a new chickfactor interview with lois!



basically if olympia, washington, singer-songwriter lois maffeo isn’t there, then it’s not really a chickfactor party. even though we interviewed miss lois for chickfactor #5 back in 1994, we are interviewing her again! she performs at the bell house in brooklyn on thursday, june 13 with the pastels, dump and jim ruiz set, mc sukhdev sandhu and special guests.

interview by gilmore tamny (of the yips & wiglet fame)

chickfactor: tell us a bit about the last your experience playing the last chickfactor show yonder brooklyn? highlights? unexpected pleasures? things you’re looking forward to this time?

lois: there’s a reason that gail always calls her chickfactor shows parties. there is a togetherness on these nights that doesn’t exist on most (any?) festival bills. It’s like everyone there, bands and audience, has this connection through these shared loves. It’s really magical.

any dish on chickfactor or gail or pam you wanna share? gaudy nights? bank jobs pulled? musical japes not yet known to adoring chickfactor public?

gail o’hara and a magnum of veuve cliquot is a dangerous combination. the last time that lois and dump shared a bill, gail, james and I sat on some steps at NYU (or was it columbia?—editor) and drank this massive bottle of champagne in scavenged paper cups. needless to say, I don’t remember much about that show and fear my set may have been a disaster.

how do you view the songwriting process these days?

sadness and torment are such invigorating tools for songwriting. but handily enough, I have avoided them for a long time and as such, my output has languished. but I’m not complaining.

what are the upsides/downside to playing out less? what do you miss or how do you feel freed up?

I miss being lost. so often we would be on the outskirts of a city and running late and having to ask someone on the roadside how to get to the club. inevitably the answer was “just turn there by the kroger. you can’t miss it.” and lo, we missed it every time.

how has birdie’s variety changed/enhanced your relationship to inatmate objects? history/the past?

I’ll just note here that birdie’s variety is both the name of my fanzine and the once-a-year sale of recycled cookware and useful things that I hold. (this year it will be at the unknown in anacortes, washington, on july 20.) apart from helping people get their hands on non-toxic and durable cookware, the appeal of the birdie’s sale comes in writing the pricetags. that is where I get to detail my thoughts on each object. (see photos.)

Is there (a) holy grail or grails of objects you’d like to find?

I don’t really search for things. I like to just come across them. what I like about finding things in thrift stores is that a person donated the object so it could benefit someone else. and estate sales can be fascinating in the way they illustrate a life through the stuff that was acquired along the way. In short, there are other ways of establishing value beyond looking up the price of something on ebay.

do you feel like lovejoy with nose for authenticity?

Your question hits upon one of the few ye olde TV sleuths that I don’t follow!

any lois maffeo recipes for cobbler/pesto/drinky-winkies you can share?

just some advice: grow herbs and put them in everything.

any artists (bands/writers/painters/what have you) of late that are driving you wild?

I’ve been listening to troubadours like idiot glee and karl blau, studying the songs of leslie bricusse & anthony newley, rocking out to hot hooves and faithfully following jarvis cocker’s sunday service on BBC 6. and gail introduced me to connie converse and molly drake who both made these spare and perfect songs that get right to the heart of things.

gilmore tamny wrote a novel, my days with millicent, which is being serialized on-line, and has a tumblr of line drawings here.

photograph by tae won yu