Brightest Young Things’ kooky Stevie Jackson interview and some nice post-show coverage

• Here are some items from Killer FemmeThe L Magazine, Exclaim, Pitchfork, Reverb City, NPR Intern Edition, TBD, TimeOut NY, New York Times, Yale Daily News, Express Night Out, South County Music, Eardrum NYC and Orange Juice in Bishops Garden

• Photographs from Verbicide, Brad Searles, Shantel Mitchell, Erica Bruce, Andrew Bulhak, Kyle Gustafson, Frances Chung, Sean, and Caren Parmalee.

• Videos from Bleary Eyed Brooklyn, Rawkblog, Vimeo and Youtube here.

CF*2012: for the love of pop!

tim-coasters

chickfactor beermats: designed, typeset and printed by hand on a letterpress by Tim Hopkins at the Half Pint Press

The magic starts in just a few weeks and we can hardly wait. Just look at these lineups! And the audience will be pretty special too.

Fri April 6 at Artisphere, Arlington, VA: The Pines + Dot Dash + Honey Bunch + Stevie Jackson + Frankie Rose! Tickets

Sat April 7 at Artisphere, Arlington, VA: Black Tambourine + Lilys + Fan Modine + Lorelei + Special Guest Tickets

Sun April 8: CF editor will be on WFMU with the awesome Gaylord Fields from 5-7pm EST, ticket giveaways may occur!

Mon April 9 at Maxwells, Hoboken, NJ: Black Tambourine + Fan Modine + Rose Melberg + Special Guest Tickets here, also at Other Music & Tunes Hoboken

Tues April 10 at Bell House, Brooklyn, NY: Black Tambourine + Small Factory + Versus + The Lois Plus + Some special guests (Sold out but keep an eye here for people selling)

Wed April 11 at Bell House, Brooklyn, NY: The Aislers Set + Pipas + The Legendary Jim Ruiz Group + Bridget St John + Special guests (Sold out online but Other Music had 17 left as of yesterday)

Thurs April 12 at Bell House, Brooklyn, NY: Stevie Jackson (Belle & Sebastian) + Honey Bunch+ The Softies + The Pines + Special guests Tickets here & Other Music

Wed May 30 at Bunk Bar, Portland, OR: Joe Pernice + The Softies + Lois + Selector Dub Narcotic Tickets here

We are planning to have a party like it’s 1992: we challenge you to put your cell phones away for the entire night!