cf #10 1997
salsa party ladies
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gilmore tamny
the leading lady of the yips
by gail
chickfactor: when did you first publish wiglet and why?
gilmore tamny: started it in november of '90 after I'd moved to cleveland.
I'd been writing stories in college and giving the whole
trying-to-get-published thing a whirl, which, ugh, was seeming pretty
miserable. my boyfriend showed me some zines -- they were a complete
revelation -- and I knew that's what I wanted to do.
cf: what sort of things were in wiglet?
gilmore: interviews, comics, a confessional or two, essays, short stories.
cf: what thing in wiglet were you most proud of?
gilmore: ah, I think it had a really specific feel to it.
cf: why did you stop wiglet?
gilmore: I'm glad you asked me that. I've felt bad I've never written back
to the people who've asked for issues of why I stopped putting it out. it
was a convergence of miseries, really. I was having problems which I didn't
feel comfortable writing about, it didn't fit into the wiglet idea, but
couldn't really talk about anything else, either. so I just sort of shut
down and played guitar all the time. also, the person who had been the
inspiration for wiglet had gone crazy a few years before and was going in
and out of jail and institutions, which was just depressing as hell and I
kinda needed to put an end to that era of my life. that's all kind of grim,
but I don't know, it worked out for the best, I think I was getting ready to
do something else anyway.
cf: what is so great about columbus [ohio]? do you find it funny that people
are moving there cause of the scene?
gilmore: there's a good chance at having a reasonable sort of life here -- it's
cheap, there's lots of interesting people, good stuff going on, good places
to hang out, no distracting panorama either (that last bit of snideness is
affectionate really -- it is awful flat though. actually I've found myself
wondering how people stay focused in stimulating landscapes -- mountains,
oceans, large urban decay, so on. columbus isn't ugly by an means but it's
mor e reassuring than inspiring). I hope more bands move here! it's
exciting, that new blood.
cf: describe your fondest memory of yoyo a gogo:
gilmore: the bloodthirsty butchers kicking my ass. kissing lois on the cheek
and telling her how great she was the night before. those blue pompom
flowers.
cf: everyone hates to be asked about their name, but tell us what
is a yip?
gilmore: "the yips" is a golf term, meaning, as I understand it anyway,
choking on the green with a self-destructive, uncontrollable spazz that
ruins your putt. I guess it can dog golfers for years.
cf: what is going on with the yips? are you being courted by many major
labels? when will the intercontinental tour commence?
gilmore: ha! well, the yips have a lot to share with this great nation, but
haven't figured out exactly how to do it yet. we have finished a second
record though -- the blue flannel bathrobe butterfly -- that we're excited about.
cf: who are some good writers and lyricists?
gilmore: writers: beverly cleary, denis johnson, robertson davies, e.f.
benson, raymond chandler, louise fitzhugh, p.g. wodehouse, virginia woolf,
dorothy parker, charlotte bronte, agnes rossi, mona simpson, paul auster,
the guy who wrote hurlyburly. lyricists: tom waits, mark e. smith, lois, ron
house, bill callahan, kathleen hanna, david bowie. marcy mays asked the best
rhetorical questions in rock, hands down.
cf: who is the most influential person in your life?
gilmore: it's a 3-way tie -- my sister, my best friend suzy, and jon from the
yips.
cf: are you still working at the banana cappuccino place? how is that?
better than a "real job"?
gilmore: well, actually I quit the coffeehouse. I'm working for the
department of education through a temp agency, doing almost comically menial
work -- giant amounts of stamping, envelope stuffing, etc. often people walk by
and say in a conspiratorial way, "bored yet?" "you still awake?" "christ,
what do they have you doing now?" but I don't really mind, there's a nice
freedom in being the drudge. I get left alone, mostly.
cf: what is at the core of the reason men and women misunderstand each
other?
gilmore: hmmm... mistaking the hurts and fears of your ego for the absolute
truth.
cf: what's the worst thing about being in a relationship with a boy?
gilmore: fear. distraction. obsession.
cf: when did you begin writing poetry? who are your favorite poets? do you
ever read aloud in public (without music)? how many copies of the small time
smirker did you make?
gilmore: I actually don't read very much poetry and I tend to like
individual poems rather than an author per se -- I know this is a very
unsatisfying answer -- but I think I have a lot of the impatience and prejudice
most people have about poetry, which is too bad beause really it is a
wonderful thing. I like the "j. alfred prufrock" poem a lot (many people's
favorite, I think). I've done readings a few times, which are ghastly, but
kind of fun too. there'll be 500 copies of the small time smirker and fluffy
clouds, the book, when it comes out.
cf: how would you describe an absolutely perfect day?
gilmore: a mix of intense adventure, excitement, ordinariness, and rest.
cf: describe your fantasy soul mate:
gilmore: the usual -- smart, kind, cute, amusing, honest, independent,
appreciative, soulful. someone who wants to be close by for good reasons.
cf: what irks you about the indie scene?
gilmore: ah, sometimes it feels like you're in church, all the hysteria over
what's good and what's bad. I admire the passion for integrity and
everything, but still, it doesn't interest me that much. and the old boy
stuff, whether on the young or old -- that's tiresome.
cf: when did you start playing guitar? why? self-taught? what kind is your
first guitar?
gilmore: started at 22, then seriously started playing at 24. I realized
playing guitar was a perfect mid-point between doing the bills and watching
t.v. but mostly I liked the way it felt. yes, I surely did teach myself. I
started on and still play with a cort guitar which is a gibson copy.
cf: what records do you play frequently?
gilmore: that's a tough question. funhouse by the stooges is the album I've
listened to most, excluding my david bowie obsession in high school, and the
rest is a revolving door so I'll just leave it at that. CF
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